Category Archives: Western Traditional Art

Fresh Lots at J.H. Art Auction; A Kansas Art Tale

Edgar Payne, Navajo Scouting Party, 24×38″ Oil. Estimate: $400,000 – $600,000

Fresh to the art market: no matter how important an artist’s work, if passed around the auction circuit too often, its value tarnishes. Flip city. That’s why the 2017 Jackson Hole Art Auction   elation over works new to the market is understandable: six oils by American illustrator W.H.D. Koerner. The works come straight from a private collection “with direct descent from the artist.”

W.H.D. Koerner (1878–1938) Citizens of the Law (1931) oil on canvas, 30 x 36″  Estimate: $75,000–$125,000

Koerner works include “Citizens of the Law,” shown above, and “New Horizons,” a “classic pioneer scene.” Both works estimate at $75,000 – $125,000. Koerner’s “Fly Fishing,” “The Bullring,” “The Price of the Old Northwest,” and “Indian Territory Demand for Tribute” round out the Koerner lots. Together these works comprise a vivid and compelling profile of the characters, times, challenges and passions of the Old West.

Edgar Payne, Carl Rungius, Robert Bateman, Tucker Smith; you’ll find works by all these iconic Western artists on the Jackson Hole Art Auction website.   No matter where they set up their easels, countless contemporary artists list the great Edgar Payne as a significant influence in their own work. 

The Jackson Hole Art Auction caps Jackson’s annual Fall Arts Festival, and is a co-production of the Gerald Peters and Trailside Galleries. A phenomenal Western Art market success, this will be the auction’s 11th year offering the finest works by living and deceased masters. The auction, now a destination in itself, continues to invite fine art consignments. Once again, the auction takes place over the course of two consecutive days: September 15th and 16th, 2017, at the Center for the Arts in Jackson Hole, Wyoming. For information, contact Auction Coordinator Madison Webb, via Tel: 866-549-9278 | Fax: 307-732-1600 or at www.jacksonholeartauction.com.  

Now, a brief “return from vacation” note. If you read the New York Times  Arts Section, you may have seen March 25th’s article “Arts Without Funding? It Can Be Done, Kansas Says.” 

Courtesy Hays Arts Council

Journalist Mitch Smith’s  article tells the story of Kansas’ Hays Arts Council. Its director, Brenda Meder, cuts corners wherever possible in order to save money and funnel cash into the arts. She scrubs the toilets, she makes the reception appetizers, she’s increased membership and organizes quarterly art walks “in the brick-paved downtown, where storefronts transform into makeshift galleries that draw hundreds of spectators from Hays and beyond.”

In Hays, support comes from Democrats and Republicans. It is, says one politically involved citizen, “part of our DNA here. And that’s hard to replicate in other communities.”

This is a story about a Midwest arts community making concessions, but their arts scene remains strong. It’s a great profile. And, man, look at this art! It’s fantastic! Read the story here.

Courtesy Hays Arts Council

Hats Off! It’s “Whodunnit” Number 10!

I know Whodunnit!

What’s so special and enduring about the Art Association’s annual “Whodunnit?” fundraiser? One participating artist, Borbay, immediately piped up with his take on the exhibition:

“Despite being a full-time artist in Manhattan for seven years, I never established a meaningful relationship with an art organization. That changed completely when I moved to Victor, connected with Shari Brownfield, Todd Hanna, Chas Marsh, Mark Nowlin and The Art Association of Jackson Hole. They hosted my first show out West in the Summer of 2016, and since, I’ve witnessed the incredible impact they have made on our community. When the wonderful Jill Callahan mentioned the Whodunnit show, I was happy to contribute. I’m excited to see who ends up with my piece, and, from what I’ve heard, it’s one helluva party!”

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Over the Rooftops; Letscher Lands at Tayloe Piggott

Bobbi Miller, “Over the Rooftop,” 6×6″ oil

Moran, Wyoming lies 30 miles north of the Town of Jackson. Last month Moran received almost 40 inches of snow, 10 inches above normal. Jackson has received almost the same amount, but Moran’s isolated location lends itself to days of being no other place than Moran.

It’s a singularly beautiful, remote and a Grand Teton National Park gateway. If you are a plein air painter, Moran offers an infinite number of beautiful locations and constant inspiration.

