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Posts from ‘Jackson Hole Art Galleries’

Jun
23
Tammy Callens, "Bert."  Oil, 20" x 18"

Tammy Callens, “Bert.” Oil, 20″ x 18″

Last summer artist Tammy Callens and I went to visit Bert Raynes. I’d posted an image of Bert on Facebook. Bert, a distinctive bird, caught Callens’ eye. Callens paints portraits, and minutes after spying Bert on my Facebook page she contacted me to find out who this extraordinary man might be.

Callens wanted to paint Bert’s portrait.

“Brilliant,” I thought. Why hadn’t I come up with this? Callens and Bert had never met, but as soon as she expressed interest, my mind leapt at the possibilities. Of all Jackson’s special citizens, who was more deserving of a Callens portrait? Nobody. A “Bert” portrait might raise excellent funds for his beloved non-profit, The Meg and Bert Raynes Foundation.

A year later Callens’ portrait is complete. It’s a stunner. And it’s up for sale as of Friday, June 26th, at Mountain Trails Gallery in Jackson. An opening reception takes place Saturday, June 27th, 4-6:00 pm at the gallery. Callens is donating a significant portion of “Bert” sales proceeds to his foundation. The exhibition, entitled “Soliloquy,” remains on display through July 2nd. 

“The sad thing is, it looks like me,” says Raynes.

Boy, does it. Witty self-deprecation is pure Bert. In fact, he couldn’t be more thrilled. Callens’ spot-on portrait captures Bert as he was the day they met~~handsome in his signature red sweater and suspenders, Bert posed for Callens. Within minutes she’d sketched a lively impression and began playing with color.

“I love painting Bert as he was exactly on the day we met,” Callens recalls. “His life, compassion, knowledge and contributions extend far beyond those of most folks; most of us can’t imagine doing a fraction of his work. I felt his energy immediately and fell completely in love.”

Tammy Callens. "Foghorn Leghorn," Oil.  8 "X 14" Oil

Tammy Callens. “Foghorn Leghorn,” Oil.
8 “X 14″
Oil

Callens’ portrait depicts Bert surrounded with jars, bowls and bottles; symbols of a wellness campaign. Birds, Bert’s life’s work and extended family, are present too. Most importantly, the painting IS Bert. Any “F.O.B.,” (Friend of Bert) sees this immediately. When we’re with Bert, intelligence and sparky conversation are impressed upon us. We learn. He listens. We have a democratic, lifetime experience.

Want to be an F.O.B.? Make a beeline for Mountain Trails Gallery. Get there first. Be the “Bert” buyer. Be the first Jackson Hole “nature mapping” citizen to contribute to Bert’s foundation. Be the first person, as far as I know, to support a worthy cause by bringing home a portrait of a most distinguished bird. www.tammycallens.com , www.mtntrails.net  https://www.facebook.com/JacksonHoleActivities

 

 

Jun
03

THIS. BLOWS. MY. MIND.

Enlightened, ©Jennifer L. Hoffman, 2015, oil and cold wax on linen, 24x18 in.

Enlightened, ©Jennifer L. Hoffman, 2015, oil and cold wax on linen, 24×18 in.

Trio Fine Art’s partners Kathryn Mapes Turner, Jennifer L. Hoffman and Bill Sawczuk have taken to sending out what amount to personal diaries that reveal their feelings and processes. I’m lucky to have been physically present when all three artists create work, and we always enjoy conversations that certainly help form my own soul’s perspective.

Jennifer Hoffman at work. Photo by Tammy Christel

Jennifer Hoffman at work. Photo by Tammy Christel

But there’s nothing like reading these “diaries.” Hoffman is a dear friend. When I first arrived in Jackson her work stood out. She’s climbed a lot of ladders, and her work is highly praised. It’s thrilling to see her venture into the abstract. Her work is cliché-free. Each stroke of her brush or pastel is laden with emotion. With memory. Hoffman’s thickly layered canvases are what plein air should be: our eyes roam each surface, seeking out details. We marvel at layered textures, a dream-like, hauntingly soft view of the world. She approaches nature as the mystery it is.

