Posts from ‘Jobs’
The View From From Here
Travis Walker, Abbie Miller, Tony Birkholz, Kelly Halpin and Todd Williams (who divides his time between NYC and Jackson Hole) presented their work and perspectives at March 27th’s Culture Front, hosted by Meg Daly. The evening was fascinating not only because of the art we viewed, but because of the ensuing conversation.
The evening’s topic was interpreting the West. How did young contemporary Jackson artists experience what it is to live here? How are their observations and emotions materializing in their art? I, in my relatively elder-generation way, expected context—a discussion and comparisons. I wondered how the artists made the leap from absorbing Western representational history to transmitting in a contemporary manner. After Walker, Miller, Birkholz, Halpin and Williams made their presentations, Q&A commenced.
“I’d like the artists to talk about the West,” said one audience member.
I remember thinking the same thing, but I recognize that “talking about the West,” for this generation entails a different vernacular. As all new art generations do. Culture Front’s format is liquid; discussions can and do “fan out.” In more formal settings a presentation’s format is set, the program specific. Two different flows, both enriching.
Abbie Miller’s art is greatly influenced by her east coast and mid-western art schools; her talk focused on those early projects. Perhaps her most “Western” art product is her giant red vinyl piece, “Squeezed Arch,” which resembles Utah’s desert landscape. But Abbie’s roots here run deep; she is a product of our West.
For some, the West is a little short on milk and honey. It can be frightening and unexpected; buffalo are slaughtered, forests succumb to fire and invasive insects, wolves are shot and moose run over. Wildlife collides with mankind, people plummet from the peaks. Ultimately, this place is indescribably beautiful. Our involvement and caring about injustices and environmental imbalance is part of that. The West is “free” in spirit–we come here to throw off the shackles from our early lives, from the city, from wherever. We have unmatched space, but overcoming the inevitable struggle to survive is difficult. We’re trying everything we can think of. Three local artists with arts day jobs have opened their own space elsewhere in order to bring messages from non-Western cultural centers to Jackson Hole. Artists share space and split up again.
A neat, highly visible and connection-building arts job is posted by the Wyoming Arts Council. The Council’s “Arts Education Programs Specialist” would be based in Cheyenne, and travel around the state is part of the picture. Pay is good; the posting says the job may pay up to a high range of over $4,000 per month. Do the math, that’s $48,000 annually. You could almost live in Jackson on that! The job description sounds terrific, and as is the case when times are tough, extensive. Qualifying candidates should have a solid general knowledge of the arts, including visual, performing, music and literature. The purpose of the position is to “ develop, support, and advocate for arts education for all Wyoming citizens. Arts education for all ages is a key goal in the Arts Council’s long range plan, and is part of the education and outreach criteria in the Department of State Parks & Cultural Resources strategic plan.”
Recently, a Jackson economics summit/conference/brainstorming session took place. I’ve now had a chance to read some reviews of that gathering–how accurate they are I can’t say, because I didn’t attend. From time to time, I have my own little economic tutorials with friends and mentors.
Jackson Hole has always been a seasonal economy. We’re a tourist destination because our region is so astoundingly beautiful, is adjacent to Grand Teton and Yellowstone National Parks, is “Western,” has a great and growing arts sector, and when the snow falls skiers go nuts to come here. Until a few years ago, the lion’s share of full time jobs in Jackson were related to the construction and real estate industries. One of my mentors points out that real estate and construction don’t really create economic growth or wealth; they are the residuals of wealth creation. And yes, those are good jobs for Jackson, and it feels like the market will re-shape and rebound to a certain extent (see the Hole Report)—but smart money won’t rely on construction to sustain Jackson’s future. It’s millionaires and billionaires with fortunes built elsewhere who have erected big houses, supplying jobs for architects, landscapers, construction companies and real estate agents. And, we’re a tax shelter. They’ve also supported many of our critical non-profits.
Craighead Beringia South has a Pottery Sale goin’ on–and all proceeds from this holiday gift fundraiser go to support the organization’s wildlife research and education programs. I believe some darn decent wholesale deals are available–a big, cheery pile of platters, bowls, cookie jars and mugs are in stock.