A Moran resident, Teton Plein Air Painter Bobbi Miller this winter has left her in awe of the Park’s forefathers who battled intense winter conditions without any of the modern conveniences we enjoy today. Confined to painting indoors this winter, Miller’s painting style has veered towards abstraction; quick work and impressions of landscape are intriguing.

“I must admit to putting those foot warmers in my boots when DRIVING to Dubois, Wyoming recently,” Miller confesses. Dubois lies approximately 75 miles east of Moran, and to get there one must travel over the spectacular but potentially very dangerous Togwotee Pass.

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What Has Winter Wrought?

Kathy Wipfler  “Deep Winter – Jackson Hole”   7 x 11″   field study

“Greg McHuron was known to wrestle sheets of plywood through various Ice Ages just so he could stand on them without sinking into the frozen depths. But Greg was part Woolly Mammoth.” ~ Plein air painter Erin C. O’Connor 

This Jackson Hole winter!  Folks have mentioned a craving to chew their legs off. But if you’re an artist the show goes on, and being shut in or facing stupendously challenging weather conditions often leads to improvisation, new creative themes and awakenings of a different sort.

I contacted some legendary badass women artists and asked them how winter has affected their work. This post, we hear from  Kathy Wipfler, Kay Stratman and Erin C. O’Connor.

KATHY WIPFLER

Plein air painter Kathy Wipfler is a true veteran of painting outdoors. Solid and sensible, her practices spring from a lifetime of ranching and hard outdoor work. A long-time member of the Rocky Mountain Plein Air Painters, she knows a thing or two.

“Having painted on location here in every season for 36 years, I have a few tricks of the trade to stay as warm as possible. Painting a small format is one of them,” writes Wipfler. “Standing on Blue Board keeps the cold from my feet just a little longer than standing directly on the snow, and having the right boots is important. Painting sunlit snow is a passion, but there have been limited sunlit days so far this winter.”

Wipfler says another challenge is simply finding an accessible turnout to set up her easel and park. “Parking on the road’s shoulder is not so smart. I’ve spent time and effort shoveling out spaces whenever it’s feasible.”

Wipfler’s “Deep Winter – Jackson Hole,” pictured above, is so painterly I can almost feel the artist’s rich brushstrokes simply by looking. They convey the weight of this winter, its frigid cold, and a sense of muffled winter beauty. Wipfler’s snowdrifts are a pillow upon which the mountain rests.

Read more about Kathy Wipfler in this Jackson Hole Art Blog post, “Kathy Wipfler & the Boys!” 

KAY STRATMAN

Kay Stratman’s new abstract works are charged with color.

Kay Stratman is experimenting with her “alter studio ego.”

Stratman’s “Natural Abstractions,” comprised of watercolor and wax works, focus on what the artist describes as “amazingly colorful natural occurances that scream for exploration/exploitation/ abstraction.”

Stratman’s work (which she says has always favored essence over traditional form) is focused on subjects ranging from Yellowstone’s brilliant hot springs to “the mysteries of stellar nebula or northern lights.”

“People are familiar with watercolor as a medium and perhaps even encaustic wax,” writes Stratman. “But I combine both media in my work to present an interesting dichotomy. Watercolor and wax shouldn’t even be able to mix, should they? However, each medium becomes obvious upon close inspection, and the view from farther away brings the suggested subject matter to light.  The pieces themselves are splash and poured watercolors on rice paper, infused with encaustic wax (molten beeswax) that makes the paper translucent, allowing me to fuse layers together to create depth of color.”

Erin C. O’Connor – “El Gato Negro.”

Erin C. O’Connor 

“I know an artist who used to work for the phone company; he swiped one of those tents that they put over utility boxes so they can work in inclement weather; now he uses it to paint outside. At 17 below zero, I’d need the tent, the Enormo-Heat-Blaster, and the heated brush handles,” reveals painter Erin C. O’Connor.

I imagine O’Connor’s “Uppity Chick” smile.

Erin C. O’Connor in her studio.

During winter months O’Connor focuses on studio work and brings unfinished “warmer months” paintings to completion. At this time last year O’Connor was in Nicaragua, and she’s “finding welcome refuge in re-exploring those scenes.”

