Posts Tagged ‘Heather James Fine Art’
Spring. It’s sort of gray, sort of promising, wet, windy, soft—-and Spring suggests we use this time of year for contemplation.
When presented with the image of “Curved Horizon Hogosho with blue and gold” by Japanese artist Kyoko Ibe, I melted like snow in 50 degree weather. And imagined the sun.
Heather James Fine Art currently has Ibe’s artwork, constructed with washi—traditional Japanese paper—on display. A recent show of her works at the gallery’s Palm Desert location was reportedly a great success.
“The ancient Japanese believed divine spirits resided in the paper and Ibe maintains such veneration,” the gallery writes. “The functional role of paper has diminished, the aesthetic role of paper as a spiritual medium is more apparent and has succeeded today in reemerging as an art media. Appropriating old handmade paper and handwritten documents, Ibe recycles them into new forms of washi. The ink of the original sources remains embedded in the fibers of the paper, such that the new paper is uniquely variegated with shades of gray and intrinsically connected to the past.”
Isn’t this just so lush?
Heather James Fine Art has some new works in they’d like you to see. This Spring-like, exuberant abstract oil-on-canvas entitled Revised and Expanded, is by contemporary artist John Millei (b. 1958). He’s a Los Angeles painter, a native to that city. His work, often whimsical, caught my eye, and I did a little lookin’ around.
Millei’s paintings are expansive; this work measures 36 x 42 inches. Writer Donald Kuspit, in writing about Millei’s “Maritime” series of works—painted some five to ten years after this work—described the artist’s canvases as “enormous, magnificent paintings, mural-like in their panoramic scope and imposing scale, and executed in what can only be called a grand Abstract-Expressionistic manner.”
Craighead Beringia South has a Pottery Sale goin’ on–and all proceeds from this holiday gift fundraiser go to support the organization’s wildlife research and education programs. I believe some darn decent wholesale deals are available–a big, cheery pile of platters, bowls, cookie jars and mugs are in stock.
The sale is out in Kelly, Wyoming. Hours are Monday through Friday, 9:00 am – 4:30 pm. Address is 6955 E. Third, in Kelly. Goods are available through Wednesday, November 23rd. Even with the aforementioned operational hours, please call 307.734.0581 if you’re planning a trip to the Beringia “store.” Remember our wildlife this holiday! http://beringiasouth.org/
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Got an email from a representative of the 2012 Democratic National Convention, to be held in Charlotte, North Carolina.
“Calling all artists, designers, and other creatives! We want YOU to be the designer behind one of the 2012 Democratic National Convention’s Official posters. Here’s what you have to do — create an original 18 x 24″ poster using the 2012 Democratic National Convention official logo and incorporating and interpreting one (or more) of the following themes: 1). Americans coming together; 2). Building a better future; 3). Opportunity and Empowerment
To register, download the logo, get more details, and to read the official rules, check out our website at www.charlottein2012.com/postercontest
Deadline for submissions is December 31st, 2011, at 11:59 p.m. (EST). The winning poster will be sold in our online store, and the winner will receive a framed print of their poster (guess the Party thinks the artist won’t have one of those already…) and $1 of each poster sold.
I can’t wait to see what you come up with. (Nor can I!)~~~~Sincerely, Dr. Dan Murrey, Executive Director
Have fun with that, Jackson artists! I know many of you are worthy of the challenge.
And speaking of innovation, the National Museum of Wildlife Art’s (NMWA) new three-quarter mile sculpture trail, designed by Walter Hood, is due to open on schedule this month. The presence of the trail adds a whole new dimension to the museum. NMWA is literally merging the concept of wildlife art with the landscape wildlife inhabits. Not only will visitors be able to sit outside NMWA and take in those glorious Elk Refuge and Gros Ventre vistas, they will be able to walk the hillsides around NMWA. A new pathway links the Town of Jackson to NMWA–bike & walking paths lead you right to the Museum. Hood has been tweaking trail details; it sounds like those grid pattern surface boulders will be a part of the design. If you’ve had a chance to look at Hood’s design for the trail, you would have noticed those boulders bracing and anchoring the trail’s fluid design. Good news!
Visiting the trail is free, and open to the public. “Pathway stones and the trail’s Hood-designed Douglas fir benches also are being engraved with names from museum donors, with a number of stones and several benches still available for ‘naming,’ ” NMWA says. “It’s a great way to recognize a loved one in a beautiful outdoor place.”
