Planning the Intermountain West; McCandless Directs New Gallery; Bad Reviews
Thursday, April 8th, 2010“Planning in the West,” the second annual conference on the topic of Intermountain West development, takes place in Boise, Idaho, June 2-3, 2010. The conference is billed as featuring “leading planners, policy-makers, architects, developers, and landscape architects from around the Rockies….to track planning and development trends, showcase best practices, and understand how thoughtful and place-inspired planning can help us shape our region in the most positive possible ways.”
Planning in the West’s keynote speaker is Mark Muro, of the Brookings Institution, a Washington D.C. based public policy think tank with a mission to “conduct high-quality, independent research and, based on that research, to provide innovative, practical recommendations that advance three broad goals:
- Strengthen American democracy;
- Foster the economic and social welfare, security and opportunity of all Americans and
- Secure a more open, safe, prosperous and cooperative international system.”
Muro studies intermountain economic trends; you can find “Mountain Monitor – Tracking Economic Recession and Recovery in the Intermountain West’s Metropolitan Areas” when you do a search on the Brookings Institute website. The study tracks trends through the fourth quarter of 2009. It looks at large metropolitan regions (Denver, Boise, Las Vegas, Salt Lake City, Albuquerque), and smaller areas (Reno, Fort Collins, Las Cruces, Boulder); but transpose Muro’s larger points on intermountain real estate booms, education, and diversity of economic base to Jackson’s profile, and you will get a pretty good idea of the pace of economic recovery Teton County might expect, and why.
Soft Opening for Heather James Gallery
Heather James Fine Art opens its doors at 172 Center Street, Suite 200, next door to Altamira Fine Art, in April. This month’s opening is soft. Lyndsay McCandless has been hired as the gallery’s director.
“We welcome our new neighbors, Heather James Fine Art, to the Center Street art district,” says Altamira Executive Director Mark Tarrant. “This is an important addition to the Jackson art market, providing the quality of fine art that people expect when visiting Jackson. We are working with the gallery’s director, Lyndsay McCandless, and planning cooperative events that will set the pace for the Jackson experience.”
Based in Palm Desert, California, the gallery “represents a world-class spectrum of art-bridging genres including Impressionist and Modern, Classical Post-War and Contemporary, American and Latin American, Old Masters, design, cutting-edge contemporary and photography.”
A partial list of artists the gallery represents includes American artists Marion Kavanagh Wachtel, Oscar Bluemner and Irving Norman; Latin American artists Diego Rivera, Jose Clemente Orozco, Francisco Zuniga, Naum Knop and Marta Minujin; and Impressionist/Modern masters Berthe Morisot and Alberto Giacometti.
A friend passed along a recent local art “review” —perhaps “commentary” is a better word — concerning the closing of the Oswald Gallery.
I’ve been criticized for some of my own commentary, and I know the sting of having someone in our close Jackson community express strong negative feelings about what I’ve written. I also believe that the First Amendment is one of our most precious charges. Thou shalt not shoot the messenger.
The piece I’m referring to was particularly bizarre. Is the writer trying to be facetious? If so, the effort fails. (Sign up for Satire:101) Here’s why: The writer, an artist, should know better than to characterize all art galleries as a whorl of “…musicians, models, artists, writers, homosexuals, and wealthy patrons milling around in unbearable hipness…….”
(Dude. You have a show about rap artists interpreted as holy gospel singers. Which isn’t such a stretch, but it’s certainly hip-hoppity.)
If, in fact, he’s pretending not to know about the gallery business, he did a good job. If he really knew, and his writing was up to par (not saying mine is, I know my limits) we’d read his piece and think, “What a great skewering of the art scene! Brilliant!”
That didn’t happen, so I’m going forward with this post taking the position he really doesn’t know. If he does know, he should build himself a much, MUCH bigger platform before venturing out into such territory. Think Woody Allen. Or Colbert. Or Tracy Morgan. Or Mike Bressler! Catch the Shouts & Murmurs “Cursing Mommy” column sometime.
The writer goes on: “There would always be plenty of blow and smack at hand and somehow the entire enterprise makes money and garners international acclaim.”
Are you a kid? Or are you just brain dead from your early days spent snorting and writhing around on the floor at Studio 54? Stuff happens, but this ain’t the 80’s. I understand Leya is fond of you, and she may share some of your views, and you are lucky to have someone as professional and savvy as Leya in your corner. But for those not in on your “inside” stuff, what you write is not cutting it.
“If any of you vultures reading this article want to save 25 to 50 percent on some really nice picture frames, now is the time.”
How much will your art be worth in a few years? If your stuff doesn’t sell, by what method will you toss the carrion into the yard? Maybe you’ll go “Ebay.”
We are in a Great Recession. Not a mild recession, a GREAT RECESSION. Picassos are selling. Big stuff. Because people with that kind of money can buy as much as they like, and are. Many galleries are having their artists size down their work, to make it more affordable. And we’re talking about all levels of artists, all genres. Travis Walker does a great job of coming up with innovative ways for his artists to sell, and new collectors to collect.
There’s quite a bit of information on the art market out there. Why don’t you read some of it?
I won’t touch the Wilson/butlers in the basement bit.
“Leya looks great in black, and I did not imagine anything beyond that was necessary for success in the art world.”
Perhaps you should apply for a gallery intern job this summer. You will be lucky to get hired, even for free, but give it a shot.
