Tag Archives: Jackson Hole Art Galleries

Sketching With Bill Sawczuk; Crushing on Rob Kingwill

By Bill Sawczuk

“I don’t need a sketch to paint.”  
 
“Sketching is too time consuming.” 
 
“I don’t like pencil work.” 
 
And the real reason:
“I don’t wish to spend the time practicing to sketch.”  

 

These are reasons artists chafe against sketching, as cited by plein air painter Bill Sawczuk. In this post, I’m letting Bill do the talking. A consummate professional, he’s always thinking of composition, technique and hard work. In his mind, the definition of sketching–and its importance in the artistic process–is largely misunderstood.

Sawczuk says that the resistance to pencil work stems from the fact that many artists tend to take a pencil sketch too far.

“They labor at technique and finish. The feeling of spontaneity and freshness is gone, and an overworked sketch is the result,” explains Sawczuk. “Look at the sketches that Sorolla did of people sitting in restaurants in New York and Chicago. They were very quickly done, but they capture the attitude and character of those people.”

Bill Sawczuk is quick on the oil sketch draw. No evidence of coffee stains!

As Sawczuk is predominantly a plein air oil painter, he often uses oil as a sketching medium to do a quick study on 8-weight museum quality paper board.

“The big advantage of this material is its ability to soak in the oil paint, which allows you to keep painting on a relatively dry surface. I completed this oil sketch (above) in one hour, and it could have been quicker if I hadn’t dipped my brush in my coffee,” says the artist.

Bill Sawczuk, Conte Figure Sketch

Many world-renowned artists executed highly descriptive yet simple renderings of buildings around the globe using a pencil, Sawczuk tells us. A pencil, he says, is a handy tool, easily obtained, easily carried, and quick to use with plenty of practice.

Photo of Bill Sawczuk by Tammy Christel

“Carry a nice soft pencil and sketch pad with you…no eraser! Using an eraser might cause you to over-correct, negating the time-saving benefits of a quick sketch. Your subject might be anything, but your purpose is learning. If you are drawing from a live model, take advantage of your chance to quick sketch, and see how quickly you improve.”

Sawczuk’s ability to capture the heart of Jackson Hole’s Western culture and wildlife is unmatched. His dynamic portrait of a bull moose sold like lightning at the Art Association’s recent “Whodunnit” fundraiser sale. The painting’s power and surety, its “moose essence,” made it jump off the wall. Sawczuk was also recently featured in the prestigious Fine Art Connoisseur Magazine in that publication’s article on figure drawing, “Go Figure.”

A member of the Rocky Mountain Plein Air Painters group, Bill Sawczuk is also represented at Trio Fine Art in Jackson Hole. You know he’ll be out and painting up a storm this summer!  www.triofineart.com

Rob Kingwill for Nike

I’m old. And that’s why, when the coolest of the cool snowboarding – art crowd talk to me, it’s HUGE! The other evening I ran into Rob Kingwill at a friend’s birthday party, and I have to say about this young man: he ALWAYS smiles and says hello, he’s always positive, he’s “clear,” and he’s good to his parents.

We talked for a while. Really, Rob talked and I listened, because I’m not close to his arts group here. He creates for the joy of it; he’s not weighted with angst, but he’s also, I think, hungry and ready for more exposure in the Jackson Hole art scene. For his genre to be taken “seriously.”
To be considered….fine art?  Take a look!

AVALON7 SNOWBOARDING AND FLYFISHING FACEMASKS

It’s certainly sought after. It’s as disciplined as any other form of art. Understand the snowboard culture and you understand the art.  I think a few more pop-up shows for Kingwill and his colleagues are in order, don’t you? There are some pretty sweet sponsors we could hit up!  Check out his company on Facebook:  AVALON7.

Thanks for the talk, Rob. I learned a lot. https://www.linkedin.com/in/rob-kingwill-ab8487b/

 

Well Done, “Wallpaper!”; Sanders and McCauley at Altamira-Scottsdale

Art by Travis Walker

After a long winter’s lull, Spring is around the corner. If you can’t feel it in the air, you can feel it in Jackson’s art scene. In the past two weeks, art happenings popped up like crocus in 50- degree weather!

Teton Art Lab’s “Wallpaper” show was extraordinary. The Lab’s combination gallery-and-artists’ work space packed up like sardines for the show, and by the time I arrived at least two-thirds of the art had sold.

You might as well call it “The Red Dot Show.”

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A Wolf Walked Into a Bar: Photographer David Yarrow at WRJ

David Yarrow, The Wolf of Main Street  Hahnemühle photo rag Baryta paper

“I have worked a great deal in two ghost towns in Montana. The result has been conceptual staged shots which have proved hugely popular in America. I wanted to capture the visual feast represented by the old Wild West. The images require a double take in terms of the proximity of man and animal. I love to tell stories that ask questions with no consensual answer.” ~ David Yarrow

There are wolves in Yellowstone. There are wolves in Grand Teton National Park, on the National Elk Refuge, and in Rafter J!