The sale is out in Kelly, Wyoming. Hours are Monday through Friday, 9:00 am – 4:30 pm. Address is 6955 E. Third, in Kelly. Goods are available through Wednesday, November 23rd. Even with the aforementioned operational hours, please call 307.734.0581 if you’re planning a trip to the Beringia “store.” Remember our wildlife this holiday! http://beringiasouth.org/
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Got an email from a representative of the 2012 Democratic National Convention, to be held in Charlotte, North Carolina.
“Calling all artists, designers, and other creatives! We want YOU to be the designer behind one of the 2012 Democratic National Convention’s Official posters. Here’s what you have to do — create an original 18 x 24″ poster using the 2012 Democratic National Convention official logo and incorporating and interpreting one (or more) of the following themes: 1). Americans coming together; 2). Building a better future; 3). Opportunity and Empowerment
To register, download the logo, get more details, and to read the official rules, check out our website at www.charlottein2012.com/postercontest
Deadline for submissions is December 31st, 2011, at 11:59 p.m. (EST). The winning poster will be sold in our online store, and the winner will receive a framed print of their poster (guess the Party thinks the artist won’t have one of those already…) and $1 of each poster sold.
I can’t wait to see what you come up with. (Nor can I!)~~~~Sincerely, Dr. Dan Murrey, Executive Director
Have fun with that, Jackson artists! I know many of you are worthy of the challenge.
Since the Town of Jackson’s wide-reaching DRD (Downtown Redevelopment) plans were voted down via public referendum seven years ago—a true, in-your-hands measure of community sentiment expressing its will that we not over-develop our town, not turn it into a playground for mismatched, overbuilt developments, not speculate that we can match Teton Village’s resort destination allure—-we’ve watched development happen. When citizens said “no” to DRD, development rights were simply granted individually, one project at a time.
And here we are, with a fist full of empty commercial space, large quantities of unsold real estate units, and a community that feels ever more transient. Too many citizens wonder if they should stay in the valley or leave it.
Town planners and community have been, for years, giving their lives over to creating an acceptable plan for this special place. We have been asked to trust our comments are truly heard by our leaders, charged with representing the public’s interest. As a community, we cannot afford to know we’ve all been whistling dixie. We want a logical process of implementation.
Otherwise, for all these years, our community has merely engaged in an exercise.
Preserving environment and quality of place, managing growth, and creating a viable, broad-based economy are Jackson’s great challenges. We need a certain critical population mass to achieve
that balance, but most crucial is ensuring we promote and protect our wildlife, its habitat and other environmentally sensitive areas.
We must continue moving towards making the arts a part of the Town of Jackson’s future. We can remind all visitors of our history by including beautiful and lasting public places in our Comprehensive Plan. That sort of planning aids in building tourism and helps us towards finding out what level of economic success we can expect to reach. We should, as Candra Day has said, be strengthening sustainable tourism practices, using cultural assets as tools. Growth should incorporate landscaping, parks, and grace of space. Let’s create space both sacred and fundamental. Without these provocative elements, we forfeit a higher level of urban vibrancy.
Officials must strategize to attract new businesses–businesses offering solid, long-term employment—to Jackson. Attract and establish products and services desired and supported by locals and visitors. Strive to fill all this empty commercial space, rather than plan for more building.
It still appears that developers are feeling encumbered by wildlife. Our core economic stability lies in protecting and preserving the power of this place. All new projects should be primarily concerned with that goal. Geography and wildlife are our golden eggs–they will only become more precious.
Keep downtown vibrant, give it an identity separate from Teton Village’s—we cannot match that profile—and use it as a place where families who can’t afford $400 a night lodgings may stay. We want to keep those “families of five from Toledo.” We want them to be able to come hereand experience the wonders of this place–we want to educate them. If we do not, why will anyone want to protect this place?
Former Jackson Hole Conservation Alliance Director Franz Camenzind has said, “We come home, there’s a moose in the yard. We pick up the phone, call our friend in Atlanta, and get them to guess what’s outside our window. It’s not just going to the parks to see these animals, it’s having them right there with us. Living with them. Nobody has the diversity of wildlife we do, let alone have it as visible as it is, interwoven with community.”