“We are still surrounded by landscape paintings, of moose in front of the Tetons or Indians painted by white people. So obviously Americans prefer art that does not make us think but rather reinforces stereotypes and clichés.”
By that logic, people would be buying landscapes and wildlife art in SoHo.
Why are YOU here in Jackson Hole? It can’t be because of intense city energy, urban infrastructure and sounds, interstate highways and their traffic, or cultural diversity.
Maybe you’re here to snowboard? On big mountains, surrounded by wildlife?
Can you name the photographers Oswald has carried since the day they opened? Lots of landscape shooters……and damn, they’re hip! One of Leya’s favorite photographers, Nine Francois, is largely about portraits of animals from the wild. They aren’t in the wild, I don’t believe, when Francois takes her photos, but they are, at their core, wildlife. I mean, this is the West. If we were in Key West, what would you see? Santa Fe? Cape Cod? San Antonio? Art is a reflection of place.
What do you imagine people visiting Jackson Hole and the Parks want to think about while they are here? What do you think they want to take back with them, and why? I don’t have statistics, but my experience tells me that wealthy locals, many with several homes and access to all art markets, buy much of Jackson’s contemporary art. We certainly need our contemporary arts in order to thrive. I adore them. I even like your work, but I’ve deleted my story about it because I feel what you are writing for your newspaper is toxic, bitter and scary; it may even foreshadow some violent act. I hope your newspaper takes heed.
Most visitors buy art here for reasons having to do with the unmatched experiences they have in Wyoming. And many collectors buy representational and abstract or contemporary art. Because it all has value.
Pop quiz: Who was Edward Curtis?


Peter Pilafian’s new show is up at
Watching Pilafian define and curate, I began thinking of these thematic groupings
as a series of reflective pools. Fluid videos surrounded by a string of photographic pearls. The show offers a glimpse, in
Ring-a-ding-ding!
gloves!) neck warmers and hats are specialties of this sale; proceeds help support DW dance programs.
the region’s special beauty, its sense of home and the pleasures of being surrounded by family and friends. The holidays are also a time for
Shhhhh. It’s a silent auction.
Also at the Art Association – specifically upstairs in the Artspace Loft Gallery – check out
Glass blower 
spends lots of time cataloging and gathering the objects she uses in her art. “Her deep engagement with materials both natural and man-made implies continuity with a common source and the unifying energy that flows to us from the world and back again,” says the gallery.
Downtown Berkeley, California is transforming its empty storefront windows by using them to exhibit local art. The practice lightens commercial spaces darkened by the economic downturn. The program was the result of year-long talks between that city’s Office of Economic Development and the Downtown Berkeley Association.
The Best of Astoria, September 11-20th
being on hand and demonstrating throughout the Festival. These artists are: Carrie Fell (Grand Opening), Ken Rowe, Buckeye Blake, Jeff Ham and Vic Payne. Call Lisa Shannon for details! Her phone: 307.734.8150.
Poster Signing with 

the names of the winning bidders are drawn. The Jewelry and Artisan Show & Sale, the Photography Show & Sale and the Sketch Show & Sale will be on display and guests are invited to make purchases. Call 307-732-5412. Register by September 10, 2009. Call 307-732-5412.
Nationally, regionally and locally recognized artists paint and sculpt while spectators look on. Each new artwork will be auctioned off following an hour-long “draw.” “Yellow Leaves Moon,” 2009’s featured poster artwork by R. Tom Gilleon, will also be auctioned.
Past and Present Masters of the American West. Historically recognized Western American Art is the focus, including works by the Taos Society of Artists, Deceased American Masters and Top Contemporary Western and Wildlife Artists. The Jackson Hole Art Auction is presented in association with Trailside Galleries and Gerald Peters Gallery.
Trailside Galleries Fall Gold Show, 3:00-6:00pm
Art Brunch Gallery Walk, 11:00 am – 3:00 pm
It’s here! Can you believe it? I can’t. Here we go…
Sander, Bill Sawczuk, Lindsay Scott, John Seerey-Lester, Suzie Seerey-Lester, Mian Situ, Ryan Skidmore, Adam Smith, Dan Smith, Tucker Smith, Gordon Snidow, George Strickland, Richard D. Thomas, Kent Ullberg, Curt Walters, Morgan Weistling, Kathy Wipfler, Sarah Woods, David Yorke and Jie Wei Zhou.
have their own showcases too.
portraiture is rarely publicly displayed. That’s changing.
Thirteen participating artists are: Eliza Chrystie, Eliot Goss, Thais Graham, Lane Griffin, Alissa Hartmann, Jennifer L. Hoffman, Greg McHuron, Susan Nowlin, Lee Carlman Riddell, Shannon Troxler, Kathryn Mapes Turner, September Vhay, and A. A. “Sandy” Zvegintzov.
Valley artist
R. Haworth at 
evening; the exhibition kicks off with an artist’s reception 5-8pm, at Trio. From 5-6 pm, Vhay will give a talk, and host a discussion, on the topic of creativity. Refreshments will be served. Vhay notes her new website address:
Meet nationally recognized artist
Item #4: Eliot Goss: New Works on Display
structural organic touch; a simple power.
It’s all about the light. Landscape painter and pastel artist
subdued values of rainy and foggy days. I’m much more interested in the subtleties of a scene than in big contrasts. I am equally interested in communicating the internal and external in my work. I think subject, composition, and palette are often more reflective of my internal state than the physical environment. Creating a work of art is, for me, a transcendent experience,” says the artist.