Jackson Hole Art Blog

No matter where she goes to hang her hat, Jackson’s plein air artist  Kathryn Mapes Turner paints the landscape.  As a fourth generation Triangle X Ranch family member — the famed dude ranch is located in Grand Teton National Park — Turner grew up observing wilderness and ranch life in one of the most spectacular landscapes on earth.

Even Nobel Prize winning economist Paul Krugman noted Jackson Hole and Grand Teton National Park’s exquisite beauty while referencing  the annual Fed Economic Summit that takes place there.

Turner also has strong Washington D.C. ties.  She finds beauty in that city’s historic, classical landscape, an expansive city conceived as the seat of our country’s government.  D.C.’s architecture is influenced by ancient Egypt,  Greece and Rome and 19th century France.

For Turner, painting is a language expressing  her deep appreciation of the world around her. “My paintings are my response to what I find magnificent. This magnificence can be found everywhere from the monumental to the mundane,” she says.

“Magnifique,” a collection of new paintings and drawings by Turner, opens Friday November 13, at Susan Calloway Fine Arts, in Washington.   An opening reception is scheduled that evening from 6-8 pm.   The show remains up through December 12th, 2009.

Says the gallery of Turner’s work, “Her superb drawing ability and familiarity with her subjects allow her to break at will from pure representation, successfully abstracting her subject matter without losing its essence. She moves seamlessly from watercolor to oil without changing her style, using each medium to its fullest extent to bolster her own style, rather than changing her style to suit the medium. This show will feature her cityscapes, landscapes and figurative works.”

Turner lives in Jackson Hole, Wyoming, where she is represented by Trio Fine Art.

For information, contact Susan Calloway Fine Arts by telephoning 202.965.4601; or email gallery@callowayart.com.

Item #2:

Contemporary Western artist Matt Flint, an artist featured at Lyndsay McCandless Contemporary, is one of six artists to be highlighted at the Wyoming Arts Council’s Biennial Fellowship Exhibit.

The exhibit is on display at Wyoming’s State Museum through January 9, 2010.  An opening reception took place November 5th. The earth tones and primal forms Flint uses in his work bring cave paintings to mind; natural forms and images of birds seem scratched on ancient rock.   Check the Wyoming Arts Council website for full details.

Memorial Weekend Monday as I write this.  Earlier today I took a walk around town.  It was an extremely pleasant walk because I was able to stroll easily around the Town Square, able to find a bench to sit on, able to browse lazily in a few shops.  It was mellow out there.

It’s not supposed to be this mellow in Jackson Hole on Memorial Day.  Earlier in the weekend, a friend emailed me to find out what was happening in the arts over the holiday.  My answer was….not much.  No big parties or receptions.  No extravaganzas; I wasn’t even certain all the galleries would be open.

Our galleries are gasping for breath.  I’ve posted an idea about window art being utilized to fill and brighten empty storefronts; sent a letter to the editor at the Jackson Hole News & Guide that has yet to appear.   Which is o.k., because we’ve got some mega-issues going on with our revised Comprehensive Plan.

We need some stop gap action, though; simple, non-political gestures to shore us all up while the economy writhes and we search for a livable future for Jackson.  Our Center for the Arts needs a loan, galleries have closed, artists are scrambling. Artists are leaving, too. Comprehensive Plans include internal solutions, solutions that don’t have to do with sketching out a building, but that include using our hearts, minds and space in the most giving ways.

Ok, enough.   In the end, Jackson’s future is about how we decide to act in this community.

Earlier this spring Bruce Richardson, Chair of the Wyoming Arts Council, spoke on the subject of the importance of arts to our economy.   Richardson, a board member of the National Assembly of State Arts Agencies, takes the elusive, often seemingly quirky and odd aspects of art, and boils it all down to sensibility. Here’s Richardson’s essay, taken from the Wyoming Arts Council Blog. Note his point about the number of people working in the arts in Montana.