The trail’s official opening is scheduled for September 2012, when all sculptures are installed and completed. If you’d like to adopt and dedicate a piece of the trail, contact NMWA’s Ponteir Sackrey at 307.732.5444. www.wildlifeart.org
PS: Thinking about the Museum caused me to wonder about Jackson’s lodging statistics for September, 2011 Fall Arts Festival month. Downtown Jackson was 85% full, up 1% from 2010; Outlying Jackson lodging was 86%, up a whole 7% from 2010′s 79%. 2010′s lodging stats for Fall Arts set records, so 2011 looks like a new record! Still awaiting September 2011 sales tax stats.
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Here’s that plus sign again! It’s the new arts text symbol.
Literary + Visual Art, a collaboration between Heather James Fine Art and the Teton County Library’s Page to Podium Series, offers a chance to attend an in-person conversation
with writer Michael Cunningham, author of “The Hours.” Local artist Pamela Gibson will interview Cunningham about his latest book, set in New York’s art scene; other topics include the status of art in America and the “art of living a writing life.”
(Hint: Get up early. Brush teeth. Make coffee. If you write in your jammies, lock front door! Sit down, and do it the Anne Lamott way: bird by bird.)
Cunningham’s talk begins at Heather James at 6:00 pm, on Friday, October 21. Tickets are $125 if purchased at the library; a little bit more if you use PayPal. www.tclib.org/authorchat.
From 3:30-6:00 pm on October 21, peruse the scary scarecrows up for auction at the Center for the Arts. The auction is silent until 5:30 pm, then goes live. Food, drink, live performances–it’s free to attend! Arts educator Jane Lavino is building a scarecrow. “At various times during construction my cat scarecrow resembled a kangaroo, a squirrel and a large rat,” Lavino says. “I hope the balance is tipping more towards ‘cat’ right now! After wrestling over 100 square feet of chicken wire into some semblance of an animal, my hands look like they were attacked by all of the above!”
Buy a scarecrow–all one of a kind and made by local artists–and raise funds for the Center and JH Public Art Initiative.
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The Art Association presents arts industry consultant Bruce Baker, conducting a two-day workshop: Thrive, Not Merely Survive, As a Studio Professional. Baker teaches the workshop November 5 & 6, 9:00 am – 5:00 pm both days. If you have great ideas, why be starving, artists? Baker will talk about how to effectively sell your art, particularly if you work the art fair circuit. Booth design, sales and customer service, tips on slides for juried shows and trends and product development will be discussed.
Many of Jackson’s artists are, by now, practiced art fair veterans–but maybe there’s much more to being successful than meets the eye. One gal who always hits it out of the park: Michelle Miller, of Magpie (Driggs, Idaho) fame. Miller nabs that corner booth, she can be found in the same space every year, her displays are chock full of goodies, she’s whimsically fun and makes jewelry on the spot. Merchandise it, baby!
Cost for Baker’s two-day workshop: $165 for A.A. members, $175 for non-members. www.artassociation.org
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For Annie on Her 39th Birthday
Before I slept I asked
Where do we go when we leave?
Like Annie left,
She rode away one day.
A mountain lion came for her
And up the stairs they went.
Here’s what happened:
Sarah and I are on a plane
We fly over shimmering water
We fly over emerald grasses
Waving at us.
Sacred views, magic earth.
We fly into night sky,
Through stars.
My plane is a spaceship-
Now I am alone.
A Heavenly spirit,
Round, starry and warm
Floating in space
Asks, “How do I speak
To my friends on Earth?
They cannot hear me
And I have something to tell them.”
I say,
“Just be You.
Nothing fancy,
Just You,
And You will be heard.”
He smiles
And I fly
Further into the sky,
Higher.
I see Annie’s house in the stars.
A tiny log cabin,
Windows aglow,
Wrapped round by tall firs
And twinkling lights.
That is where Annie
Is living, I know.
Thump! I land in a field
Boundless countryside
Rolling hills, sunshine,
Birds singing.
Annie’s flower,
Hydrangea,
Over and under me
In branches, spilling
Over fences
A periwinkle carpet.
A pony pulls his farmer
And wooden cart piled deep
With hydrangeas
High as the sky.
“Sarah, look! She is Everywhere!”
