Posts Tagged ‘Jackson Hole Art Galleries’
In neighboring Sublette County, the town of Pinedale has big plans for 2012. According to a recent edition of the Sublette Examiner, “Main Street Pinedale”—a group of Pinedale citizens working to promote its downtown by “capitalizing on its uniqueness and by using historic preservation to generate economic and entrepreneurial growth”— will host a series of conferences that will work to raise Sublette’s cultural profile.
Events surrounding the conferences include “CLICK! A Weekend for Wyoming Visual Artists.” The Sublette Examiner writes:
“The name “CLICK!” suggests that thing that happens when you reconnect with colleagues and get inspired by new ideas, which occurs continually when Wyoming artists congregate,” said Sue Sommers, a local artist who helped organize the event, and is hoping to expand on the visibility and interconnectedness of Wyoming’s art community with those near and far – something she also tackled recently with the Pipeline Art Project….Like Pipeline, CLICK! is working alongside the Wyoming Arts Council (WAC) [sharing] a database of Wyoming artists and helps plan and partially fund the project.”
CLICK! takes place March 30 – April 1, 2012 at the Sublette County Libray, Pinedale. More registration info will be available soon. To read the Examiner’s full article, “click” here.
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In case you live in a cave–and the only peeps I know doin’ that are Bears 399 & 610–you know wildlife painter Amy Ringholz is Jackson’s 2012 Fall Arts Festival (FAF) poster artist. At 34, Ringholz is the youngest FAF artist to date.
Her winning painting, “Dreamers Don’t Sleep,” a 72 x 60″ ink and oil on canvas, will be showcased in the National Museum of Wildlife Art’s lobby January 22 – March 23, 2012. A wonderous portrait of the region’s wildlife, its magnificent Teton Range, a sparkling night sky, the painting also includes 25 painted flowers, to in honor of NMWA’s 25th anniversary. The painting is set to be unveiled at the museum Sunday, January 22, at 3:00 pm
Inspired by Fritz Scholder and Egon Schiele, Ringholz is a contemporary painter—the first contemporary FAF artist in over a decade. As this year’s Festival artist, she joins some of the West’s most notable working artists: Russell Chatham, Bill Schenck, Donna Howell-Sickles and 2011′s Dwayne Harty.
Locally, Ringholz is represented by Altamira Fine Art. Her work has been exhibited at NMWA, the Rockwell Museum of Western Art and Desert Caballeros Museum. She’s been featured in Southwest Art, Western Art & Architecture, and Western Art Collector magazines.
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Altamira Fine Art also represents 2009′s Fall Arts Festival poster artist R. Tom Gilleon. Altamira has confirmed that prices for Gilleon’s works will “increase significantly” as of May 1, 2012.
Gilleon has a major museum exhibition January 28 – May 27, 2012, at the Booth Western Art Museum. He is planning a one man show at Altamira in July. For more information, contact Altamira at 307.739.4700. www.altamiraart.com
Didi Thunder’s legendary Wilson Christmas Bazaar takes place Saturday and Sunday, December 10 & 11, 10am-4pm both days. Thunder’s Tibetan connections enable her to offer up extraordinary products from the Himalayan region. All are hand made.
New this year are yak cashmere throws and shawls from Fiber Tibet, a non-profit organization supporting Tibetan nomads. The fabric is more luxurious than it sounds; these soft blankets and shawl designs are inspired by Italy. Rugs from Nepal and Tibet are piled high, available in many designer colors and styles. Browse the hoodies, Wild Earth Soaps, silks, Martha MacEachern jewelry, the kitchen full of hot drinks, cookies, and Thunder-Coburn hospitality. Address: 1520 Fish Creek Road, Wilson. For information, call Didi Thunder at 733-4124, or email didi@wyoming.com.
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And on-site raptors, spirit-warming bluegrass and folk music, and the mysterious introduction of a new “touchable” sculpture are on tap for the National Museum of Wildlife Art’s second Mix’d Media event happening Tuesday, December 13 from 6 – 9 p.m. This month’s theme, “The Living Landscape,” is inspired by current NMWA exhibition artist, Canada’s George McLean. At 7:30 pm, McLean will give a talk on the extensive fieldwork he executes to create his intricate paintings. Cover charge for Mix’d Media is $5, members and non-members alike.
“Our first Mix’d Media event was very well-received,” says NMWA’s Ponteir Sackrey. “This month’s event promises to
be even more action-packed. In addition to an opportunity to draw live raptors after the style of artist George McLean – who will be on hand to talk about his artistic process – and the usual live music, fun food and cocktails, we’ll have the unveiling of one of the sculptures that will grace our new sculpture trail – plus a scavenger hunt and prize drawing.”
