Jackson Hole Art Blog

Lately, plein air painter Jen Hoffman has been screeching.  “Scree!”  I suspected she’d mistaken herself for a hawk, but she’s just excited about the National Museum of Wildlife Art’s upcoming exhibit, Birds of Sage and Scree.  Twenty-seven paintings by artist Greg McHuron with correlating text by writer and conservationist Bert Raynes will be on display.  The show opens Thursday, March 4, 2010 and as  Raynes and McHuron wouldn’t think of not having a party, there is one!  The party starts at the Museum at 5:30 pm, with a targeted end time of 7:30 pm.    I predict a packed house.

Are there two more admired and loved men in Jackson? Two figures whose passions are never dimmed, whose work is more purely motivated…devoid of narcissism?  I don’t think so.  Franz Camenzind is the only activist/conservationist/artist who holds a candle.  These spiritual leaders follow their muse, waking up daily considering and honoring the natural beauty surrounding us.  They wonder what they can do next to help it all along, and they don’t think about how they might benefit professionally or politically.

Back to the point, the show.   McHuron’s paintings and Raynes’ text are combined in a book, also titled Birds of Sage and Scree. This party celebrates that book’s upcoming Spring 2010 release, the finish line to a collaborative quest.   All proceeds derived from book sales will benefit the Meg and Bert Raynes Wildlife Fund. That organization’s mission is to “…initiate, augment, or simply fund projects or activities to help maintain viable and sustainable wildlife populations into the future, especially in Wyoming and Jackson Hole, through support of research, education, habitat protection and habitat restoration.”

A Raynes-McHuron collaboration provides an excellent in-your-hands example of the power of connection between nature and art.  Wildlife art nurtures love for, and engagement with, the natural world.  This show and the book are beautiful, and they are a tool.  The exhibition is also an opportunity for NMWA to  “…highlight two long-time supporters of the Museum,” says Museum President and CEO James McNutt. “The show furthers the Museum’s mission to inspire visitors to examine both fine art and humanity’s relationship with nature.”

Raynes, with his late wife, Meg, have been recognized for their dedication to conservation and wildlife issues by the National Museum of Wildlife Art, the Wildlife Heritage Foundation, the Wyoming Chapter of the Wildlife Society, the Wyoming Game and Fish Department, the Jackson Hole Conservation Alliance, and the Town of Jackson.   As the book profile on Raynes notes, he “….noticed that some promising bird habitats with difficult access got (little) attention. In particular, Raynes found that students in beginning birding classes tended to avoid scree slopes and attempting to cross expanses of sagebrush. Thus, birds that inhabit these ecosystems are lesser known. (Raynes) has long thought that these birds should be better understood.”

Greg McHuron especially delights in painting en plein aire in locations ranging from northern Alaska to the Grand Canyon. McHuron regularly participates in the Museum’s Western Visions® show and received numerous awards and special recognition from his peers and the Museum. In 2009, his painting Alpine Flush won the Trustee’s Purchase Award.

“I prefer painting…en plein air as the drama and excitement that occurs all around me is difficult to recreate in a studio environment,” notes McHuron.  “When I paint the rapidly changing scenes, I put into each of them the feelings and excitement that I felt while watching the scene unfold. Years of watching, analyzing and learning from nature’s school ground has helped me to understand the interrelations between organic and inorganic entities and how different lighting, seasons and locations affect how they look and react. If I can capture that particular feeling, I know that those viewing my works will come to feel some of the emotions and excitement that motivated my wanting to record this particular fleeting moment.”

Birds of Sage and Scree remains on display through April 18, 2010.   Phone the Museum at 307.733.5771.

Altamira Fine Art continues its ascent by adding yet another new artist to its roster:  Marshall Noice. Some years ago I wrote about Noice for Planet Jackson Hole. The column went something like this:

Noice, who lives and paints in Kallispell, Montana, is a nationally noted artist whose works are part of many prestigious collections.  However, the prize he holds most dear comes from the Blackfeet Nation, which, in 1987,  honored Noice with a name-giving ceremony.  Medicine man George Kicking Woman, who saw Noice’s name in a vision, gave the artist a Blackfeet name: “E-Kah-She-Mah-Kin.”

I don’t know the translation, but I do know that Noice began his artistic career as a photographer.  The work taught him about light.  In fact, Noice was Ansel Adams’ assistant during the summer of 1977, and the experience gave birth to Noice’s love of landscape.

“I have sometimes wondered if I live here because of the work I do, or if I do the work because I live here,” muses Noice.  “An interesting question without an answer. I learned how to see light from Ansel Adams.  He was a great teacher.  I really learned how to recognize landscapes.  I feel that my experience in photography has helped me to develop a heightened sensitivity towards landscapes.”

Noice’s work also has to be influenced by Fauvism.  For the Fauves, color is TOUT.  It is applied furiously, without restraint, and it is wholly interpretive.

Art history lesson alert!

