“The Connoisseur,” by Norman Rockwell. The work appears on American Art Review’s October cover.
Ahhh. It’s Fall. Lovely.
Soon I’ll be returning to Jackson, and for almost everyone this season is a time of reflection. It’s also a time of “buckling down to work” and transition.
When I’m not reading or writing about Jackson Hole’s art scene, I’m often reading about art in other corners of the world, and quite a bit about art across the country. This entry, I’d like to offer up a few stories that recently caught my eye.
The first concerns plein air painting, and a show about a collection of artists, now deceased, whose works were, in their time, considered excellent. But as their lives came to an end, so did their visibility as artists. The show is “Variations on a Theme: American Painters (1850-2000), opening next month at the Rockport Art Association and Museum in Rockport, Massachusetts.
“It is an unfortunate fact that unless an artist has a gallery or family to keep their name in the forefront of the art world, the bulk of their work can be lost in the mists of time,” writes Judith A. Curtis in the latest edition of “American Art Review.”
Alexander Bower (1875-1952), Cottage on the River
This is not currently a big problem for Jackson artists~~(housing is another matter)~~a number of artists who didn’t have representation or were faced with a gallery scene refusing to show their work are now front and center. This is incredible, and perhaps because we, collectively, are the polar opposite of the small New England town’s plight, the article spoke to me.
The Rockport’s mission is to feature local painters who are not only considered excellent, but have been “the mainstay of the Association in its fledgling days.” To sum up Curtis’ point, the museum would never have survived without intense dedication, talent, and a consistent “forward momentum.” Until last year, when the Rockport mounted an all-women’s art show and expanded its reach, the museum was unable to produce a show like “Variations.” In the article about the show (if you can find a hard copy~~I can’t find the article on line) you can read about a number of New England plein air painters who, despite their great talents and breadth of subjects, faded from view. It’s a touching look from a knowing and careful perspective.
Stanley George, proprietor, closing a gate decorated by Jessica Blowers at Stanley’s Pharmacy on Ludlow Street. Credit Santiago Mejia/The New York Times
Don’t hurt me, NYT! I loved this article. And I hope that we in Jackson Hole can figure out something like the Lower East Side’s “100 Gates Project.”
Tamara Best wrote about a street art project that’s transforming a part of Manhattan’s dingy Lower East Side. Although we in Jackson don’t pull down metal doors when we close up for the day, we could paint some fabulous large-scale works and use them as promotion for our local artists. What about that idea for the Public Art Spot, the snaggly “banner” space that juts out over West Broadway? That needs upgrading, up-thinking.
Or, we could place art on the streets themselves. And create/paint/build/light up huge arrows pointing to the Art Association! Once visitors arrive at the Art Association, they’d find so much affordable local art that they couldn’t help but bring some back home.
Our public art is fabulous, but I feel more thoughtful placement of work is possible. Let’s not crowd small spaces without offering a place to rest, without offering nature and true assimilation of place and object.
I’m in favor of making the Art Association more “public,” a retail operation that draws more tourism dollars. Tourists rarely, if ever, visit and we need a fresh audience. I’m in favor of another project I recently read about, and Jackson has already started: displaying local art, with prices, in every lodging location possible, AND add an artist studio space directly into the lodging structure itself. The artist is always in residence.
Read Best’s article HERE.
My mom gets newsletters from the Hollis Taggart Gallery in NYC. The gallery sends out an Art Market Report much like our Jackson Hole Real Estate Report. A summation of the latest report says that there has been a “rising tide” of gallery sales and an “ebb in momentum” for auction houses. People are consigning, not selling, in an erratic market. Feels safer, more control.
As the gallery went to press with their newsletter, the SEC reported a 65% reduction in Steve Cohen’s Sotheby’s stock. Almost immediately a Chinese insurer “China Guardian” bought up a 13.5% position in Sotheby’s. And now it’s Sotheby’s largest shareholder…….
“No doubt China Guardian was quietly buying Steve Cohen’s stock position!” exclaims the Report.
Invest in, support and love your local artists. We are a family. An Association.
Because I do not wish to finish on a “corporate” note, I offer some these observations on the passing of time and transition:
“We will be more successful in all our endeavors if we can let go of the habit of running all the time, and take little pauses to relax and re-center ourselves. And we’ll also have a lot more joy in living.” ~Thich Nhat Hanh
“The only reason for time is so that everything doesn’t happen at once.” ~Albert Einstein
“Every breath we take, every step we make, can be filled with peace, joy and serenity.”~Thich Nhat Hanh