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Posts from ‘Fundraisers’

Jun
03

THIS. BLOWS. MY. MIND.

Enlightened, ©Jennifer L. Hoffman, 2015, oil and cold wax on linen, 24x18 in.

Enlightened, ©Jennifer L. Hoffman, 2015, oil and cold wax on linen, 24×18 in.

Trio Fine Art’s partners Kathryn Mapes Turner, Jennifer L. Hoffman and Bill Sawczuk have taken to sending out what amount to personal diaries that reveal their feelings and processes. I’m lucky to have been physically present when all three artists create work, and we always enjoy conversations that certainly help form my own soul’s perspective.

Jennifer Hoffman at work. Photo by Tammy Christel

Jennifer Hoffman at work. Photo by Tammy Christel

But there’s nothing like reading these “diaries.” Hoffman is a dear friend. When I first arrived in Jackson her work stood out. She’s climbed a lot of ladders, and her work is highly praised. It’s thrilling to see her venture into the abstract. Her work is cliché-free. Each stroke of her brush or pastel is laden with emotion. With memory. Hoffman’s thickly layered canvases are what plein air should be: our eyes roam each surface, seeking out details. We marvel at layered textures, a dream-like, hauntingly soft view of the world. She approaches nature as the mystery it is.

Jennifer Hoffman - "Winding Through."

Jennifer Hoffman – “Winding Through.”

A year ago I had the honor of standing in for Hoffman at New York’s Salmagundi Club. Her work received a prestigious award, one of many. It was a proud day for the artist, and a heady, exciting day for me.

Here’s an excerpt from Hoffman’s blog. In it, she describes a “Eureka!” moment shared with the late, great plein air painter Greg McHuron. That day, Hoffman was frustrated with her artistic efforts, and McHuron solved the dilemma:

“…So I drew a thumbnail of what I remembered as the composition.  “Look!” [Greg] said, pointing at the saguaro in front of the mountains that I’d sketched on the napkin. “You’ve already improved on your idea!” He was right: I had subtly shifted the main elements of my design into a better version of my original composition.  Without the distraction of a million compelling details in front of my eyes, that idea became my whole focus.”

Click here to read more about Jennifer Hoffman’s work. And click here to visit her gallery, Trio Fine Art.

Bert Raynes and Friend. Courtesy JenTen Productions.

Bert Raynes and Friend. Courtesy JenTen Productions.

TONIGHT, June 3rd, 6-7:30 pm, PLEASE join the JenTen film production team at the National Museum of Wildlife Art. Help crowd fund “Far Afield,” a documentary about one of this valley’s most beloved conservationists, Bert Raynes. I’ve contributed!

“Donate and Celebrate,” as the group says. You may also visit http://igg.me/at/BertFilmJH to contribute. Contact Jennifer Tennican at 307.690.2258 or jentennican@gmail.com for more info.  

Dec
04
Jennifer Hoffman - Flat Creek Breakdown

Jennifer Hoffman – Flat Creek Breakdown

Bushwhacking through dense underbrush and tangled bunches of new and old-growth forest one afternoon with two of the three Trio Fine Art artists, I finally “got” what determination means when it comes to plain air painting. I’ve loved and been close to plain air for decades, but rarely get a chance to go with painters to protected, coveted painting sites. This day was different, and following the footsteps of Jennifer Hoffman and Bill Sawczuk as they marked a painting spot on protected land can be defined, without hesitation, as adventure.

When bellowing bull elk bear down on you, suggesting you’d be better off moving some yards to the south, you pick up your paint box and move it. Hoffman tells the story of that day much better than I; We ventured out on the Ladd property. You think you know what you’re doing, but this valley is always full of surprises…read the story here.