Here’s Mix’d Media #2′s events line-up:
6 – 9 p.m.: Teton Raptor Center, on-site with local raptors. Drawing materials and instruction available.
Megan Smith from Nature Mapping Jackson Hole leads a scavenger hunt in the galleries with participants entered in a drawing for a $50 gift certificate to MADE and Nature Mapping goodies.
Tom Marshall and Thomas Sneed perform live bluegrass and folk music.
Tasty Tapas Tuesday treats will be served.
6 – 7:30 p.m.: Vom Fass of Jackson Hole leads a Scotch whiskey tasting, featuring their finest single malts.
7 p.m.: Hands On Art – Diehl Gallery unveils Isis, a sculpture by Simon Gudgeon for guests to touch. Isis will be installed in the museum’s new sculpture garden this summer.
Trio Fine Art’s next group exhibition, Flight, opens at the gallery on Thursday, December 8, 2011. An opening reception takes place 5-8:00 pm, and a percentage of all sales benefit the Teton Raptor Center, and Center director Roger Smith promises to bring along a raptor resident.
It’s the Trio artists’ affinity for birds that inspired the show. Trio’s four artists —Jennifer L. Hoffman, Lee Carlman Riddell, Kathryn Mapes Turner and September Vhay—all have lofty aspirations and feelings for good things that take wing.
“My love of birds,” says Riddell, “came from my parents. Dad planted the flowers that attracted the birds to our yard, and Mom taught me to recognize the bird’s songs.
Recently a Calliope hummingbird nested outside my studio window and I was able to draw and paint the mother and two chicks.” It was a formative experience for Riddell. She adds that she and her husband Ed Riddell made contributions towards helping to rehabilitate injured raptors; the money paid for lots of frozen mice. The Raptor Center is one of Jackson’s great treasures, says Lee Riddell.
Have you heard of USA Artists? Or Pipeline to Miami?
I hadn’t, until I stumbled upon Pipeline’s home page. Pipeline is a Wyoming arts philanthropy project, the first of its kind in our Big Square State, and a sub-project of USA Artists. Pipeline’s goal is to send three Wyoming artists—David Klarén, Sue Sommers and JB Bond—to Florida’s Red Dot Art Fair. Red Dot, a Miami Art Week venue, takes place early December. Rather than paraphrase Pipeline’s mission, I’ll provide an excerpt:
“The Pipeline Art Project started with a handful of Wyoming contemporary visual artists realizing they all wanted the same thing: to live in the place they love, and to have viable art careers. But art opportunities are usually found in higher-population areas. We knew that to market our work outside the state, we needed to pool our ideas and resources. So we created the Pipeline Art Project: “Pumping Art from the Energy State of Wyoming.” Wyoming is better known for exporting coal, oil and gas than for its dedicated and talented contemporary artists. It’s the perfect place to make art, but a very tough place to build an art career. Pipeline wants to change that. We are trying to create a conduit to an international audience and better opportunities for ourselves and others.”
Providing techniques that move artists’ work to larger U.S. art market venues takes Wyoming arts support to new levels. It gets us thinking beyond sharing our great talents with each other. Intramural art missions will always be essential, but most Wyoming artists don’t have the means to get to art show venues outside the state. I hope Pipeline’s model earns its wings. Pipeline’s web page gets updated; at this writing the project has raised $3,750 of its $8,000 goal. Forty days left to help out! http://www.unitedstatesartists.org/project/pipeline_to_miami
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Jackson artists Jennifer Hoffman and Kathryn Mapes Turner entered an elite juried art show—the 12th Annual American Impressionist Society Exhibition in Carmel, California— and came back with big ribbons. Turner’s winning, “Best of Show” oil painting Siena
depicts a Italian church courtyard in Tuscany. Hoffman’s pastel, Allegory, won Plein Air Magazine’s “Award of Excellence.” Both artists are represented locally by Trio Fine Art.
Hoffman’s award includes ad placement in Plein Air Magazine. “I loved meeting so many incredible artists whose work I really admire,” says Hoffman. “I also was able to participate in the AIS paint-out the following day on Fisherman’s Wharf in Monterey, surrounded by beautiful scenery, talented AIS artists from all over the country, and enthusiastic tourists who seemed to really enjoy the event. All in all, the whole trip was energizing, inspiring, and really, really special.”