Arts Mean Business
By Bruce Richardson

I am here to talk about the ordinariness of arts and why include them in job bills and economic development. Simply put, arts are business and the arts business, both for-profit and non-profit, is a substantial part of the Wyoming economy.

People tend to think of art as odd and special, a separate, realm of elevated, difficult and unusual activities done by talented, but eccentric, flaky people. People remember Beethoven’s genius and bad temper, Vincent Van Gogh’s ear-chopping, and think of starving writers not paying the rent (as in the musical Rent).

In fact, most art workers are pretty regular people. They take and sell photos, repair instruments, plan buildings, design websites, make and sell jewelry, build hand-crafted furniture, teach guitar, fiddle, oboe, make and market sculpting tools, sculpt antlers into beautiful objects and sell them over the web, frame pictures, paint portraits, play Mexican dance music at your wedding, do entertaining and uplifting concerts, make fine pottery, do leathercraft, sell paintings in a downtown gallery and design your building.

All of these are businesses in Wyoming. The owners rent or own property, buy supplies, pay insurance and taxes, pay salaries, buy groceries and furniture and participate in the local economy just as do the owners and employees of manufacturing companies or coal companies.

So the arts portion of the stimulus bill makes good sense. The grants that will go out in Wyoming must be used to preserve significant jobs in non-profit arts organizations facing cutbacks. As reported in The Casper Journal, arts organizations such as the Symphony and Nicolaysen Art Museum have suffered from decreases in their endowments, donations and fund-raising.

The Arts are taking an especially big hit as philanthropy moves their diminished resources to others areas. Layoffs and canceled programs are a likely result that can hit small towns as well as large. We want to see the robust Oyster Ridge Music Festival in Kemmerer or the Basin Art Center continue to thrive. In the performing arts, a cancelled concert is similar to a layoff. Musicians lose work and money, the audience loses a program, and the organization loses the ticket and sponsorship income.

The small stimulus allotments contemplated by the Wyoming Arts Council will be out there fast and function as a short-term bridge to preserve jobs in the arts. The program will not remove all the threats to jobs, but it is timely, targeted and temporary.

Some may be surprised how many people in Wyoming make their living from the arts. In Sheridan there are 1,123 people (5.8% of the labor force) working in the creative, arts-based economy according to a recent, very careful study, “Tradition, Expression and Recognition: Creative Opportunities in the New West.” Stuart Rosenfeld, the author, gets his data from on-the-ground counts that find the self-employed and others not listed on the standard sources. He also found a cluster of leather and saddle artisans.

The study (available from the Center for Vital Communities in Sheridan) is of significance to the whole state and our efforts to increase economic diversity and attract top creative talent. There is much here already that we can nurture.

For example, the arts economy in Jackson, according to a recent study by Americans for the Arts (Arts and Prosperity III), is one of the largest in the nation. While the study, using Dunn and Bradstreet lists, misses much of the activity, it does allow comparisons and they are staggering. Jackson has ten times more arts spending per-capita than Boulder, Colorado, and twenty times more than Boise, Idaho, both places that promote themselves as arts centers. Cody, not included in the study, is probably not far behind Jackson, and clusters of activity can be found in many Wyoming communities, including Casper.

This matches national trends. Rosenfeld found that the arts economy in Arkansas was the state’s third largest employer and that in Montana, astoundingly, there were more people working in the arts than in the energy industry. It’s no surprise then that arts councils are often part of state offices of economic development, as is the case in Louisiana and Connecticut and that many towns actively recruit artists and promote themselves as arts destinations. Winston-Salem, North Carolina, a decaying manufacturing city has made a huge comeback by stressing music, pottery and food. Each night the downtown swarms with young shoppers and music lovers having a good time and spending money.

We know that appealing towns have lots of arts and that arts draw people and businesses. We also know that arts are fun, that they give pleasure and meaning, that strong art lifts the soul and unclutters the mind.

Lots and lots of National Museum of Wildlife Art news and updates!   Here is a full list of activities related to our museum on the hill.