“Fauvism” refers to a period in art history having its genesis in 1905, when French painter Henri Matisse and his buddies Andre Derain, Maurice Vlaminck, Albert Marquet, Raoul Dufy, and Georges Braque first displayed new paintings drenched with color; huge, vast masses of unbroken, emotional, explosive color.   These painters and others were given the nickname “Les Fauves,” –the Wild Beasts. Upon seeing the collection of wildly colorful paintings surrounding a comparatively run-of-the-mill sculpture, unveiled for the first time at the 1905 Paris Salon d’Automme, French art critic Louis Vauxcelles remarked that “it was like a Donatello ‘parmi les fauves’”-among the wild beasts.

Wildlife art. Wild Beasts.  Sense a century-old connection here?

Contemporary Western Art is in no way disconnected from art history’s great movements; it descends from many masters and traditions.  Artists in the West articulate landscape and are paying homage to light, color, and “the shapes of things,” as artists always have.

In addition to Trio house artist Lee Carlman Riddell hosting a painting workshop in Tuscany, her gallery partner Kathryn Mapes Turner has said “yes” to an invitation to exhibit her work alongside those of Michigan painter John Felsing.

The two artists plan a joint exhibition at Altamira Fine Art, where Felsing is represented.  The show runs March 11-13, kicking off with an artist’s reception on Thursday, March 11, 5-7 pm, at Altamira, in Jackson.

The show does not signal any change in Turner’s affiliation with Trio Fine Art.  More on this special exhibition soon.

Item #1 (With a bullet.)

Via Facebook, the Art Association of Jackson Hole has announced a lecture on censorship taking place Thursday, February 18, at the Center for the Arts.

The forum is set to be a panel discussion and runs sixty minutes.  Beginning at 5:30 pm and scheduled to end at 6:30 pm, this talk will allow participants to head out early in the evening—however, I can’t imagine an hour being enough time to really tackle this subject, particularly given the Jackson Hole late-arrival trademark.   At this writing the Blog is unclear as to whether this discussion will deal with perceived censorship issues within Jackson, or with censorship in the world at large.  Maybe both.

Whatever the focus, it’s a convenient and welcome chance for creative persona to bring censorship’s causes and repercussions to light.

The irony of censorship is that when a show or artist is censored their particular spotlight only burns brighter.  And usually, as we’ve seen in Jackson, the entity doing the censoring gets much more negative attention than the art in question.

Figure of Speech: Censorship in the Arts will be held in Artspace’s Main Gallery.  Panel members include reps from writing, dancing, theatrical and visual  arts.

Item #2:

A reminder that Lee Carlman Riddell and Ed Riddell are guiding a photography and painting workshop to Tuscany, Italy this spring. The trip begins April 29, 2010 and concludes a week or so later, on May 5.

Ed Riddell has details about the trip on his website, www.edwardriddell.com. You can also visit Lee’s website, www.leeriddell.com. Lee is represented locally by Trio Fine Art.    A previous post on this blog has more details regarding fees and application processes; do a search using key words “Riddell,” “workshop” or “Tuscany” and the post should appear.

Jackson Hole artist September Vhay revisits a familiar theme in a new show, All the Red Horses. On view beginning February 9, the show opens February 11, with a reception from 5-8 pm at Trio Fine Art. Vhay will talk about her art from 5-6 pm.

Horses are inextricably associated with Vhay; her portraits of these animals — nobody renders a horse’s body and flesh like Vhay– are ubiquitous.  Rightly so.  Vhay’s horses hold gentle strength, graceful form and lyric mystery.

These horses are red and reduced.  Minimal, they are void of Vhay’s more representational anatomy and detail.  She has explored using this red paint–I’m going to call it a Chinese red–in the past.   Constructive circles and arcs are plain in these works, which remain ethereal.

A little research tells me that describing Vhay’s red as Chinese red is apt.   In Chinese art, the horse is a symbol of power and virtue; a thousand years ago Asians considered the horse to be a luxury good, rivaling silk in its prestige.   They are also a symbol of imperial power. And red, in China, is the color of Luck.

For more information, phone Trio Fine Art at 307.734.4444.

Item #2:

Naturally Nude, CIAO Gallery’s latest competitive exhibition, holds its opening reception at CIAO on Saturday, February 13, 6-9 pm. The party will be warmed up by jazz trumpeter Mark Memor and accompanying musicians providing music composed by CIAO artist Martin Hagen.

With more entries than ever–this is CIAO’s third annual Naturally Nude show– choosing  just a few winning artists was difficult, says gallery manager Michele Walters. She notes that the juried show has caught on –  artists from around the country submit work.

Judges ultimately bestowed first place to Michael McGrath’s delicate bronzes; second place to Rick Wheeler’s compositions rendered with oils, watercolors and pastels; and third prize was awarded to Armin Muhsam’s abstract intaglio prints.

An evening of jazz and art is romantic, but an evening with jazz, art and good food borders on the decadent.  Wilson chef Piper Wright-Clark will be serving up tasty fare, inspired by Valentine’s Day.

