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Posts from ‘Arts Funding & Grants’

Mar
31

Gilbert_Stuart_Williamstown_Portrait_of_George_Washington“Strive not with your superiors in argument, but always submit your judgment to others with modesty.” ~ George Washington

A recent article in the Jackson Hole News & Guide reported that four Art Association board members had resigned due to a lack of transparent leadership, a culture marked by economic emphasis and a muddy sense of creative direction. The fallout, now very public, occurred over a plan to relocate a portion of the Art Association’s operations to an empty Powderhorn Mall retail space. Board Chairman Dave Muskat reportedly attempted to push the move through quickly, without fully consulting board and staff. Though the books have balanced out under the current administration, it hasn’t been enough to stifle frustration.

When I read the article and Facebook comments about all this, I admit to reacting strongly. My long-standing respect and affection for the Art Association is real; so is the pain over watching it pass through such troubles. For years the Association has been reformatting its economic model and re-imagining what it wants to be to the community. All non-profits are businesses. They need to make money. But they also need to sustain a viable, dynamic mission. In a community our size, they need to generate authentic good will.

Partnering with another local arts group could make a difference. One prominent organization not only reaches out to Jackson’s community; it reaches out to tourism and a world audience. The University of Wyoming’s museum combines exciting contemporary and historically-themed exhibitions and teaching with programs that energize Laramie’s community.

The worst thing a leader can do to an organization’s image is publicly bad mouth colleagues and essentially tell everyone: “So what?” Once it’s out there, that sentiment can easily boomerang. Artists work mightily to move arts forward, and this latest development makes that effort more difficult. A value is owed to any organization’s supporters, whether those supporters offer hard financial assistance, volunteerism, positive word-of-mouth, or any other form of patronage. The Association has some new, very smart board members. I wish them all the luck in rejuvenating one of Jackson’s most important arts non-profits. With any luck recently department board members will be able to contribute their time and talents to the Association once again.

Submitted with modesty & good will ~~~ TC

528Here’s some support: The Art Association’s “JURIED METALS EXHIBITION: SOLDER, RIVET, WELD”  issued an open call for entries. Opening May 30th, 2014, the show will highlight new metalworks that utilize myriad metal fabrication techniques: casting, lampworking, metal clay, beading, metalsmithing, blacksmithing and welding.

Submission Deadline: Midnight MST, Monday April 28th, 2014 | Exhibition: May 30th – June 27th, 2014. Submission fee is $35. 

John E. Simms & "Bison Bison." Steel. 1992

John E. Simms & “Bison Bison.” Steel. 1992

“All work must be ready for installation. Work may be very small to large, but must be able to fit through a standard door. Work may be pedestal, wall hanging, or ceiling hung. Small jewelry pieces should have their own display form or case,” write the show’s organizers. This juried show will be judged by John Simms, Katherine Donan & Sam Dowd. Three wonderful choices!

Guidelines and instructions are lengthy, but you can find out everything you need to know by contacting Thomas Macker at aajhsubmissions@gmail.com, with the word “Metal Submission” in the subject field.

www.artassociation.org

Mar
17
Photograph by Nelson

Photograph by Loren Nelson

“Basic Digital Photography: How to Make Better Photographs With Your Digital Camera” is the second public educational symposium being offered by the Teton Photography Group, a group that’s come to include roughly 220 members, a phenomenal membership for an arts group less than a year old or for ANY non-profit group in a town our size! Photography, plentiful as sagebrush and as venerable as plein air, will become an official part of summer arts programs for the first time during the 2014 season.

Photograph by Linsdau

Photograph by Aaron Linsdau

“Education, sharing and networking” are the methods Teton Photography uses to advance the art. The event takes place Saturday, March 22, 2014 in the Black Box Theater at the Center for the Arts in Jackson, Wyoming. A half-day in length, the session runs 8:30 am  - 1:30 pm.

Photographers (check links for more about each artist) Loren NelsonAaron Linsdau, Michael Cohen and Mike Cavaroc will speak on such topics as basic photography gear, improving focus and sharpness, obtaining the best exposure and composition techniques that work. Beginners and intermediates should enjoy this session, which is open to the public, interactive and hands-on.