#1:  Dr. Seuss!

Whose childhood–and by extension, adulthood–has not been charmed by Theodor Geisel’s opus?  We all occasionally find ourselves thinking “Seussical.”

“The Lorax: Original Illustrations by Dr. Seuss” is on display at the museum through September 7.   NMWA notes that the Lorax’s tale is a cautionary one, a tale ahead of its time, warning us of our own penchant for wrecking our beloved environment.   The exhibit gives us access to Seuss’ process, from conceptual sketches to to camera-ready line art.  Anthropormorphism of wildlife and our relationship to the natural world are the coal in creative story-telling engines; Disney has built an empire around these themes.   Stand out exhibit characters include Swomee-Swans and Humming-Fish.

“Seuss was not one to shy away from contemporary topics or social commentary. The Lorax is among his most pointed, taking to task a company whose greed causes grave environmental harm,” notes the Museum. ” This exhibit combines original art as it probes humanity’s relationship with nature, making a perfect match for the National Museum of Wildlife Art.”  The exhibit is on loan from the Lyndon Baines Johnson Library & Museum.

Special fun-for-kids activities tied to Seuss’s art will be offered throughout the Museum. The Lorax exhibition is included in Museum admission: $10 for adults, $5 for kids 5-18, and free for children under 5. A family rate of $30 for the first two adults, first two children, and $1 for each additional child helps make the Museum affordable for larger families.

#2:  Out of the Box!

NMWA’s biennial “Out of the Box Show and Auction” is one of the museum’s best-loved events.  This year, the show and sale takes place Friday, June 12 and includes over 115 creatively altered boxes by regionally and nationally acclaimed artists.   Prices have typically ranged from an affordable $25 to $4,000 and more.  Proceeds support the Museum’s adult and youth education programs.

Each box is unique, and artists are invited to work in any medium as long as the work retains its function as a box.  The box artworks will be auctioned by auctioneer Jim Loose, and the evening’s M.C. is KMTN’s “Fish.”   Of course, there are door prizes: two CityPass books, a two-hour art appraisal by Art Appraisals of Jackson Hole, LLC, two bird-themed notions boxes and a tour of the newly opened Jackson Hole Raptor Center with guide Roger Smith.

Volunteer Chair Ann Nelson notes the event is a labor of love, with 15 volunteers devoting much of the last two years organizing the show.    “The community of Jackson Hole anticipates Out of the Box with great enthusiasm; this show will have something for everyone,” says Nelson.

Out of the Box is free for museum members, $7 for non-members; free for children.  Event admission includes light hors d’oeuvres and a cash bar.  Doors open at 5:30 p.m.    733-5771.

#3: Wyoming 2009 Junior Duck Stamp Winners!

Through August 23, take time to visit this year’s entries and winners of the Wyoming Federal Junior Duck Stamp Contest. Now in its 15th year, this exceptional program, a national art competition for students in grades K - 12 simultaneously teaches art, conservation of wetlands and natural resources, and awareness skills.

The exhibit is traditionally on display in the Museum’s King Gallery; check with the front desk to confirm.   The list of winners is long, and every entry is a winner in itself.

The following information on is provided by the Museum.

Eighteen year-old Bryant Helm, of Cokeville, Wyoming, received the 2009 Best of Show award for his painting, “Provocative.”  His oil painting depicts a striking portrait of a Long-tailed Duck.  Bryant’s painting represented Wyoming at the Federal Jr. Duck Stamp contest Wednesday, April 22, 2009, at the Smithsonian National Postal Museum in Washington, D.C. The winner of the national competition will receive $5,000, a trip to our nation’s capital along with a parent and the art teacher, and have his or her artwork used to make the 2009-2010 Junior Duck Stamp.  Proceeds from the sale of the Junior Duck Stamps, which cost $5.00, support conservation education.