What’s not to love about this party?  Do drop in. CIAO’s address is 66 S. Glenwood, in Jackson.  Contact Walters at 307.733.7833 for more information, and viva l’amour.

Trailside Galleries keeps their artists busy!  Throughout the month of February the gallery’s annual New Horizons landscape show illuminates downtown’s East Broadway.

Highlighted in the exhibit is contemporary landscape painter Robert Moore, a very popular artist.  His canvas sizes run the gamut–they can be almost monumental in scale, but he also creates paintings in sizes appropriate for any space.  Result: lots to choose from!

Moore’s paint application suggests  a palette knife; brushstrokes have a slicing quality.  Moore’s colors are vibrant–he’s flexible here, too.  Landscapes are warm, cool, and everything in between.  Baskets of color, flying confetti, piling up—Moore’s own painterly parade.   He’s a painter for all seasons, an “American Impressionist.”   Hailing from Idaho, Moore has been painting for 25 years; this show is slated to include at least 10 new works.

Other artists featured in February’s show are:  Bruce Cheever, Brent Cotton, Michael Godfrey, Lanny Grant, Francois Koch, Calvin Liang, Grant MacDonald, Dan McCaw, Danny McCaw, Greg McHuron, Robert Moore, Scott Myers, Ralph Oberg, Andrew Peters, Bill Sawczuk, Curt Walters and Kathy Wipfler.

For more information, contact Cara Kelly via email:   Cara@trailsidegalleries.com.   Check out the Trailside Galleries website for more gallery information.

One tough thing about not being in Jackson is being absent from watershed events. Karen Stewart, Art Association steward for the past 16 years, officially leaves her post as Executive Director of Jackson’s prominent arts non-profit this month.

If you are in town on Friday, January 15, please take time and good energy, and stop into the Center for the Arts to thank Karen. A reception is being held in her honor in the Center for the Arts Theater Lobby that day, from 5-7 pm.

Most of the time we don’t tell each other what we’ve done right. It’s hard for many of us; this is an excellent opportunity to practice your gratitude skills. Many other Jackson art venues might not exist if not for the ground breaking efforts of the Art Association and those who have, at one time or another, contributed and worked for its success.

Farewell, and Fare Well, Karen! Thank you for caring about Jackson’s visual arts. Thank you for all those years of service. Sixteen years heading up a Jackson non-profit may be some kind of record. I certainly hope to see you when I return.

Now, Ms. Stewart–go relax! Rev up the Vespa, pop a few corks, breathe.

Contact Cathy Wikoff, the Art Association’s Director of Development, for details. www.artassociation.org.  307.733.6379.

Also happening at the Art Association: Many Moose!

The Show: Twenty-six Moose: A Winter Photography Exhibit

The Dates: January 13 - February 2.

Opening Reception: Wednesday, Jan. 13 5-7:00 pm

The Space: ArtSpace Loft Gallery, Center for the Arts

By the time this posts, the first twenty-six photographs of moose brought to the Art Association’s front desk after the call went out, will be on display.

Apparently, unframed photographs are nailed to the wall. (Trying to block that taxidermy image….) It’s a great idea, this exhibit. First come, first serve. An excellent chance for fledgling/new/semi-pro photographers to show their work along side that of more established shooters.

Website: www.artassociation.org

“Sunrise, sunrise…Looks like morning in your eyes…” -Norah Jones

Browsing through the works of landscape artist John Felsing, I find myself humming Norah Jones tunes.  Felsing’s paintings conjure up misty, purple views I enjoy here in New England, sunrise and sunset.  Quiet daybreaks slipping up the horizon, transforming to brighter colors of the day more slowly than those quick-rising Teton mornings.  Landscapes coming into focus.

Lucky you, Jackson Hole. Art lovers have a chance to see Felsing’s works at his new gallery venue, Altamira Fine Art. The gallery showcases Felsing and sculptor Steve Kestrel – also new to Altamira — during this Wednesday’s (December 30th) Gallery Walk.

Kestrel’s work, quite distinguishable, is poetry transmorgrified to sculpture.  Its nascent qualities — his sculptures, often egg-shaped and eliptic — suggest birth’s innocence and omniscience.   He is a favorite of mine.  Of his work it is written that the artist “….prefers to carve directly in granite, slate, limestone, and sandstone….His stone carvings forsake the use of a prior constructed model as…this method helps preserve “the soul of the stone”.

Bregelle Whitworth Davis, Andree Hudson and John Greene will be featured as well.   Says Altamira, “Davis is a colorist whose style resembles the illusion of silk screening yet retains the textured surface of a painting. Andree Hudson’s art features large dramatic brush strokes that enliven her subjects while her use of contrasting light and dark colors create an intimacy between the viewer and the subject. John Greene’s landscapes depict imagined rather than actual realms that reveal new insights upon each viewing.”

Stop into Altamira for fresh art, and refreshments.    Phone: 307.739.4700.  email: econnect@altamiraart.com.

Happy New Year!  May Jackson Hole flourish, remain creative and nourished.   Keeping arts at our forefront is the best way, that’s sure-ish.