“I felt honored just to be accepted into such an important exhibition” says Turner. “Once I saw the high level of talent displayed, I was humbled and thrilled to receive their highest honor.” Turner says she was intrigued by the scale of human figures as set against massive marble church walls. Monochromatic colors lent a sense of harmony, and the setting was a great chance to explore composition and reflecting light.
“It’s an honor just to get into the American Impressionist Society show, one of the best juried shows I’ve taken part in,” adds Hoffman.
Scott L. Christensen was this year’s exhibition judge; he bestowed both awards. “Knowledge is a catalyst to completing a painting,” says Christensen. “But it must have a force behind it, a certain ‘seeing’ that is distinctly your own and developed through time.” www.americanimpressionsitsociety.org
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Ralph Mossman and Mary Mullaney—known collectively as Heron Glass—are happy to say they’re back in the creative, glass-blowing mode. The shop has announced two holiday bazaars: Saturday, December 3, 2011 visit Heron Glass at the Art Association’s 2011 Christmas Bazaar. Saturday, December 10, visit Heron Glass at their Driggs, Idaho studio from 10 am – 5pm. Address: 240 Nth 5th Street, Driggs. 208-354-2759 www.heronglass.com
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Etcetera—-Mountain Trails Gallery has renamed itself. The gallery will now be known as Mountain Trails Gallery Jackson Hole…..Cayuse Western Americana has a great new website!……David Brookover has a great new website!
Anne Marie Schultz: Cityscapes, opens at the Art Association’s Artspace Main & Loft galleries Friday, October 7, 2011. An opening reception begins at 5:30 pm that evening.
Schultz’s Cibachrome prints document the city of Chicago’s myriad venues as they are at the turn of this century. As the changes that inevitably affect cities took place, Chicago’s citizens experienced the city’s demolition of racially segregated public housing, structures built in the 1930′s. Now, Millenium Park is a major Chicago landmark and liberated, diverse celebrations such as the city’s annual Gay Pride Parade are the norm. Schultz utilizes double exposures, solarization of old film and a Holga camera to create a provocative collection of enigmatic, moody cityscapes. Urban life is represented as a slice of fleeting cosmic time and space.
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Two really good—and by “good” I mean expansive and, to my mind, balanced—articles on sustainable energy recently appeared in print. The first relates to global energy use; the second talks about the layers of possibilities and limitations surrounding Wyoming’s wind energy initiatives.
Article #1 is Fareed Zakaria’s review of Daniel Yergin’s new book, “The Quest: Energy, Security, and the Remaking of the Modern World.” The review appeared in
the New York Times Sunday Book Review section. Zakaria opens with a mention of Bill Gates’ TED Conference remarks on energy. At that conference Gates stated that if he had one wish that would improve the world’s prospects in the next 50 years, he’d wish for an “ ‘energy miracle’”: a new technology that produced energy at half the price of coal with no carbon dioxide emissions.” Yergin’s book, 804 pages, covers the history of oil beginning at the Persian War, going forward to today. The review is fabulous.
Zakaria sums up the book’s purpose. “This book is really trying to answer a question: What will the future of energy look like over the next 50 years?” Zakaria says. “In addressing that issue, Yergin takes on a myriad of other topical questions: Are we running out of oil? Is natural gas the answer? What about shale gas? Is global warming a real danger? Is solar power the answer? He addresses each one of these in a chapter or series of chapters that mix recent history and fair-minded analysis.”
A core assertion is that the United States should spend much more money on energy research, and much less on existing technologies. Al Gore is politely admonished for advancing the view that current technologies are close to pulling us out of the hole.
They are not, Yergin says. Zakaria sums up: “The reason Bill Gates wishes for a technology that creates energy at half the price of coal with no carbon dioxide emissions is that he wants a technology so compelling that it is adopted by poor countries as well as rich ones. Coal is plentiful worldwide, and unless the new technology is much cheaper, China and India will never adopt it. And if these two countries — which together are building four coal-fired power plants a week — don’t get off coal, nothing that happens in the West matters, since the levels of carbon dioxide they will pump into the atmosphere will be well above the danger mark. Half the price of coal and no carbon: That’s a tall order, which is why Gates is looking for a miracle. But what he means is a technological miracle of the kind that happens from time to time. The steam engine, the automobile, the computer, the Internet are all miracles. We need something on that order in energy — and fast.”
A few days after reading this review I had a really nice dream about Bill Gates!
To read Zakaria’s full review, click here. I’ll tell you about article #2 in my next post.