Baily Schupp, a eight year-old student from Pinedale, for the second year in a row,  won the 2009 Betty Nelson Artistic Promise Award for the best art in the youngest age group.  The Betty Nelson Artistic Promise Award was established eight years ago to recognize the artistic accomplishment of students in the K-3rd grade age group and to honor the late Betty Nelson, a generous supporter of the Junior Duck Stamp program.

The 1st through 3rd place Wyoming winners of the Jr. Duck Stamp contest can be viewed online on the Museum’s web site, WildlifeArt.org.  The 1st, 2nd, and 3rd place contest winners will be honored at a dinner and awards ceremony at the National Museum of Wildlife Art on Saturday July 18, 2009.

For more information, please contact Amy Goicoechea at (307) 732-5435.

Art, be not proud.  Here’s an innovative idea out of Berkeley, California that would brighten the ever-increasing number of empty storefronts in downtown Jackson. In fact, it is a wonderful idea even when times are good, when streets are paved with, if  not gold, lots of C-notes.   Local artists have a tough time finding venues; we’re very creative, and space is limited.  Artists wait months for an exhibit at PSB, Koshu, Hard Drive or the Brew Pub.   Jackson’s operative businesses could set aside a corner of their store window to display a little local art.  Take a percentage—just don’t take 50%!   Think 20%.

Berkeley’s economic downturn has inspired an innovative use of empty downtown commercial space.   Empty store window display spaces are being used to exhibit the work of local visual artists.   The practice brightens an otherwise increasingly gloomy, doldrums downtown.

According to releases, a year-long discussion between Berkeley’s Office of Economic Development and the Downtown Berkeley Association culminated in a spring kickoff of Berkeley’s new window art program.  Click here to see a slide show.

“We really wanted to bring the community into the Downtown,” said the association’s Marketing Manager Katherine Scherbel, who coordinated the project. “We wanted to make it fun and bright, celebrating the Downtown instead of letting it feel dismal and empty.”

Window displays include ceramics, jewelry, photography, paintings and works from the Habitot Children’s Museum and local high school students.  Empty commercial space had reached 15.1 percent of total commercial space when organizers began discussing the project.

Public Art and Placemaking are, as many of us in the arts community have been saying, inextricable from contemporary, smart, even green, urban growth.  Right now, the Teton County Comprehensive Plan is available to for the public to review.  This is our chance to comment on the way we will grow, not only quantitatively, but qualitatively.   Quality urban growth must include public urban spaces and public art.

If Jackson Hole’s citizens do not make reviewing this plan a priority, we essentially determine not to vote.  And those of us determining not to vote lose a lot of “street cred.”   Writing letters to the editor is a crucial public right;  writing them when you’ve opted not to be a part of the process by showing up at town meetings or workshops is a bit fraudulent.  The Comprehensive Planning process has been activated for many, many months.

YOU are the Plan.

I know it’s hard; but make this a priority.  Here’s a way to start.

TUESDAY, MAY 12, beginning at 5:30 p.m., attend a public meeting at the CENTER FOR THE ARTS. The meeting takes place on the Center’s third floor, in Teton Art Lab’s new space.  The Art Association’s digital photography studio will be available for those wanting to contribute comments electronically.   Members of our arts community will ask questions and submit comments on the inclusion of public art and placemaking in Teton County’s Comprehensive Plan.  Please try and make time to study Themes 3 and 7, in particular.

Preserving environment and quality of place, managing growth, and creating a more viable, broad-based economy are Jackson’s great challenges. Most crucial is ensuring we promote and protect our wildlife, its habitat and other environmentally sensitive areas.  In our region, the arts are a keystone in preserving place.  Although our Town Square’s monument,  various land art and myriad creative educational projects provide continual reminders of our inherent love for the arts, we’ve so far not included researching and moving towards making the arts a part of our “constitution,” as it were.   We can remind ourselves and all visitors of this history by including beautiful and lasting public place making in our Comprehensive Plan.   Such planning aids in building tourism and strong market values. Think logo.

