Category Archives: Exhibitions

Hats Off! It’s “Whodunnit” Number 10!

I know Whodunnit!

What’s so special and enduring about the Art Association’s annual “Whodunnit?” fundraiser? One participating artist, Borbay, immediately piped up with his take on the exhibition:

“Despite being a full-time artist in Manhattan for seven years, I never established a meaningful relationship with an art organization. That changed completely when I moved to Victor, connected with Shari Brownfield, Todd Hanna, Chas Marsh, Mark Nowlin and The Art Association of Jackson Hole. They hosted my first show out West in the Summer of 2016, and since, I’ve witnessed the incredible impact they have made on our community. When the wonderful Jill Callahan mentioned the Whodunnit show, I was happy to contribute. I’m excited to see who ends up with my piece, and, from what I’ve heard, it’s one helluva party!”

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Kathryn Mapes Turner Meets Winter 2017

Kathryn Mapes Turner, “Dance,” 48 x 48″.

Kathryn Mapes Turner, of Trio Fine Art, grew up in Grand Teton National Park on her family’s Triangle X Ranch. She’s arguably experienced just about everything a Jackson Hole winter can throw out there.

But, says the artist, there is winter…and there is THIS winter. With little sun, high winds, frigid temperatures and hundreds of inches of snowfall, even this valley veteran turned to accessing her imagination in lieu of accessing 15-foot high snow berms.

“Winters are always magical,” says Turner. “A typical winter brings peace and solitude; it’s a time to scale back, explore internal creative impulses, and ‘save up’ for summer when once again I’ll be able to respond to the sublime stimulation and inspiration of painting out in the field.”

“It’s all made me think back on my anthropology studies. We explored how the arts flourished in communities that had their basic needs met as opposed to communities that didn’t.”

Endlessly fascinating are the transformations snow and ice bring. Winter turns the outdoors into a dream world, simplifying landscapes, paring it down to essentials. But this winter, Turner admits her soul was not buoyed by her favorite winter activity, skiing.

Kathryn Mapes Turner, “Teton Sunrise.”

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A Wolf Walked Into a Bar: Photographer David Yarrow at WRJ

David Yarrow, The Wolf of Main Street  Hahnemühle photo rag Baryta paper

“I have worked a great deal in two ghost towns in Montana. The result has been conceptual staged shots which have proved hugely popular in America. I wanted to capture the visual feast represented by the old Wild West. The images require a double take in terms of the proximity of man and animal. I love to tell stories that ask questions with no consensual answer.” ~ David Yarrow

There are wolves in Yellowstone. There are wolves in Grand Teton National Park, on the National Elk Refuge, and in Rafter J!

And now there’s a wolf walking down a bar, looking for you.

David Yarrow, Hello 56 x 91″  Hahnemühle Photo Rag Baryta Paper

Wildly popular European photographer David Yarrow has a new exhibition opening at WRJ Design in Jackson, Wyoming. Dramatic and startling, Yarrow’s “The Most Amazing View” will be on view, open to the public, at WRJ’s King Street showroom February 20 – March 4, 2017. Visions West, Jackson’s newest art venue, partnered with WRJ to bring Yarrow’s internationally raved-about photography to our region.

My premonition: Visitors, prepare for goosebumps. You will walk into surprisingly wild and engulfing new territory. Around every corner, in front of you and behind you, animals of the world feel within reach.

Yarrow believes what his muse, the war photographer Robert Capa felt: If your pictures aren’t good enough, you’re not close enough.”

This exhibit goes hand-in-hand with WRJ’s acclaimed history of mounting some of the world’s most stunning exhibits; the count includes more than 40 just for Sotheby’s New York. WRJ plans on transforming their showroom, pairing Yarrow’s photographs with carefully selected furniture, fabrics and lighting to showcase Yarrow’s work. Plan on learning a thing or two about the juxtaposition of good interior design and large-scale artwork.

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Take Your Broken Heart and Make it Art

 

Sue Sommers’ “001-1111-16,” Watercolor pencil and crayon on Magnani Pescia paper, 11 x 11″. From Sommers’ “Sibling” series.

In this week’s Jackson Hole News & Guide, editors ran a short letter about “clowns” demonstrating on Jackson’s Town Square the afternoon of January 15th. The letter could be taken as a thinly veiled threat: get those “clowns” off the streets of Jackson, or we’ll take our business elsewhere. Presenting all points of view is important, but placing that particular letter ahead of all others is astounding.

It’s a new town, a new year. Luckily, we can take our broken hearts and still make art!

Wyoming’s Pipeline Art Project artist Sue Sommers recently wrote a great piece for Wyofile, and she’s also come out with lots of new art and a new website. Her art explores different subjects, all close to home. Two of my favorites are her “Sibling” and “Willows” series. Though Sommers doesn’t specifically say so, these works draw from the same well, a source of roots and connection.