Jennifer Hoffman - "Winding Through."

Jennifer Hoffman – “Winding Through.”

A year ago I had the honor of standing in for Hoffman at New York’s Salmagundi Club. Her work received a prestigious award, one of many. It was a proud day for the artist, and a heady, exciting day for me.

Here’s an excerpt from Hoffman’s blog. In it, she describes a “Eureka!” moment shared with the late, great plein air painter Greg McHuron. That day, Hoffman was frustrated with her artistic efforts, and McHuron solved the dilemma:

“…So I drew a thumbnail of what I remembered as the composition.  “Look!” [Greg] said, pointing at the saguaro in front of the mountains that I’d sketched on the napkin. “You’ve already improved on your idea!” He was right: I had subtly shifted the main elements of my design into a better version of my original composition.  Without the distraction of a million compelling details in front of my eyes, that idea became my whole focus.”

Click here to read more about Jennifer Hoffman’s work. And click here to visit her gallery, Trio Fine Art.

Bert Raynes and Friend. Courtesy JenTen Productions.

Bert Raynes and Friend. Courtesy JenTen Productions.

TONIGHT, June 3rd, 6-7:30 pm, PLEASE join the JenTen film production team at the National Museum of Wildlife Art. Help crowd fund “Far Afield,” a documentary about one of this valley’s most beloved conservationists, Bert Raynes. I’ve contributed!

“Donate and Celebrate,” as the group says. You may also visit http://igg.me/at/BertFilmJH to contribute. Contact Jennifer Tennican at 307.690.2258 or jentennican@gmail.com for more info.  

Apr
14
David Grossman - Blossoming Trees - Oil on Linen - 8x10"

David Grossman – Blossoming Trees – Oil on Linen – 8×10″

“No, I said: What kind of bird are YOU?” ~ Sam, to Suzy, upon their first meeting in the film “Moonrise Kingdom.”  

Contemplative, visual poems. Painterly, reminding me of a wistful Childe Hassam; contemporary, like a print; gentle, glowing and linear. Colorado painter David Grossman is one of three new artists signed on to Altamira Fine Art. Grossman is joined by contemporary artists David Michael Slonim and bold trendsetter Thom Ross.

Attribute it to the soft, indecisive changing of our alpine seasons, call it a love of landscape. My heart has been stolen by Grossman’s diminutive oil painting, shown above. He paints, says the gallery, “abstracted visions of forests…melodic in their focus on rhythm and symmetry.” Adds Fine Art Connoisseur: “[Grossman’s paintings] effect the comfort and relief of a ‘visual exhale’ while also leading us into meditative contemplation and thought.”

A few brushstrokes and we are eras away in time, lost in a happy composition. 

Thom Ross - Gunman's Walk - Oil on Canvas 48 x 48"

Thom Ross – Gunman’s Walk – Oil on Canvas
48 x 48″

Have you been around Jackson long enough to remember California born artist Thom Ross’ installation at Snow King’s base? “Custer’s Last Stand” was an erected forest of early American soldiers pitted against Native Americans. We walked through and around the battle, and though that battle is one of the West’s most defining moments, Ross’ style is to portray iconic Americans and events in off-beat (gunmen with tiny heads!), sometimes complex and unexpected ways. He can be sensitive and elegiac; friends own an early Thom Ross painting depicting a solitary dead horse, lying on its side. It’s beautiful.

“Indians playing croquet; General Custer riding off while balancing a table on his head; Sheriff Pat Garrett standing with shotgun in hands bracing against the cold of a wintry New Mexico morning – these are a few of the unique images depicted in Ross’s paintings,” says Altamira. In addition to creating his art, Ross runs his own space, “Due West Gallery,” in Santa Fe.

David Michael Slonim - Fire and Ice-Oil on Canvas-48 x 60"

David Michael Slonim – Fire and Ice-Oil on Canvas- 48 x 60″

They are landscapes; landscapes deconstructed to layered, broad color fields, conveying essence. Contemporary painter David Michael Slonim is the third “new bird” to alight at Altamira. Plein air painting and illustration are part of his professional artistic experience.