Kathryn Turner - Mead Ranch

Kathryn Turner – Mead Ranch

View22: Painting Jackson Hole’s Open Spaces is a collaboration and fundraiser art exhibition featuring the works of artists Kathryn Turner, Hoffman and Sawczuk. The exhibition’s opening reception takes place Friday, December 6th, at Trio Fine Art on North Cache. Time is 5-8 pm, with artists’ remarks beginning at 6pm. The exhibition remains up through December 21st. A portion of exhibition sales benefit the Jackson Hole Land Trust.

Drawing inspiration from Thomas Moran, the painter responsible for capturing Yellowstone’s rugged beauty so magnificently that Congress declared it and Grand Teton as national parks, View 22 celebrates the Jackson Hole Land Trust’s conservation efforts that have so dramatically affected our open spaces, and works to further cement the eternal bond between art and nature.

Bill Sawczuk - Hardeman Barn

Bill Sawczuk – Hardeman Barn

This past summer and early fall saw Turner, Hoffman and Sawczuk visiting an array of preserved open spaces, often not available to the public, and painting their landscapes, wildlife and historic valley structures. Besides benefitting the Land Trust, this show shines a light on special land tracts many of us don’t get a chance to see. Or, if you have had the luck to visit them, you may view each of these places anew. Eighteen protected properties were captured en plein air for the project; 23,000 acres have been protected by the Land Trust.

“As full-time landscape painters in Jackson Hole, we have a vital interest in the preservation of open space within our valley. It is the natural beauty found in wide open spaces that inspires our creativity. Through sharing our interpretations of the landscape, we hope to shine a spotlight on the importance of conservation efforts made possible by the Jackson Hole Land Trust,” said Turner, Hoffman, and Sawczuk.

A View 22 produced video of the artists, their activities and several locations they visited can be viewed here.

Land Trust Executive Director Laurie Andrews is thrilled with Trio Fine Art’s commitment. “Through Trio’s artists’ deep understanding of how the valley’s protected open spaces affect their daily lives, and [through] their talent and creativity, they’ve shown us all a very special view of [the Land Trust’s] work.”

For more information contact Trio Fine Art at 307.734.4444, or phone the Land Trust’s Leslie Steen at 307.733.4707. Email: leslie@jhlandtrust.org   www.triofineart.com  www.jhlandtrust.org  

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Oct
04
Elizabeth Galindo - Handmade fabric with leaves, berries and natural colors.

Elizabeth Galindo – Handmade silk jersey with leaves, berries and natural dyes.

Walking with her through high-end Berkeley and Sacramento galleries and shops, I watched my friend Elizabeth Galindo Roberts, PhD, size up designs, the cut of a fabric, color and details of exquisitely made clothing. Elizabeth, who I’ve known since childhood, creates couture. She has a right to world fame, so rare and extensive are her gifts. Even if she’s not internationally known yet, she is a highly respected artist and academic expert in her field. Sophia Loren has worn her designs. Elizabeth crafts an extraordinary line of textiles that are true products of the earth, her Botanical Peace Textiles. Constructed using flora colors, 100% natural fabrics, dyes and ingredients—such as indigenous berries and leaves—her Botanical Peace Textiles are extraordinary, romantic interpretations of nature.

Galindo Couture - Detail

Galindo Couture – Detail

A film costume researcher, Elizabeth’s credits include 2006’s “The Good Shepard,” 2007’s “There Will Be Blood,” with Daniel Day Lewis and 2006’s “The Curious Case of Benjamin Button,” starring Brad Pitt. Perhaps her proudest work, though, is her styling for her son’s music video—Gustavo Galindo was a 2011 Grammy nominee for Best Latin Pop, Rock, or Urban Album for his debut album “Entre La Ciudad Y El Mar.” 