Excellent news that Teton County commissioners approved a contract with Wisconsin sculptor Don Rambadt to design and install a pathways public art project. The work will be part of the pathways system on North Highway 89, adjacent to the National Elk Refuge and National Museum of Wildlife Art. Local sculptor Ben Roth’s design for a series of bicycle racks will complement Rambadt’s installation.
Roth and Rambadt’s styles are similar and should mix extremely well. Both artists are minimalists, both use crisp geometric forms in their portrayals of wildlife and other creatures. Clean, contemporary and realistic enough to be recognizable by all, the art should be broadly appealing.
I visited Rambadt’s website and discovered another one of his projects: Magnetic Migration. Rambadt is placing a series of magnetic nuthatch sculptures on various steel structures he finds around the country. He’s asking the public to keep their eyes peeled for these little metal birds. If you find one, Rambadt asks you to move the sculpture to another steel building or site and take a photo. Post your photo, along with place, time and date. If Rambadt likes your site and story, he’ll send you your own little bird. Some folks decide to keep the birds they find–which would be tempting–and that’s o.k. with Rambadt. Check out the project here.
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A batch of new works at Heather James Fine Art includes new sculptures by Diego Giacometti. The gallery is a little secretive with its art collection backstories; the Giacometti name is world
famous, but most people think of Diego’s brother Alberto. Diego and his brother were very close, and for much of his career Diego served as Alberto’s senior assistant. Diego’s artistry manifested as furniture and artful objects and he established himself as a noted artist in his own right. Diego designed the Picasso Museum’s interior, but did not live to see the museum open. It’s a privilege to have Diego Giacometti’s work in Jackson Hole.
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The sub-headline in July 13th’s Jackson Hole News & Guide read: “Town mulls restrictions on ground-floor businesses as method to revitalize, generate revenue.”
“Restrictions” and “revitalize.” Opposites. See the problem? It’s not the paper’s fault. Town government thinks a prohibition strategy will help transform our economy. Targeting art galleries, in order to solve Jackson’s dearth of tax revenue is, to put it politely, very poor judgement.
Hello! How many non-profits do we have in Jackson? Snow King Resort, financed by wealthy, shrewd business leaders, courted being bailed out by a non-profit; the owners have since rejected the non-profit’s offer. I don’t know the mountain’s chances of ever becoming a viable business, but the last thing we should do is bypass testing the market and hurtle towards providing non-profit status to what SHOULD be one of the biggest retail operations in the valley! How will we ever know what the market can bear? Instead of renovating its main facility, Snow King built too many spec units and failed. So put it up for sale. That’s what failed businesses do! Snow King may sit on the block a long time, but it’s in good company.
Raise the Town’s sales tax. Continue to lobby for a real estate transfer tax. Use some of the revenue to help Wyomingites who are isolated, impoverished, abused, mentally ill, and/or hungry. Use the rest to boost town revenues.
I value and respect the missions of our non-profits, and I support (to the extent of my ability) those I feel are most crucial to the valley. We need them, and so many good people give their hearts 24/7 to causes that make our valley a better place. But we simply cannot figure out our unemployment and sales tax revenue issues in a pro-active way. We give the hospital $11,000,000 without reviewing their accounts! SPET tax rules
should be overhauled; I don’t believe the population at large truly understands what they are voting for. We’re economically co-dependent. At the very least, non-profits should have to provide a full accounting of their expenditures to prove they deserve public money.
The Jackson Hole Fall Arts Festival spikes Jackson’s lodging stats every year. That means the event brings more visitors, spending money, every year. I’m sure Santa Fe or Scottsdale would welcome our best galleries, if Jackson’s business environment becomes too hostile. This is a grasping-at-straws measure. Shipping works out of state has always been integral to the gallery business. Art is international, and we are a tourist town, counting heavily on out-of-state buyers. We’re damn lucky that Jackson is, truly, becoming an arts destination. It could all change on a dime.
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Good to hear from Legacy!
Legacy Gallery in Jackson Hole (there is also a Scottsdale, AZ branch) presents artist Kenny McKenna, in a One Man Show, July 21-August 11, 2011. An opening reception takes place Thursday, July 21, 6-8 pm, at the Jackson gallery.
McKenna is a landscapist. His striking, traditional works present views of some of our most memorable panoramas: Mt. Moran, Taggart Lake, Cascade Canyon, the Cathedral Group, Mormon Row, Sleeping Indian and more. McKenna also paints the smaller landscapes—check out his gentle portrayals of lily pads, meadows and willows. Summer and Fall views prevail.