Prisms, shards of translucent glass, collage — these I see in the artist’s expressionist works. Slonim is influenced by a bevy of masters, including Diebenkorn, Mitchell, Motherwell, de Kooning, and Cezanne.

“Although my paintings are derived from nature, they are really about color, shape, texture and line for their own sake,” says Slonim. “I started out as a plein air painter. The more I painted and studied, the more fascinated I became with abstraction. Now I am more interested in interpreting nature than representing nature.”  www.altamiraart.com 

Kyle Pozin - Mystic Warrior

Kyle Polzin – Mystic Warrior -Oil- 74 x 30″

In case you haven’t heard: April 5th’s Scottsdale Art Auction brought in $12.6 million.

Ecstatic press materials report that Frederic Remington’s “The Thermometer from Ten to Thirty-Three Degrees Below Zero,” an oil estimated between $500,000 – $700,000, sold for $920,000, the top sale of the day. Many deceased and contemporary masters did exceedingly well, but, emphasizes the auction:

“The crowd of almost 500 bidders was stunned when a 40-year-old artist from Texas, Kyle Polzin, took the block with a 74 x 30 inch oil entitled “Mystic Warrior.” Estimated up to $40,000, an extended bidding war ended in a hush, as auctioneer Jason Brooks carefully guided bids to a final total of $287,500.”

The Scottsdale Art Auction has now realized over $100,000,000 in art sales over the course of a decade. For complete results, visit www.scottsdaleartauction.com.

 

 

 

 

 

Feb
25

BAV_6_Feb-21_150-e1393187376343

A new arts venture is in town. Brush Art Ventures has opened softly over the past several months, but last week founder Alison Brush threw a big party. Brush’s new enterprise is housed in a Dynia “Metro Plateau” unit, perched above Broadway, near the intersection of that throughway and Highway 22.

Bonbon 12x6x4 1500 smBrush represents a handful of regional artists, exhibiting their works at 1085 West Broadway, Unit 1123. The concept is similar to that of apartment galleries popular in major arts cities like New York: Set up an exhibition in your own space and open it up to the public. Dynia’s dynamic structures, marked by high ceilings, industrial finishes and big windows are perfect for home/public gallery space.

At Brush’s recent opening for fledgling wildlife and landscape photographer Chuck Schneebeck and sculptor Amy Unfried, the place was packed. And the crowd was new. Schneebeck’s conservation work and Unfried’s connections to Jackson’s art world at large attracted sportsmen, collectors, fishing luminaries, artists, Mr. Dynia and a host of friends. Brush Art Ventures is, in fact, a gallery. Galleries have shows, and here’s hoping Ms. Brush keeps the energy going!  Check out her website: www.brushartventures.com, to see a list of represented artists. With the departure of Culture Front salons, a hole needs to be filled. Maybe it can be filled here?

Many thanks to Ms. Brush for supplying images for this post! I took a few shots; hers are better!

BAV_3_Feb 21_150

Brush happens to represent noted California artist Jeremy Morganwho opens a show Friday, Feb 28th, alongside 12 local artists, at the Art Association. Morgan will be there! Thomas Macker relays that the opening reception runs 5:30 – 7:30 pm, and will feature Morgan’s work and the work of  his dedicated students from years past. This year’s workshop, “Realism to Abstraction,” offers a fresh opportunity to study with a master right here in Jackson, says Macker. www.artassociation.org .

Jeremy Morgan - Lost Horizon

Jeremy Morgan – Lost Horizon

Robert Indiana - Love 1967 - Screenprint, 14 x 14"

Robert Indiana – Love
1967 – Screenprint, 14 x 14″

Lots of new work in at Heather James Fine Art’s Jackson gallery. Including this beauty, a classic, our generation’s big art flag: Robert Indiana’s “LOVE.”  The gallery is open this month, stop in and warm to the message!  www.heatherjames.com.

jhculturefront_header

Behind the eight ball, as they say.