Elizabeth Galindo - Silk & Wool Wall Hanging (detail)

Elizabeth Galindo – Silk & Wool Wall Hanging (detail)

Elizabeth is as busy and focused as anyone I’ve known; somewhere between our childhood and our current lives she developed an intense creativity and discerning eye. Perhaps it was always there—she had a lot to say about Barbie’s wardrobe back in the day!  Fashion is risk, and risks she took. Years living in Mexico informed her aesthetic, as did early years in Southern California. At the summer camp we attended together, Elizabeth received a coveted plaque: “Camper of the Week.” I didn’t. I came in third at the summer’s end “Activity Contest”; Elizabeth took second. She understands what it means to build a profile and get your work out into the world. Still, when I saw her creations “in the flesh” this summer, I was stunned by their exquisite beauty and passionate dedication evident in every piece.

Last year Elizabeth earned her Masters of Fine Arts and a PhD in Performance Studies with an emphasis in Film and Fashion at the University of California, Davis. She travels extensively to lecture, and she has “studied and earned several proficiency degrees in silk screening, hand blocking and embroidery work on fabrics at the Fuji Institute in Florence, Italy.” On top of it all, Elizabeth is an adjunct professor at two universities, conducting her courses on line.

Elizabeth Galindo Botanical Fabric

Elizabeth Galindo Botanical Fabric

Elizabeth has fun with fashion; she regularly posts her favorite trends and designs to social media, and her followers delight in her sense of style. Elizabeth’s ability to move back and forth between designing the finest quality, custom-fitted garments, marked by distinct detail—very time consuming to create—to melding rich, loose colors with natural elements is quite unusual and the sign of a high artist.

While visiting Elizabeth in California we spotted a sweater she advised me to buy. If I’m smart, I’ll take her advice. www.elizabethgalindo.com

Elizabeth Galindo - Bias Cut Burnt Velvet Gown

Elizabeth Galindo – Bias Cut Burnt Velvet Gown

gala.logowebLet the Good Times Roll!

A wonderful opportunity to bridge the distance between Jackson’s art scene and the University of Wyoming’s and Wyoming Arts ever-evolving, visionary arts culture is to get yourself down to U.W.’s Art Museum’s fundraising black tie Gala “Laizzes les Bons Temps Rouler!”  The event takes place Saturday, October 26th, 2013 in the Yellowstone Ballroom Wyoming Union, at U.W.  The evening’s rollicking tone will be set by the hippest band in the state, “Jackson 6.”  

All proceeds benefit the exhibition, education and collection programs at the U.W. Art Museum–a spectacular museum; its galleries remind me of San Francisco’s De Young. Sponsorship levels vary—individual tickets are $175, and there are multiple “table” opportunities.

“The Art Museum and its outreach programs not only impact the quality of life around Wyoming; the preschool through college education programs strengthen student problem-solving and critical thinking skills — a great benefit to our future workforce,” say this year’s gala chairs Chris and Kathryn Boswell.

The party starts at 6:00 pm!  Fine hors d’oeuvres, an open bar and silent auction are all part of the fun…which promises to be memorable. I would love to be there!  For information, phone 307.766.3477. Read a little bit more about the evening’s events here.

 

Oct
01
Sawdust Art Festival Chantuese

Sawdust Art Festival Chantuese

Returning to Laguna Beach’s Sawdust Art Festival today, a fair with all the elements of an artist-populated enchanted magic forest. How did Sawdust come into being? Here’s Part Two of my exchange with festival manager Tom Klingenmeier. A note: Just like Jackson, Laguna Beach experiences a high influx of visitors during summer; just like Jackson, Laguna’s citizens are disrupted by the crowds. They are also appreciative of art’s educational value and what they provide in sales taxes!

Tammy Christel: What are Sawdust’s origins? Forty-seven years is an amazing run, and you’re going strong.

Tom Klingenmeier: Laguna’s “Festival of Arts” began over eight decades ago. A splinter group of artists, objecting to a change in jurying procedures at that show (some called the rebellious group “hippies”) departed the FOA and eventually set up in a dirt lot. This ingenious group put sawdust on the dirt to keep the dust down. An L.A. Times reporter nicknamed their first show the “Sawdust Festival.” They moved to their current location the following year, securing a lease with local owners who had used the site for vacationing campers.