Art captures the essence of the places dear to our hearts.  Successful public art resonates on a national level.   Our traditional themes may be translated traditionally; they may also be translated using contemporary aesthetics and materials.

We must not only include the words.  We must decide upon a logical process of implementation.  Without implementation any plan is simply an exercise.

For information, contact Don Kushner at don@jhcenterforthearts.org or Carrie Geracie at carrie@centerofwonder.org.

Oh, I LOVE this.  This is a story about Vertical Gardens.  The Art of Green.  Green urban gardens. Happy Earth Week, Jackson Hole!  The photo above is from Vertical Garden’s Exit Art website.

Vertical Gardens is “…an exhibition of architectural models, renderings, drawings, photographs and ephemera that depict or imagine a vertical farm, urban garden or green roof.”

Imagine Jackson’s new downtown garage transformed as a vertical garden.  A vertical forest, a vision of vines!   Imagine it surrounded with indigenous wildflowers and plants, an ever-changing public art installation, transforming itself with every season.  Wow.

Vertical Gardens encompasses over 20 projects by “…artists and architects that envision solutions for building greener urban environments.” Cities all around the world are finding ways to include gardens in their planning, knowing the urban aesthetic will increase a hundred fold.   They’re great ways to feed and inspire urban dwellers, and since Jackson’s downtown is bent on adding multi-million dollar commercial and residential spaces, how about including green gardens in the design?   Provide space for sustaining, aesthetic projects in every development and pay it back, pay it forward to the community.   And bring our town’s profile up to new age marketing snuff while you’re at it!   Bring the region’s great beauty right past the city line and into…town’s heart.

Here’s more from their site:

“Largely based on the principles of hydroponics, vertical gardens would also be mostly self-sustaining because they would capture large amounts of natural sunlight and water, and could use wind as an energy source. In a country where cities are suffocated by high rises, cement and industrial materials, where can green space exist? As this exhibition demonstrates, one possible answer is “up.” These and other urban parks and gardens provide areas for socialization and recreation; a location for a city farm or community land-trust; an outlet through which hundreds of people can learn about farming and agriculture; and the addition of much needed plant and animal life to the otherwise concrete jungle.”

Vertical Gardens is a project of SEA (Social Environmental Aesthetics) , which is an off shoot of Exit Art, which “…is an independent vision of contemporary culture prepared to react immediately to important issues that affect our lives.”  The New York City center, 25 years old, engages in “…experimental, historical and unique presentations of aesthetic, social, political and environmental issues.”  Exit Art says it “absorbs cultural differences that become prototype exhibitions,” and embraces multiple disciplines.   Starting as a ‘grass roots’ project, it has grown into a contemporary green, artistic powerhouse.  Always changing, it is now internationally recognized for its innovations, curatorial depth, media savvy and stick-to-it-ness.

Few endeavors build community like gardening.  And few activities provide the warm sense of well-being that gardening does. Win. Win again.  If we incorporate the Verticle Garden vision into ours, we won’t be able to take our eyes off the results.

A couple of time zones away from Jackson Hole–it seems light years away–in Hartford, Connecticut, Aid To Artisans (ATA) has worked for decades to create opportunities for third world artisans.  ATA provides small grants that go a long way towards educating artisans and crafts people in poverty-stricken regions, while keeping cultures intact.  ATA helps these creative enclaves bring their goods to the American market.  Once an artisan has established a relationship with a U.S. vendor, ATA steps back, allowing infrastructure to develop and the artisan to sustain its own business initiatives.  

ATA is passionate about all cultural traditions and makes sure environmentally sound practices are followed.  ATA says it recognizes it can “…can only bring lasting economic growth if (it can) provide an integrated approach to product development, business skills training, market access and eco-effective processes.”

For 33 years, ATA has provided mentoring in Latin America, the Caribbean, Africa, Europe and Asia.  I’m proud to say my mom, Thyrza Christel, contributed years of service to ATA, working in the grants department and travelling solo to Armenia, for a month, in her mid-sixties. The experience changed her life, and the lives of Armenian women working in crafts collectives.    Working for ATA and the warm, creative craftspeople around the globe has been one of her life’s great passions.

