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Posts from ‘Contemporary Art’

Mar
17
Photograph by Nelson

Photograph by Loren Nelson

“Basic Digital Photography: How to Make Better Photographs With Your Digital Camera” is the second public educational symposium being offered by the Teton Photography Group, a group that’s come to include roughly 220 members, a phenomenal membership for an arts group less than a year old or for ANY non-profit group in a town our size! Photography, plentiful as sagebrush and as venerable as plein air, will become an official part of summer arts programs for the first time during the 2014 season.

Photograph by Linsdau

Photograph by Aaron Linsdau

“Education, sharing and networking” are the methods Teton Photography uses to advance the art. The event takes place Saturday, March 22, 2014 in the Black Box Theater at the Center for the Arts in Jackson, Wyoming. A half-day in length, the session runs 8:30 am  - 1:30 pm.

Photographers (check links for more about each artist) Loren NelsonAaron Linsdau, Michael Cohen and Mike Cavaroc will speak on such topics as basic photography gear, improving focus and sharpness, obtaining the best exposure and composition techniques that work. Beginners and intermediates should enjoy this session, which is open to the public, interactive and hands-on.

I don’t have written testimonies handy, but I could count on four hands the number of times Teton Photography members have described their own positive experiences gained from the group. $25 donation for advance reservations and $30 at the door. Call 307.733.6379 to register. www.tetonphotographygroup.org

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We mentioned this event a few weeks ago in a previous post on Alison Brush’s new arts ventures, but as it’s upon us, I’ll remind you all again that on Thursday, March 20th, 5-7 pm, noted San Francisco artist and visiting teacher Jeremy Morgan will give a talk at the Art Association.

Morgan has “created a following of dedicated artists that enjoy absorbing his knowledge and energy,” says the A.A. This public presentation offers an in-depth, personal account of Morganʼs personal artistic development, his influences and experiences.

Several of Morgan’s disciples say that one reason they love studying with him is that Morgan does not teach by insisting students emulate his own style. He encourages every artistic direction, warmly leading students towards their personal bests. For info: 307-733-6379. www.artassociation.org

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Testimony: Many’s the day I go out in the world and hear how excited folks are about Alissa Davies’ Community Supported Arts project!  That’s revealing, redeeming and couldn’t happen to a better, more balanced and sincere arts contributor. Congratulations, Alissa!  Contact Davies by phoning 307.690.4757 or by emailing csajacksonhole@gmail.com.

 

Feb
25

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A new arts venture is in town. Brush Art Ventures has opened softly over the past several months, but last week founder Alison Brush threw a big party. Brush’s new enterprise is housed in a Dynia “Metro Plateau” unit, perched above Broadway, near the intersection of that throughway and Highway 22.

Bonbon 12x6x4 1500 smBrush represents a handful of regional artists, exhibiting their works at 1085 West Broadway, Unit 1123. The concept is similar to that of apartment galleries popular in major arts cities like New York: Set up an exhibition in your own space and open it up to the public. Dynia’s dynamic structures, marked by high ceilings, industrial finishes and big windows are perfect for home/public gallery space.

At Brush’s recent opening for fledgling wildlife and landscape photographer Chuck Schneebeck and sculptor Amy Unfried, the place was packed. And the crowd was new. Schneebeck’s conservation work and Unfried’s connections to Jackson’s art world at large attracted sportsmen, collectors, fishing luminaries, artists, Mr. Dynia and a host of friends. Brush Art Ventures is, in fact, a gallery. Galleries have shows, and here’s hoping Ms. Brush keeps the energy going!  Check out her website: www.brushartventures.com, to see a list of represented artists. With the departure of Culture Front salons, a hole needs to be filled. Maybe it can be filled here?

Many thanks to Ms. Brush for supplying images for this post! I took a few shots; hers are better!

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Brush happens to represent noted California artist Jeremy Morganwho opens a show Friday, Feb 28th, alongside 12 local artists, at the Art Association. Morgan will be there! Thomas Macker relays that the opening reception runs 5:30 – 7:30 pm, and will feature Morgan’s work and the work of  his dedicated students from years past. This year’s workshop, “Realism to Abstraction,” offers a fresh opportunity to study with a master right here in Jackson, says Macker. www.artassociation.org .

Jeremy Morgan - Lost Horizon

Jeremy Morgan – Lost Horizon

Robert Indiana - Love 1967 - Screenprint, 14 x 14"

Robert Indiana – Love
1967 – Screenprint, 14 x 14″

Lots of new work in at Heather James Fine Art’s Jackson gallery. Including this beauty, a classic, our generation’s big art flag: Robert Indiana’s “LOVE.”  The gallery is open this month, stop in and warm to the message!  www.heatherjames.com.

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Behind the eight ball, as they say.

In the weeks leading up to my recent getaway I was so busy putting the finishing touches on freelance assignments, writing this blog and preparing for the trip that I failed to notice Meg Daly’s news about resigning her Culture Front website and its related efforts. Her reasons for doing so are there for anyone to read on Culture Front’s blog, still live.