“It all plays back to me like a tape recording ~ the warmth, the humidity, the lyrical conversations, the people I met, all the things I learned,” she says. “Color upon color upon color. This has been my antidote to grey. This has been my rebellion to the cold.”

O’Connor updates her website during winter months, and she’s just been named as the newest member of the Rocky Mountain Plein Air Painters Board of Directors. When Plein Air for the Park ” gorgeously unfolds in July, it’s because we’ve thoroughly scrutinized the acrobatics well before summer.”

Next post, we’ll hear from a few more of Jackson’s ultra-talented women artists! All strive to be the best that they can be. Transcending fads and trends, they are wicked strong rungs on Jackson’s art history ladder, and their art endures.

In national art news, it was announced earlier this month that the NEA is in dire straits. Our new administration is strongly considering budget cuts that could eliminate the National Endowment for the Arts. If executed, this spells disaster for art interests across the country. Such a step even stands to cancel important exhibitions like SFMOMA’s Matisse-Diebenkorn show.  Read a little about this impending legislation here

 

Wherever We Go, Art is the Heart

I was going to tell you that if I could live on art, I would. Then I realized I already do. And so do we all, in some way or another. Art is, literally, all around us. The keyboard I’m typing on is someone’s imaginiative creation. The lamp on my desk, the paintings on my wall, my books, the clothes I wear (though in my case I have to fall short of calling what I wear “wearable art.” It’s more like “wearable earrings and sweatshirts.”).

Outstanding in her field: Kathy Wipfler.

Recipes are art, the chairs we sit on. Loving one another and sticking by the Golden Rule is an art. That particular rule is, for some reason so difficult to follow. Why is that? It’s so simple to do the right thing. One of the most obvious “right things” is to respond to friends and colleagues when they reach out. When we don’t respond, the thing we remember IS the non-response. That’s not what you want people to remember, professionally or otherwise.

Todd Kosharek at work. Todd’s passion, work ethic and kindness are the best of Jackson Hole’s art heart.

My wish for us this year is to always try to do the right thing. Think it out. Be honest, but balanced. Who are your mentors? Who do you hold up as a hero amongst us? When trying to decide how to act, what choices to make, how to respond, how to walk this earth, I implore you: Do the right thing.

Rocky Mountain Plein Air Painters’ Quick Draw” at the Craig Thomas Discovery and Visitors Center in Grand Teton National Park.

One “compassion researcher” I know of says this: “We are taught that there is a right and wrong way to behave, to act and to think. Stepping outside this construct is a big shift. Non-judgmental acceptance of what it means to embrace all suffering on the planet takes development.”

Plein Air Cowboy Bar!

I’m not religious, but I try to find the good path, make choices that align my soul and help me towards peace and contentment. So often that effort winds up involving huge, ongoing struggles. Breaking things down to day-to-day triumphs is a better choice. Much of the time our thoughts are of the future, one dream after another. I can be guilty of spending more time dreaming than doing, especially during these challenging winter months.

Today my goal is to break that pattern up a little and re-start this blog! I will begin my book in earnest this year. I will work and produce positively to the benefit of arts here as they are related to the Greater Yellowstone Ecosystem’s phenomenal beauty and the wealth of art in our galleries and superb new generation of artists.

Bronwyn Minton, for “View 22.” I purchased my first “Bronwyn” this year!

I will try to present all forms of Jackson’s visual arts to the best of my ability; none of us relates to EVERY SINGLE work of art, but we can appreciate every effort, love that it exists, discuss art and feel lucky our particular creative vortex is so powerful.

Borbay and Friend. Connecting with this guy was a highlight of the year! He’s really a softie.

And so this first post of 2017 contains some of my favorite images and moments from 2016’s Jackson Hole art offerings and events. Just a very few~~there were SO many! To see more images from the past year, visit my Art Blog Facebook Page .  If you enjoy those posts, please “Like” the page and tell your friends! 

Dean Cornwell (1892–1960)
Portrait,1929. The Jackson Hole Art Auction had some exquisite works.

As ever, my deepest gratitude to everyone who appreciates and reads The Jackson Hole Art Blog. I’m thankful and proud.

David Michael Slonim at Altamira Fine Art.

The Jackson Hole Art Blog’s new header image: Detail from David Michael Slonim’s “Bailando,” at Altamira Fine Art.