I don’t have written testimonies handy, but I could count on four hands the number of times Teton Photography members have described their own positive experiences gained from the group. $25 donation for advance reservations and $30 at the door. Call 307.733.6379 to register. www.tetonphotographygroup.org

Lost-Horizon-15x30-_____-sm-1

We mentioned this event a few weeks ago in a previous post on Alison Brush’s new arts ventures, but as it’s upon us, I’ll remind you all again that on Thursday, March 20th, 5-7 pm, noted San Francisco artist and visiting teacher Jeremy Morgan will give a talk at the Art Association.

Morgan has “created a following of dedicated artists that enjoy absorbing his knowledge and energy,” says the A.A. This public presentation offers an in-depth, personal account of Morganʼs personal artistic development, his influences and experiences.

Several of Morgan’s disciples say that one reason they love studying with him is that Morgan does not teach by insisting students emulate his own style. He encourages every artistic direction, warmly leading students towards their personal bests. For info: 307-733-6379. www.artassociation.org

impressionism-vincent-van-gogh-starry-night-paintings-art-689755

Testimony: Many’s the day I go out in the world and hear how excited folks are about Alissa Davies’ Community Supported Arts project!  That’s revealing, redeeming and couldn’t happen to a better, more balanced and sincere arts contributor. Congratulations, Alissa!  Contact Davies by phoning 307.690.4757 or by emailing csajacksonhole@gmail.com.

 

Feb
03
Erin C. O'Connor - Untitled

Erin C. O’Connor – Untitled

“The mission of the Atlas Cultural Foundation is to help underserved Moroccans, especially women and children, and improve their quality of life through locally determined development projects.” - Cloe Erickson, Founder

“The people are living exactly they way they have for hundreds and hundreds of years. Stone houses, sheep, goats, a very marginal existence. They are agricultural, but it’s extremely sparse terrain. You can’t truly realize how lush and beautiful it is here until you visit places like these.” – Jackson Artist Erin C. O’Connor

Even the briefest of visits to the Morocco-based  Atlas Cultural Foundation will take your breath away. People, music, swirling rainbows of cloth, smiling children, the purity of souls, laughter, donkeys loaded with grains making their way up steep mountainsides on paths as wide as piece of thread, stone houses seemingly impossible to build…African light on high cliffs, solitary townspeople under tents, illuminated by candlelight.

By Erin C. O'Connor

By Erin C. O’Connor

“These villages,” says plein air painter Erin O’Connor, “are in the High Atlas Mountains, in the middle of nowhere, at the end of a dirt road that probably should have ended 60 miles before it does. It’s unimaginable. The area was the last place for the French Foreign Legion to access, it is so remote.”

Recently O’Connor and a colleague landed the chance to go to Morocco, visit the Atlas Mountains and spend time in the ancient city of Medina, as part of an Atlas awareness-raising initiative. A Montana patron with a strong interest in the organization’s mission financed the trip. O’Connor’s paintings and works by other artists will be offered for sale on February 6th, at a private event in Bozeman, Montana.

“I’d always wanted to go to Morocco. EVERYTHING there is art: the wrought iron on the windows, the tile work, the architecture, the doors, I wanted to paint it all,” says O’Connor. “This opportunity came up,  andI had to say ‘yes.’ It was serendipitous. The funny thing is, I have always considered myself a plein air landscape painter, but being in Marrakesh, in the oldest part the Medina, 8,ooo years old, it was all small alley ways, souks (marketplaces), so many people in such a small place. I was forced to paint in really tight corners! I had two jobs every day: one was to go out and prove just how much my French sucks and the other was to get lost! You go through humbly.”

O’Connor began her trek in the Medina, where she spent almost a week on her own, painting. One day she found herself wedged up in a small souk corner, people pushing by her in huge throngs, very intense for a solitary outdoor artist.

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Dec
12

rocket-launchA Community Supported Arts informational meeting takes place at the Snake River Brewery (Brew Pub!) on Tuesday, December 17th, 5:30 – 6:30 pm.

“Having launched the Community Supported Art program a couple of weeks ago with a call for artists, CSA Jackson Hole is hosting an informational meeting for artists to learn more about the project,” says CSA founder Alissa Davies.

Currently, says Davies, CSA Jackson Hole is looking for local artists of all disciplines to apply to the new and innovative program. Nine artists will be featured during the summer of 2014, with names being announced in January. The deadline for artists to apply is January 13, 2014.

CSA Jackson Hole is modeled on Community Supported Agriculture programs, programs that are gaining popularity everywhere, every year.