ATA is offering a Market Readiness Program Aug. 15-19 in New York City; the course coincides with ATA’s annual presence at the New York International Gift Fair. The course offers “…the latest trend and market information offered by industry experts.”  Marketing, distribution, design analysis, buyer relationships, importing and exporting, strategies, how to prepare your work for export…these topics and more will be explored.

Deadline for registration is July 15.  A discount is available for early registration.  To learn more, log onto www.aidtoartisans.org.   Phone:  860-756-5550.

The envelope, please.

Several spring seasons ago, the Teton County Library hosted a most memorable show.  That spring, one could visit the library’s gallery and get lost in a Smithsonian Institution traveling exhibit, “Graceful Envelope.” It’s impossible for me, a person who values tradition (I feel about printed newspapers the way Charlton Heston did about guns; you’ll have to take it from my cold, dead hand!) to refrain from gushing over that show.

The contest’s website says  “…Calligraphers and artists from around the world are invited to participate in the 15th annual Graceful Envelope Contest, conducted by the Washington (DC) Calligraphers Guild under the sponsorship of the National Association of Letter Carriers. The contest is open to all ages, with two separate categories for children.” This year’s theme is “Address the Environment.” Log on here to view the site.

You can still enter 2009’s Graceful Envelope Contest; entries must be postmarked by April 30.

A old friend recently asked for my mailing address, as she likes sending letters in lieu of email.  She loves her writing paper.  That request prompts this re-running of my original article on Graceful Envelope, below.    Happy Easter!

“More than kisses, letters mingle souls; for, thus friends absent speak”.

John Dunne’s poetry embraces the tone of “Graceful Envelope”, a Smithsonian Institution traveling exhibit now on display at Teton County Library.  If you haven’t been to see these illuminating, exquisite envelopes, go.  The artwork evokes longing sighs, remembrance, and a feeling that you’ve tripped along a mossy, hidden path to discover a secret garden.

A hundred painted envelopes are included in the Smithsonian exhibit, that originated in 1995.  Artists create envelopes for the competition, their subject matter based on a stamp or a theme chosen by the National Association of Letter Carriers.  Ah, if every letter were thus conceived!  The show is heartrending in its beauty.  It is nectar.  Step softly along the library’s walls to find artwork that seems rendered by fairies; elegant, wispy, fables for a 4 x 6 inch tablet.  You will choose your own favorites, but I mention a few of mine here: Cathy Chilton, of New Mexico, fancied “Water, Earth, Niagara Falls, Grand Canyon”, an envelope inspired by stamps portraying those locations.  The envelope is creased like an accordion, with alternating slices of bottle green, baked canyon orange, and an indigenous lizard.  This Crafts-styled piece stands in sturdy comparison to envelopes weighted with laced grapevines and golden pears hanging heavy on the branch.  Humorous takes on the funny papers include a work picturing Popeye knocking the stuffing out of the mail, and a careening “Blondie and Dagwood” sketch.   “Celebrating Nature” bears a regal butterfly, emerald on its envelope, wings and antennae dipping into lacey calligraphy addressing the work.

Rhapsodic, I realize, but this exhibit unleashed such images and memory.  Days of Easter Egg hunts, overgrown gardens choked with wild roses, sprawling hillsides and ladies with parasols looking down from the top of sunny hillsides to a picnic in the meadow.  And I remember writing on thick paper, pages and pages of summer letters sent and received as a child.

Save your letters and envelopes.  As exhibition curator Ester Washington notes, “Letters were once precious possessions, tied in bundles with silk ribbon, and kept safe in scented drawer.” We can recreate that time.   Let’s try.

