Tag Archives: Altamira Fine Art

Lee Carlman Riddell’s Winter Wonders; Jivan Lee in Scottsdale

Lee Carlman Riddell, “Cold and Clearing”

“Truth be told, I do not paint outside in the winter. I tried it once, thinking that if Greg McHuron could do it, so could I.” ~ Lee Carlman Riddell 

Greg McHuron, you have no idea the shoes you’ve left to fill. How can we channel your inner snow beast and brave this snarling, ice-jamming winter? There is just one Gregory I. McHuron, and that’s you, dear friend. We miss you, and we are eternally grateful to Susan H. McGarry, who saw the publication of your book through.

Lee Carlman Riddell joyfully participates in countless plein air events in during warmer months. In the winter time she’s a studio girl. Carlman’s work is on constant exhibit at WRJ Associates  (as is her husband’s, photographer Edward Riddell) in downtown Jackson, and her gentle paintings, so elegant in their simplicity and color palette, are immediately identifiable.

Lee Carlman Riddell. “Cottonwoods For Monet.”

WRJ not only understands Riddell’s work; they treasure it. Step through their doors on King Street and her paintings, hung throughout the space, beckon like jewels. Softened jewels~~~colors that understand time and nature’s effects.

“Whenever she ventures outdoors, she sees something new, particularly on routes she knows well; a stand of cottonwoods, passed countless times before, suddenly appears as if plucked from Monet’s Rouen Cathedral paintings,” writes the design group. “Her paintings thus bear witness to her distinctly wide vision, her rare instinct for finding ephemeral beauty.”

As for winter…..after valiant efforts, Riddell prefers the warmth of studio work.

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Take Your Broken Heart and Make it Art

 

Sue Sommers’ “001-1111-16,” Watercolor pencil and crayon on Magnani Pescia paper, 11 x 11″. From Sommers’ “Sibling” series.

In this week’s Jackson Hole News & Guide, editors ran a short letter about “clowns” demonstrating on Jackson’s Town Square the afternoon of January 15th. The letter could be taken as a thinly veiled threat: get those “clowns” off the streets of Jackson, or we’ll take our business elsewhere. Presenting all points of view is important, but placing that particular letter ahead of all others is astounding.

It’s a new town, a new year. Luckily, we can take our broken hearts and still make art!

Wyoming’s Pipeline Art Project artist Sue Sommers recently wrote a great piece for Wyofile, and she’s also come out with lots of new art and a new website. Her art explores different subjects, all close to home. Two of my favorites are her “Sibling” and “Willows” series. Though Sommers doesn’t specifically say so, these works draw from the same well, a source of roots and connection.

Sue Sommers, “Willow 2.” Intaglio on Rives Cream, plate size 9 x 12″, edition of 6.

Think of a tree’s branches as fingers, reaching to the sky, beckoning sun, rain and wildlife to its limbs. Think of families — most of Sommers’ abstract “Siblings” resemble fingers — as hands connected by fingers.

She could, she says, use a word like “meditation” to describe the “Sibling Series'” origins. But the real origin is terror.

“I call them (the Sibling Series) because they look like related organisms moving around in a confined space – like a family,” writes Sommers. “Thinking about my own siblings while I draw liberates me. I know (but didn’t when I was growing up) that I have to let the shapes be what they want.”

Sue Sommers. A landscape, “Fenceline 0615″ Acrylic on gallery wrapped canvas, 48 x 48 x 1.5”

Sommers writes about process rather than “content” or “meaning.”

She could, she says, use a word like “meditation” to describe the “Sibling Series'” origins. But the real origin is terror.

“This would be embarrassing if I didn’t know lots of other artists fighting messy tides of dread and self-doubt. Do I have anything interesting to say? Am I any good? Is there any point to the sacrifices I make? After nearly 40 years of valiant battle, I felt like the terror was winning. My way out was to make marks. Any marks.”

Sue Sommers. Stripes sketchbook green yellow. Watercolor and crayon in handmade sketchbook, 4 x 6 inches open. NFS

Sommers started with square pieces of scrap paper and a children’s watercolor set. Working slowly, she pressed her nose almost to the paper, her brush dragging incrementally across the paper’s tooth as pigment soaked in and spread.

“Every inch of every strip of color I laid down was my choice: I choose to make this now. And this. And this. I made dozens of these stripe pieces. Eventually they started changing, and I started changing.”

You can view Sommers’ new work and new website here

Duke Beardsley, Hangtown. Mixed Media on Collage 40 x 52.”  At Altamira Fine Art, Scottsdale.