Courtesy Philadelphia Generosity

Courtesy Philadelphia Generosity

Selected artists will receive a commission to create 40 “shares,” and potential collectors may purchase a share. In return they receive crates of locally produced artwork at three “pick-up parties” next summer. Each shareholder receives one piece from each of the nine CSA artists over the course of the summer. Pick-up parties take place at various local venues and will be festive occasions— enjoy music, food, and the chance to meet that evening’s featured artists and their work. For more information, contact Alissa Davies at 307.690.4757 or csajacksonhole@gmail.com.

Sculpture by Kent Ullberg

Sculpture by Kent Ullberg

Remember Tapas Tuesdays?

Now there’s “Wild Wednesdays,” a day of the week to visit the National Museum of Wildlife Art, enjoy the museum’s fine art collection, sit down to delicious food served up by Rising Sage Café and hear a little music. Piano music, to be precise, performed by Francis Koerber. Shop the gift store, open until 7:00 pm. Doors are open 5:30 – 8:00 pm. Reservations are strongly suggested; call (307) 732-5434, and view the winter dinner schedule online at www.WildlifeArt.org

Alex Katz - Yellow Tulips

Alex Katz – Yellow Tulips

On Friday, December 13th, the Tayloe Piggott Gallery opens its new show, an exhibition of works by Alex Katz. An opening reception takes place that evening, 5-8:00 pm, and the exhibition remains up through January 31, 2014.

Associated with the Pop Artists, Katz’s work blossomed once the artist began studying at Manhattan’s Cooper Union Art School. The rest is a long, successful, high-profile history: read Katz’s full bio here. Piggott is noted for her ability to corral internationally renowned artists and draw selections of their work to Jackson Hole.

I do love this bit, pulled from Katz’s bio:

“During his years at Cooper Union, Katz had been exposed primarily to modern art and was taught to paint from drawings. Skowhegan exposed him to painting from life, which would prove pivotal in his development as a painter and remains a staple of his practices today. Katz explains that Skowhegan’s plein air painting gave him ‘a reason to devote my life to painting.’ ”  www.tayloepiggottgallery.com 

 

Nov
21

Tigers.122124

Some press materials are simply so perfect and complete, it’s hard to up their message. That’s the case today! Here’s some information on the National Museum of Wildlife Art’s new exhibition, “Conservation Gallery,” which explores conservation themes by comparing and contrasting those themes as explored through artwork created from the 1800′s to today. The show opened November 16th, and will remain on display through April 13, 2014.

“American wildlife artists have helped to capture the positive and negative results of humanity’s interactions with wildlife still found today, as well as those that are simply a memory. In some instances, paintings and illustrations are the only record of certain species that we have,” says the museum’s Petersen Curator of Art and Research Adam Duncan Harris. Harris notes that artists’ interpretations of wildlife run the gamut from that of early American artist William Jacob Hays, who, says Harris, depicted the animals he saw on exploratory expeditions to the American West, visually preserving them for future generations—-to more conscious conservation messages, such as Steve Kestrel’s “Silent Messenger” (2005), that, in the artist’s own words, “mourn[s] the destruction and degradation of ecosystems worldwide and the tragic loss of unique animal species.”

Steve Kestrel - Silent Messenger - 2005. Courtesy www.stevekestrel.com

Steve Kestrel – Silent Messenger – 2005. Courtesy www.stevekestrel.com

Natural histories such as the rebound of bison populations lead to “tales of wildlife across the globe.” The tiger is well represented, and displays engage viewers with information that’s often revelatory. For instance, did you know that in the U.S. more tigers are currently owned by private individuals, not zoos, than exist in the wild? Approximately 5,000 tigers are in the U.S., according to the World Wildlife Foundation. 

“Artworks depicting endangered species, whether historical or contemporary, raise pointed questions about humanity’s role in species survival or extinction. We hope that Conservation Gallery will help spark some of those discussions with our visitors,” says Harris.

Images, top of page:  From “Conservation Gallery”: Wilhelm Kuhnert, Resting Tiger, 1912. JKM Collection©, National Museum of Wildlife Art (left), and Gwynn Murrill (United States, b. 1942), Tiger 2, 2012 -2013. Bronze. 42 x 62 x 31 inches. Dr. Lee W. Lenz, National Museum of Wildlife Art. © Gwynn Murrill (right)

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