In the weeks leading up to my recent getaway I was so busy putting the finishing touches on freelance assignments, writing this blog and preparing for the trip that I failed to notice Meg Daly’s news about resigning her Culture Front website and its related efforts. Her reasons for doing so are there for anyone to read on Culture Front’s blog, still live.

Daly provided fresh ways for our community to look at and think about art. So many of us vigorously participated in Culture Front’s salons at The Rose. When Daly was preparing to launch her site she had the grace to invite me to tea to talk about her vision. Many would have simply and bluntly launched, without bothering to communicate to me that a new local arts blog was on the horizon.

I won’t forget that, and I’ll miss the collaboration we shared.

Thank you, Meg. Where’s my heart emoticon?

Jan
06

Eye

Eye, yai yai~~~Happy New Year, Jackson!  It’s nice to see you again. Been visiting family and taking in the views offered up by rosy winter lake sunsets, frozen, wind-whipped pines, friends, the Yale Art Museum (try closing your eyes in there!), tasting good soul food—and now it’s time to catch up around here.

Today’s post is a warm-up, so I’ll list items from my “in box” that many of you may already know about. Or maybe, like me, you’ve been away. Here goes:

Altamira Fine Art is headed to the L.A. Art Show, 2014, January 15-19, 2014 Booth 240. Altamira artists “Billy” Schenck, Ed Mell (they got him!), R. Tom Gilleon, Glenn Dean, Rocky Hawkins and selected paintings from Fritz Scholder (1937-2005). Opening night party: 1/15/14, 8-11:00 pm.  www.altamiraart.com

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David Swift is artfully photographing high-octane performers swinging through the theater doors at the J.H.Center for the Arts. He is clearly enjoying himself! “Giddy” is the word I’d use. BTW, the New York Times recently ran a travel article on Jackson’s ski scene.  Paper edition photo captions were way off~~the scenes did not depict what the captions described, and the captions were out of order. Still, great coverage for J.H. A source tells me that story was in the NYT hopper last summer, and one special gallery they mentioned was Cayuse Western Americana. Good get. 

The National Museum of Wildlife Art’s next “Mix’d Media – Darwin’s Legacy” takes place at the museum on Thursday, January 9th, 6-9 pm. Additionally, Director of Education Jane Lavino has posted a new NMWA job opening — Part-Time Assistant Curator of Education. Check it out at   http://www.wildlifeart.org/about/employment/

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Jackson artist Todd Kosharek opens a show of new works — the first to be hosted by the Center for the Arts — at the Center Theater Gallery. An Exhibit Opening takes place on Friday, January 17th, 5:30-7:30pm. “Interiors/Exteriors” explores the artist’s two painting styles, both highly developed. The show remains up January 13-29th, 2013. Love the promotional image, it’s like a 60’s record cover –twist and shout! More on Kosharek’s show in our next post.

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Direct from Wyoming Arts (verbatim):  The Visual Arts Fellowship application is now open! Deadline: March 10. Applications will be accepted on CaFE only (www.callforentry.com). Visual artists of all kinds, including film and video, are invited to apply. More information available in the call on CaFE or at http://wyoarts.state.wy.us/wac-grant/fellowship-for-visual-artists/. Juror information in included on the webpage. Additionally, CLICK! is coming together! Save the date for April 4-5 in Fort Washakie/Lander. Information and registration will be available mid-January. Want to know more about Wyoming Visual Arts happenings? Sign up for their list serve:  http://www.openvistas.net/sign_up.html

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Some dude is publicly persistent in his queries about  J.H. Public Art  project press releases on our community list serve. Anyone know this guy? Whatever is going on there, I’ll include that arts non-profit’s new “call for entries” information in my next post, too.

For you at this New Year, Jackson, a tiny excerpt from “All the Hemispheres,” by Sufi Poet Hafiz: Leave the familiar for a while/Let your senses and bodies stretch out/Like a welcomed season/Onto the meadows and shores and hills./Open up the roof.