Altamira Fine Art’s Scottsdale gallery welcomes a new solo show, “Range Monitor,” by contemporary Western artist Duke Beardsley. 

“A highly anticipated new body of work will be highlighted in this new show, which centers on the idea of transparencies and visual plays on overlapping realities and falsehoods,” writes the gallery.

Artist Reception & Opening: January 26, 6:30 – 9:00 pm, in Scottsdale. 

This appears to be an excellent show. Find out more about it by visiting Altamira’s exhibition description here.

Wherever We Go, Art is the Heart

I was going to tell you that if I could live on art, I would. Then I realized I already do. And so do we all, in some way or another. Art is, literally, all around us. The keyboard I’m typing on is someone’s imaginiative creation. The lamp on my desk, the paintings on my wall, my books, the clothes I wear (though in my case I have to fall short of calling what I wear “wearable art.” It’s more like “wearable earrings and sweatshirts.”).

Outstanding in her field: Kathy Wipfler.

Recipes are art, the chairs we sit on. Loving one another and sticking by the Golden Rule is an art. That particular rule is, for some reason so difficult to follow. Why is that? It’s so simple to do the right thing. One of the most obvious “right things” is to respond to friends and colleagues when they reach out. When we don’t respond, the thing we remember IS the non-response. That’s not what you want people to remember, professionally or otherwise.

Todd Kosharek at work. Todd’s passion, work ethic and kindness are the best of Jackson Hole’s art heart.

My wish for us this year is to always try to do the right thing. Think it out. Be honest, but balanced. Who are your mentors? Who do you hold up as a hero amongst us? When trying to decide how to act, what choices to make, how to respond, how to walk this earth, I implore you: Do the right thing.

Rocky Mountain Plein Air Painters’ Quick Draw” at the Craig Thomas Discovery and Visitors Center in Grand Teton National Park.

One “compassion researcher” I know of says this: “We are taught that there is a right and wrong way to behave, to act and to think. Stepping outside this construct is a big shift. Non-judgmental acceptance of what it means to embrace all suffering on the planet takes development.”

Plein Air Cowboy Bar!

I’m not religious, but I try to find the good path, make choices that align my soul and help me towards peace and contentment. So often that effort winds up involving huge, ongoing struggles. Breaking things down to day-to-day triumphs is a better choice. Much of the time our thoughts are of the future, one dream after another. I can be guilty of spending more time dreaming than doing, especially during these challenging winter months.

Today my goal is to break that pattern up a little and re-start this blog! I will begin my book in earnest this year. I will work and produce positively to the benefit of arts here as they are related to the Greater Yellowstone Ecosystem’s phenomenal beauty and the wealth of art in our galleries and superb new generation of artists.

Bronwyn Minton, for “View 22.” I purchased my first “Bronwyn” this year!

I will try to present all forms of Jackson’s visual arts to the best of my ability; none of us relates to EVERY SINGLE work of art, but we can appreciate every effort, love that it exists, discuss art and feel lucky our particular creative vortex is so powerful.

Borbay and Friend. Connecting with this guy was a highlight of the year! He’s really a softie.

And so this first post of 2017 contains some of my favorite images and moments from 2016’s Jackson Hole art offerings and events. Just a very few~~there were SO many! To see more images from the past year, visit my Art Blog Facebook Page .  If you enjoy those posts, please “Like” the page and tell your friends! 

Dean Cornwell (1892–1960)
Portrait,1929. The Jackson Hole Art Auction had some exquisite works.

As ever, my deepest gratitude to everyone who appreciates and reads The Jackson Hole Art Blog. I’m thankful and proud.

David Michael Slonim at Altamira Fine Art.

The Jackson Hole Art Blog’s new header image: Detail from David Michael Slonim’s “Bailando,” at Altamira Fine Art.  

 

Todd Kosharek’s Utopia

Todd Kosharek Utopian Vision - The Peach Blossom Spring Acrylic on Canvas 24 x 36 inches

Todd Kosharek, Utopian Vision – The Peach Blossom Spring – Acrylic on Canvas 24 x 36 inches

“As I get older, I see looking to the future, both as a society and as individuals, as an act of seeking the Utopians that exist in our romanticized memories of the past. Memory is both the greatest blessing and the greatest curse. The line between the difference is what I am so drawn to explore, to understand.”- Todd Kosharek

“Utopian Vision – The Peach Blossom Spring,” encapsulates artist Todd Kosharek’s view of the world. Utopia was an island said to be an intentional place of community, an ideal society. Kosharek’s painting “Peach Blossom” depicts what is thought to be the first sighting of Utopia.