Sue Sommers, “Willow 2.” Intaglio on Rives Cream, plate size 9 x 12″, edition of 6.

Think of a tree’s branches as fingers, reaching to the sky, beckoning sun, rain and wildlife to its limbs. Think of families — most of Sommers’ abstract “Siblings” resemble fingers — as hands connected by fingers.

She could, she says, use a word like “meditation” to describe the “Sibling Series'” origins. But the real origin is terror.

“I call them (the Sibling Series) because they look like related organisms moving around in a confined space – like a family,” writes Sommers. “Thinking about my own siblings while I draw liberates me. I know (but didn’t when I was growing up) that I have to let the shapes be what they want.”

Sue Sommers. A landscape, “Fenceline 0615″ Acrylic on gallery wrapped canvas, 48 x 48 x 1.5”

Sommers writes about process rather than “content” or “meaning.”

She could, she says, use a word like “meditation” to describe the “Sibling Series'” origins. But the real origin is terror.

“This would be embarrassing if I didn’t know lots of other artists fighting messy tides of dread and self-doubt. Do I have anything interesting to say? Am I any good? Is there any point to the sacrifices I make? After nearly 40 years of valiant battle, I felt like the terror was winning. My way out was to make marks. Any marks.”

Sue Sommers. Stripes sketchbook green yellow. Watercolor and crayon in handmade sketchbook, 4 x 6 inches open. NFS

Sommers started with square pieces of scrap paper and a children’s watercolor set. Working slowly, she pressed her nose almost to the paper, her brush dragging incrementally across the paper’s tooth as pigment soaked in and spread.

“Every inch of every strip of color I laid down was my choice: I choose to make this now. And this. And this. I made dozens of these stripe pieces. Eventually they started changing, and I started changing.”

You can view Sommers’ new work and new website here

Duke Beardsley, Hangtown. Mixed Media on Collage 40 x 52.”  At Altamira Fine Art, Scottsdale.

Altamira Fine Art’s Scottsdale gallery welcomes a new solo show, “Range Monitor,” by contemporary Western artist Duke Beardsley. 

“A highly anticipated new body of work will be highlighted in this new show, which centers on the idea of transparencies and visual plays on overlapping realities and falsehoods,” writes the gallery.

Artist Reception & Opening: January 26, 6:30 – 9:00 pm, in Scottsdale. 

This appears to be an excellent show. Find out more about it by visiting Altamira’s exhibition description here.

Our Majestic Parks: Ziemienski at Altamira Fine Art

Dennis Ziemienski, Stone Bridge Over the Merced, Yosemite National Park. Oil on Canvas 40 x 30 "

Dennis Ziemienski, Stone Bridge Over the Merced, Yosemite National Park. Oil on Canvas. 40×30″

In Dennis Ziemienski’s new show “Celebrating Our National Parks” at Altamira Fine Art, our parks are monumental. Man’s presence, for the most part, is small and humbling. In every image, you’ll find homage and acknowledgement that they, the parks, were here before us; and they, not us, are Earth’s great achievements.

DENNIS ZIEMIENSKI: CELEBRATING OUR NATIONAL PARKS, is on exhibit at Altamira Fine Art in Jackson, Wyoming, August 15-27, with an opening reception on Thursday, August 18, 5-8:00 pm. 

Dennis Ziemienski Old Faithful Geyser, Yellowstone National Park Oil on Canvas 48 x 30 inches

Dennis Ziemienski
Old Faithful Geyser, Yellowstone National Park
Oil on Canvas
48 x 30 “

As I write, 11 works from the show are posted on Altamira’s website; two have already sold. Ziemienski’s painting has always been marked by an appreciation of all things vintage. At times I’ve felt his work can be a little too obvious, but in this show, being obvious about color, scale and our precious parks is the point. These are spectacular tributes to some of America’s greatest treasures: Yellowstone, Grand Teton National Park, Arches National Park, Glacier , Yosemite and Devil’s Tower National Monument. This year is the National Park Centennial, and if you are one of the millions whose lives are deeply affected by personal park experience; if these wild and gorgeous places have made their mark on your soul, then you are bound to be transported by this tremendous exhibit.

Works reflect National Parks grandeur and scale. Ziemienski’s smallest painting measures 18 x 24″, and the largest canvas is 36 x 48″.

“The stunning beauty, history and wildlife provides an unlimited source of inspiration and subject matter for my paintings.” ~ Dennis Ziemienski

Growing up near Yosemite, I spent many summers there. Two decades ago I moved to Jackson Hole and Grand Teton National Park; stepping off the plane here for the first time my pulse quickened, stunned by the Tetons’ visual impact. Those halcyon summer months spent at Yosemite’s lakes, beneath the waterfalls, hiking valleys, camping in the pines~~I can smell it. I thought I’d lost that sense memory forever. Thank goodness, I was wrong.

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