Daly provided fresh ways for our community to look at and think about art. So many of us vigorously participated in Culture Front’s salons at The Rose. When Daly was preparing to launch her site she had the grace to invite me to tea to talk about her vision. Many would have simply and bluntly launched, without bothering to communicate to me that a new local arts blog was on the horizon.

I won’t forget that, and I’ll miss the collaboration we shared.

Thank you, Meg. Where’s my heart emoticon?

Jan
31
Casy Vogt - American Gothika. House paint, collage, resin on panel 24" x 24"

Casy Vogt – American Gothika.
House paint, collage, resin on panel
24″ x 24″

So many goodies sailing in via snail and email!  Spoiler alert: there’s likely to be a lot of stream of consciousness in this post…

That word, “email,” today reminds me of that childhood rhyme: What are little boys made of? Snips and snails and puppy dogs’ tails; and what are little girls made of? Sugar and spice and everything nice. Here are a few art snips, laced with sugar n’ spice.

The Diehl Gallery takes pride in presenting the art of Casey Vogt. Vogt is “a kind of photojournalist,” capturing in mixed media works “what the prevalent winds blow.”

My first reactions to the work are very different from what seems to be the artist’s intent. Vogt declares: “I present issues that, if seen from an objective standpoint, seem completely incongruent with that which is preached by those in power. My goal is to neither persuade nor dissuade anyone: rather, I wish to open the gates of discussion surrounding these issues so that meaningful dialogue can replace archaic sound bites.”

I see quilt-like designs rendered using various media, and I sense more is happening in Vogt’s art-soul. Doesn’t matter, it’s all subjective. Like it. www.diehlgallery.com

496“More about film, Tammy!” I hear that a lot. Okay!

Here’s an upcoming film class taking place at the Art Association. “Motion Picture Fundamentals,” with Leigh Regan, Tuesday, February 4 – March 11th, 6-8 pm. Cost:  $150 for A.A. members, $175 for non-members. Description: “The class will start with a hands-on technical run-through of camera operation. Students will view and study film scenes as examples. Whether you want to learn better techniques to shoot a family video, create a YouTube video or have aspirations to make your own film, this course will give the tools and creative inspiration to boost your shooting to the next level.”  Where is she, and what is she filming in this image, I wonder? Can we go there? www.artassociation.org  Phone: (307) 733- 6379.

 

Lee Hall, "Rome Wall Study 11,"  2010. Collage on paper.

Lee Hall, “Rome Wall Study 11,” 2010.
Collage on paper.

An opening reception takes place at the Tayloe Piggott Gallery on Friday, February 7th, 5-8:00 pm for two new exhibitions: Lee Hall’s “Visual Poetry” and Robert Motherwell, “A Collection of Works, 1970 – 1990.”

You know Motherwell’s work, and my hope was to find a snagable image of Piggott’s mailer depicting Hall’s “Italian Fragment,” an abstract acyrlic on paper recalling gorgeous ancient tile work. Hopes dashed. Instead, get an idea of Hall’s style, fine geometrical arrangements and mixes of color from the image above, a collage on paper. Visit www.tayloepiggottgallery.com.

Drove by ITP after dark the other evening. Lights on, painters painting in there. Nice.

 

Jan
27

If you want your art to get noticed and sold here in Jackson, you have to work at it every day, every minute you can. Don’t sit around wasting time watching TV. Your art has to be the best, the highest caliber you can produce, it has to stand out.”  ~ Jackson Hole Artist 

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“No animals died in the making of these mounts.” - Jennifer Lee, National Museum of Wildlife Art

Contests and competitions everywhere!  Jackson’s National Museum of Wildlife Art is putting out a national and regional call to artists–including amateurs–to submit “fun faux animal mounts” that will be part of the new Trophy Art Fundraiser. Artists must create fanciful examples of animal trophy heads and deliver them to the museum by February 7, 2014. All works will be on display February 12th – March 15th. All are available for sale on a first come, first serve basis beginning February 22nd, from 11 a.m – 2 p.m., during  ”Trophy Art: Fun Forms for All.”

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“We were hoping to inspire people’s creativity with this event by letting imaginations run wild,” says Associate Director of Programs and Events Jennifer Lee. “For years the museum has been asked, ‘Where is the taxidermy?’ This event offers a fun way of playing off that theme, including our tagline: “No animals died in the making of these mounts.”

Two works for sale are “Deer #5” by Kelly Vanderveer (above) and “The Lizard” crafted in silver and opal by Jackson Hole silversmith Joni Mack, top of the page.

Participating artists retain 30% of the purchase price they name as a commission for their time and efforts, with the rest of the proceeds going to the museum’s youth education programs. Images already received for the upcoming event include a lizard, mountain lion, elk, pronghorn and deer.