The painting’s story concerns a fisherman who comes upon a society living in perfect harmony. The fisherman stays for one week, then departs to his former life. When he tries to return to Utopia, he perishes.

Todd Kosharek Neautrality Acrylic on Canvas 16 x 24 inches

Todd Kosharek, Neautrality, Acrylic on Canvas, 16 x 24 inches

TODD KOSHAREK | UTOPIAN VISION: THE HISTORY PROJECT, opens at Altamira Fine Art on October 3rd, runs through October 15th, and hosts an artist’s reception at Altamira on October 6, 5-8:00 pm in Jackson, Wyoming. A dance, themed to the exhibit, will be performed by Kosharek’s wife, Kate Kosharek.

Now a father of two, Kosharek’s growth as an artist is evident. That happens with parenthood, but in Kosharek’s case it’s really not a surprise; he began his own life journey~~or at least his visible Jackson Hole life journey~~on a higher plane. His perceptions of people, the way we live, his committment to truth and clear, balanced vision seem far above average.

Saturated in art history, Kosharek’s contemporary paintings have developed a highly focused and meditative style. He’s as meticulous and balanced in his artwork as poets are when  constructing great poetry.

Todd Kosharek Love Letter - Peace Within Acrylic on Canvas 12 x 20 inches

Todd Kosharek, Love Letter – Peace Within, Acrylic on Canvas, 12 x 20 inches

“I went seeking poetic verses on peace through (sic) and acceptance of love. I looked at Shakespeare, Wordsworth and Cummings….Then I re-read letters from my wife. “Love Letter” is the first one I ever received, 13 years ago. She wrote about a great peace within [regarding our] whole situation, the admitting of vulnerability toward another person. I thought this was a perfect summary of love: having a sense of peace to the unknown,” writes Kosharek.

This exhibition focuses on Kosharek’s ongoing Crane Series, and a sample of his landscape painting occupies the top of this page. With this new exhibit, Kosharek merges interior and exterior worlds.

Sebastian Junger’s book, “Tribe,” concludes society has grossly inverted our own utopia; from our earliest days on this continent, reports Junger, our industrial society “waged an ongoing campaign against a native population that had barely changed, technologically, in 15,000 years.”

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Our Majestic Parks: Ziemienski at Altamira Fine Art

Dennis Ziemienski, Stone Bridge Over the Merced, Yosemite National Park. Oil on Canvas 40 x 30 "

Dennis Ziemienski, Stone Bridge Over the Merced, Yosemite National Park. Oil on Canvas. 40×30″

In Dennis Ziemienski’s new show “Celebrating Our National Parks” at Altamira Fine Art, our parks are monumental. Man’s presence, for the most part, is small and humbling. In every image, you’ll find homage and acknowledgement that they, the parks, were here before us; and they, not us, are Earth’s great achievements.

DENNIS ZIEMIENSKI: CELEBRATING OUR NATIONAL PARKS, is on exhibit at Altamira Fine Art in Jackson, Wyoming, August 15-27, with an opening reception on Thursday, August 18, 5-8:00 pm. 

Dennis Ziemienski Old Faithful Geyser, Yellowstone National Park Oil on Canvas 48 x 30 inches

Dennis Ziemienski
Old Faithful Geyser, Yellowstone National Park
Oil on Canvas
48 x 30 “

As I write, 11 works from the show are posted on Altamira’s website; two have already sold. Ziemienski’s painting has always been marked by an appreciation of all things vintage. At times I’ve felt his work can be a little too obvious, but in this show, being obvious about color, scale and our precious parks is the point. These are spectacular tributes to some of America’s greatest treasures: Yellowstone, Grand Teton National Park, Arches National Park, Glacier , Yosemite and Devil’s Tower National Monument. This year is the National Park Centennial, and if you are one of the millions whose lives are deeply affected by personal park experience; if these wild and gorgeous places have made their mark on your soul, then you are bound to be transported by this tremendous exhibit.

Works reflect National Parks grandeur and scale. Ziemienski’s smallest painting measures 18 x 24″, and the largest canvas is 36 x 48″.

“The stunning beauty, history and wildlife provides an unlimited source of inspiration and subject matter for my paintings.” ~ Dennis Ziemienski

Growing up near Yosemite, I spent many summers there. Two decades ago I moved to Jackson Hole and Grand Teton National Park; stepping off the plane here for the first time my pulse quickened, stunned by the Tetons’ visual impact. Those halcyon summer months spent at Yosemite’s lakes, beneath the waterfalls, hiking valleys, camping in the pines~~I can smell it. I thought I’d lost that sense memory forever. Thank goodness, I was wrong.

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