Landscape painter Erin C. O’Connor, of Wilson, has been awarded the coveted three week Artist-in-Residency post at Joshua Tree National Park.  O’Connor is represented locally by Galleries West Fine Art, in Jackson.  Her residency runs April 6-26, 2009.   The following information was released by the artist:

“I’m truly honored,” O’Connor says.  “Having the time and artistic freedom to explore Joshua Tree is an incredible opportunity.  My goal is to show the inherent beauty within a very harsh environment.”   She plans on creating upward of forty paintings during the Residency, one of which she will donate to the Park’s permanent collection.

Promoting a deeper understanding of the region’s deserts is the aim of Joshua Tree’s Artist-In-Residency Program.  The Park, in partnership with the Riverside Art Museum (Riverside, CA), oversees the selection process.  “Dozens of nationally acclaimed artists submitted proposals,” states Daniel Foster, Executive Director of the Riverside Art Museum.  “The jury was quite impressed with the quality.  We’re proud to extend our congratulations to Erin, and we look forward to the work she’ll create here.”

O’Connor’s motivation behind the Residency stems from witnessing the pressure for industrial development on public lands.   “Many people perceive undeveloped areas as valueless and inhospitable.  In no place is this more true than our nation’s deserts.  I’ve seen gorgeous, untouched expanses lost due to simple apathy in the public comment process. Art has the power to reawaken our perception of these places - even for those folks who’ll never venture past the pavement, art can make all the difference in inspiring preservation. By portraying the unique fragility and strength of a seemingly forbidding environment, I hope my paintings can make an impact on behalf of our desert lands across the West.”

Curt Sauer, Superintendent of Joshua Tree National Park, adds, “We’re seeking ways to reach broader audiences and more diverse user groups.  The Artist-In-Residency Program is designed to inspire people through creative values.”

O’Connor’s style is highly recognizable.  Color and graphic line form compositions that are bold, yet sensitive.  By painting on location, the qualities within in her landscapes are heightened; shadows deepen, light radiates, and the connection she feels with her subject matter is evident.  She is a familiar artist at many prestigious plein air events across the West, and her strong following includes collectors throughout the U.S.

Adding to her strict painting schedule at Joshua Tree, O’Connor will be available for public presentations, including outings with the 29 Palms Art Guild and the Plein Air Artists of Riverside.  From August 6-19, a one-person show at Galleries West Fine Art in Jackson will showcase her work as Artist-In-Residence.

Contact:
Erin C. O’Connor
307.733.0749
www.oconnorscapes.com
erin@oconnorscapes.com

Galleries West Fine Art
70 S. Glenwood  307.733.4412
PO Box 3905, Jackson, WY 83001
www.gallerieswestjacksonhole.com
info@gallerieswestjacksonhole.com

(This post originally appeared March 21 and has been updated today, March 23.  See bottom of article. T.C.)

Dig it.

A 9-foot long complete dryosaurus skeleton, excavated in 1993 in southern Wyoming, is the most important item up for bid at a New York City auction this weekend.   The 150 million-year-old Jurassic Era dinosaur is expected to fetch up to a $500,000 hammer price.

The I.M. Chait Gallery will auction the skeleton, which is being sold by a Utah-based research and excavation group, Western Paleontological Laboratories. The lab excavates dinosaur remains for research and puts others up for sale.  Tough economic times are prompting the sale.

The dryosaurus skeleton is very rare because it is completely intact.  Dryosaurus was a smaller dinosaur, often hunted and eaten by much bigger Jurassic creatures.  It’s more common to find dryosaurus bones scattered about.  This skeleton also possesses a fully intact skull.

Who buys dinosaur bones?  I’m thinking Michael Jackson, but the Utah laboratory says it hopes the Wyoming dryosaurus will find a home at a museum, where research on the skeleton’s history can continue.

UPDATE: CNN has reported that the Wyoming dryosaurus was a no-sale item at this weekend’s NYC auction.    Two museums are reportedly interested in the ancient dinosaur, but bidding did not meet reserves.   A teenage Siberian woolly mammoth took top prize.