For more information, contact Jennifer Lee at jlee@wildlifeart.org or 307.732.5412. www.wildlifeart.org

Joshua Tobey -"Cotton Ball"  Cotton Tail Rabbit. Bronze, edition of 25 7" x 9" x 8"

Tim Cherry -”Cotton Ball” Cotton Tail Rabbit.
Bronze, edition of 25
7″ x 9″ x 8″

New paintings and sculptures are on view at Astoria Fine Art, in Jackson. In particular 2014′s Fall Arts Festival Sculptor Artist Joshua Tobey has some wonderful new wildlife sculptures. At this writing many Fall Arts fans are waiting to see the finished image of Tobey’s winning FAF work, one he hopes will initiate the new FAF tradition memorably.

Tim Cherry and Gerald Balciar also have new sculptures at the gallery; painters Ewoud deGroot, Robert Lougheed (1910 – 1982), Dean Mitchell, Tom Palmore, Al Agnew and Cole Johnson are all represented. Stop by the gallery, on the north side of Jackson’s Town Square. Who said winter was quiet?

Ewoud deGroot - "Snowy Owl"  39.5" x 25.5"  oil

Ewoud deGroot – “Snowy Owl” 39.5″ x 25.5″ oil

Continue Reading

Jan
09
Todd Kosharek - Late July, 2013 - 14 x 26"

Todd Kosharek – Late July, 2013 – 14 x 26″

“What I love in painting, as an artist and as a viewer, is the feeling I get from seeing something…meticulously created by pigment and brush. I want to see time – time taken by the painter to think, feel and create – but also the element of time, as if the painting … will grow and change with me … as I grow and change.” ~ Todd Kosharek

Jackson artist Todd Kosharek opens a show of new works, “Interiors/Exteriors,” at the Jackson Hole Center for the Arts Theater Lobby with a reception on Friday, January 17th, 5:30-7:30pm. The exhibition will be on display January 13th – 29th, 2014.

Images of Kosharek’s new works blow me away. In a short time — although Kosharek may not share my conception of  what comprises a “short time” — his landscape painting style has blossomed and matured, gaining a notably new level of sophistication. Kosharek’s painting “Late July, 2013,” shown above, is so rhythmic and complete; it’s like a fine jigsaw puzzle with all the pieces fit perfectly together. He’s thought of everything: a peach sky is reflected perfectly in a body of water. The water, rather than being just a pond or just a river, is both. Space and atmosphere Kosharek builds between land and the sky’s ceiling—those clouds—provides “air” that breathes into the scene and opens it up. He has broadened his color palette without going overboard, limiting his colors and also simultaneously creating the number of subtle shadings required. Kosharek’s brushstrokes are more coherent, more secure, drawing together his composition’s elements.

The growing and changing is happening. Most definitely.

Todd Kosharek - Last of October - 2014 - 14 x 26"

Todd Kosharek – Last of October – 2014 – 14 x 26″

A remarkable hallmark of Kosharek’s work is that he paints in two blazingly different styles. There are his landscapes, influenced by the Scandinavian Symbolists, and his interior paintings, rooted in the Magic Realist tradition. These fastidiously detailed and mystical works, his Origami Crane Series, consist of 12 large paintings exploring the concepts of repetition and life, religion and art. Kosharek takes many months to complete any given crane painting and is thrilled to be exhibiting three works of the series in this show. At this writing, Kosharek was putting the finishing touches on a crane painting that’s been coming to life on his easel for a full year.

Todd Kosharek - Veneer - 2012 - 66 x 50"

Todd Kosharek – Veneer – 2012 – 66 x 50″

“I throw everything possible into the scene during the sketching and researching process, and then slowly eliminate aspects until the scene clicks and is suddenly correct. This process of elimination will often continue all the way until the painting is finished,” says Kosharek. “Great examples of this process are the three large paintings that are a part of the Crane Series.”

A great painting, adds Kosharek, should encourage and allow viewers to react to space, letting them follow any direction the painting may beckon. His paintings are part of private and public collections throughout America and in Paris.

“Art should not be in a box nor should it be “right or wrong,” nor should it hold the viewer’s hand,” says the artist. “The greatest respect an artist can give an audience is to trust that they will get what they need from the work.”  www.toddkosharek.com

1497504_10202870754911208_157654252_nThursday, January 9th, 7-10 pm, artist Tom Woodhouse’s “creative passion” will be on exhibit and celebrated at the Pink Garter Theater/The Rose, downtown Jackson. The evening is the first in a series of art events happening this month; Tom’s show will change and evolve each week. Paintings, prints, drawings, sculptures, abstracts, bar scenes and landscapes will all be featured. And yes, you can buy them!

Contact: Not sure! Posters list the Pink Garter, so give that venue a jingle. Go, Tom!

Last notice: Community Supported Art (CSA) inaugural year applications are due on Monday, January 13th! Read more about the project here, and contact Alissa Davies at csajacksonhole@gmail.com, for more information.

My bad…Public Art announcements were going to appear here, but I promise—next post you will see them!