1240548_10201874892496188_32009045_nOur 501c3 corporation, established in 1968, bought the property in the early 80’s and quit paying rent. It’s free and clear property. If anything happened to the Festival the land would belong to the State of California. Affordable living/studio space is being studied by the city, with assistance from the local population, including artists.We celebrate our 50th Anniversary in 2016!

If we have a problem, it’s parking. And we need to find affordable studio-living space. We’re working on those issues, and we’ll soon have a “Village Entrance” dedicated to the arts and what they provide to our seaside community—and we’ll have a parking structure.

We constantly need to generate new, young artists. To that end we provide scholarships to the local high school and to other art shows. Everywhere K – 12 schools are dropping visual and performing arts from curriculums. Our art education programs are so important, and we are beginning to teach art education in nearby school districts. We need young artists to sustain our society as we know it. That’s why we do so much for artists here at the Sawdust Festival!

TC: Experiencing Sawdust expanded my understanding of what an art fair can be; wandering through, I felt as if I were in the middle of an unfolding flower, stepping from petal to petal. Art fairs and festivals take many forms, but Sawdust rang a big bell; it is its own Wonderland.  www.sawdustartfestival.org

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snowking-1Straight from the Wyoming Arts Alliance and Wyoming Arts Council’s Conference website – Information about the 2013 Conference, taking place in Jackson Hole, Wyoming at the Snow King Resort and the Jackson Hole Center for the Arts October 12th-14th! 

“You don’t need to be an artist or a presenter to have a place at this conference – If you are interested in preserving and promoting the Arts in Wyoming and the surrounding areas, this is where you will want to start!

This year’s conference is a fantastic collaboration between the Wyoming Arts Council and the Wyoming Arts Alliance. We are teaming up this year to bring you more of everything. The Conference will be taking place Saturday, October 12th through Monday, October 14th in the shadow of the Tetons – Jackson Hole, Wyoming.

Features at this years’s conference include a three-track workshop series dedicated to individual artists, performing artists, and organizational development. The Visual Artists’ Gallery is to be held in the lobby of the Center for the Arts and will feature the works of artists around the state. Visual Artists will have another opportunity to share their work through a 20:20 presentation. Advance sign up is required.”

Sign ups are first-come, first-served, so visit the Conference’s website today!  http://wyomingarts.org/booking-conference

 

 

 

 

Aug
16

Restaurant_appetizers

First, a huge thanks to Teton Art Lab, Culture Front and now “STARTERS,” for their contributions to Jackson’s young contemporary art scene. These groups go it on their own, meaning they begin at a grass roots level, don’t ask us for crazy amounts of money (although generosity is welcome, of course!), and keep their products fun and accessible. A friend in the art world recently remarked that it’s not necessarily social status that makes someone an influential arts agent—often it’s those other enterprising folks, lifting up at least half the sky.

There is no greater joy than a job well done—and that’s Moose medicine power wisdom!

Teton Artlab & Culture Front have joined forces. Their new project, “STARTERS” takes the form of a recurring dinner party to help fund local arts projects. STARTERS kicks off Tuesday, September 10th (making it a Fall Arts Festival player, if not an “official” member) at 6:00 pm.  A $20 minimum donation gets you in, a greater donation is appreciated, and the first dinner location is TBA, once enough dinner tickets are purchased. The first event is limited in size—test run!

artLabColor_blog

Dinners will be provided by Teton Artlab volunteers, and tickets are sold on a first-come, first-serve basis; no more than two reservations per person, please. To find out about tix, email Meg Daly at meg@megdaly.com.

At dinner, say STARTERS organizers, patrons will receive a ballot. Five pre-selected creative projects will be presented, and diners spend the evening conversing with project artists. At the end of dinner, patrons vote for the project they would like to see funded. The artist receiving the most votes is awarded a portion of funds collected at the door—ideally $500 or more. The other four receive $50 for creating and offering their proposals.

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