And now there’s a wolf walking down a bar, looking for you.

David Yarrow, Hello 56 x 91″  Hahnemühle Photo Rag Baryta Paper

Wildly popular European photographer David Yarrow has a new exhibition opening at WRJ Design in Jackson, Wyoming. Dramatic and startling, Yarrow’s “The Most Amazing View” will be on view, open to the public, at WRJ’s King Street showroom February 20 – March 4, 2017. Visions West, Jackson’s newest art venue, partnered with WRJ to bring Yarrow’s internationally raved-about photography to our region.

My premonition: Visitors, prepare for goosebumps. You will walk into surprisingly wild and engulfing new territory. Around every corner, in front of you and behind you, animals of the world feel within reach.

Yarrow believes what his muse, the war photographer Robert Capa felt: If your pictures aren’t good enough, you’re not close enough.”

This exhibit goes hand-in-hand with WRJ’s acclaimed history of mounting some of the world’s most stunning exhibits; the count includes more than 40 just for Sotheby’s New York. WRJ plans on transforming their showroom, pairing Yarrow’s photographs with carefully selected furniture, fabrics and lighting to showcase Yarrow’s work. Plan on learning a thing or two about the juxtaposition of good interior design and large-scale artwork.

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Take Your Broken Heart and Make it Art

 

Sue Sommers’ “001-1111-16,” Watercolor pencil and crayon on Magnani Pescia paper, 11 x 11″. From Sommers’ “Sibling” series.

In this week’s Jackson Hole News & Guide, editors ran a short letter about “clowns” demonstrating on Jackson’s Town Square the afternoon of January 15th. The letter could be taken as a thinly veiled threat: get those “clowns” off the streets of Jackson, or we’ll take our business elsewhere. Presenting all points of view is important, but placing that particular letter ahead of all others is astounding.

It’s a new town, a new year. Luckily, we can take our broken hearts and still make art!

Wyoming’s Pipeline Art Project artist Sue Sommers recently wrote a great piece for Wyofile, and she’s also come out with lots of new art and a new website. Her art explores different subjects, all close to home. Two of my favorites are her “Sibling” and “Willows” series. Though Sommers doesn’t specifically say so, these works draw from the same well, a source of roots and connection.

Sue Sommers, “Willow 2.” Intaglio on Rives Cream, plate size 9 x 12″, edition of 6.

Think of a tree’s branches as fingers, reaching to the sky, beckoning sun, rain and wildlife to its limbs. Think of families — most of Sommers’ abstract “Siblings” resemble fingers — as hands connected by fingers.

She could, she says, use a word like “meditation” to describe the “Sibling Series'” origins. But the real origin is terror.

“I call them (the Sibling Series) because they look like related organisms moving around in a confined space – like a family,” writes Sommers. “Thinking about my own siblings while I draw liberates me. I know (but didn’t when I was growing up) that I have to let the shapes be what they want.”

Sue Sommers. A landscape, “Fenceline 0615″ Acrylic on gallery wrapped canvas, 48 x 48 x 1.5”

Sommers writes about process rather than “content” or “meaning.”

She could, she says, use a word like “meditation” to describe the “Sibling Series'” origins. But the real origin is terror.

“This would be embarrassing if I didn’t know lots of other artists fighting messy tides of dread and self-doubt. Do I have anything interesting to say? Am I any good? Is there any point to the sacrifices I make? After nearly 40 years of valiant battle, I felt like the terror was winning. My way out was to make marks. Any marks.”

Sue Sommers. Stripes sketchbook green yellow. Watercolor and crayon in handmade sketchbook, 4 x 6 inches open. NFS

Sommers started with square pieces of scrap paper and a children’s watercolor set. Working slowly, she pressed her nose almost to the paper, her brush dragging incrementally across the paper’s tooth as pigment soaked in and spread.

“Every inch of every strip of color I laid down was my choice: I choose to make this now. And this. And this. I made dozens of these stripe pieces. Eventually they started changing, and I started changing.”

You can view Sommers’ new work and new website here

Duke Beardsley, Hangtown. Mixed Media on Collage 40 x 52.”  At Altamira Fine Art, Scottsdale.

Altamira Fine Art’s Scottsdale gallery welcomes a new solo show, “Range Monitor,” by contemporary Western artist Duke Beardsley. 

“A highly anticipated new body of work will be highlighted in this new show, which centers on the idea of transparencies and visual plays on overlapping realities and falsehoods,” writes the gallery.

Artist Reception & Opening: January 26, 6:30 – 9:00 pm, in Scottsdale. 

This appears to be an excellent show. Find out more about it by visiting Altamira’s exhibition description here.

Wherever We Go, Art is the Heart

I was going to tell you that if I could live on art, I would. Then I realized I already do. And so do we all, in some way or another. Art is, literally, all around us. The keyboard I’m typing on is someone’s imaginiative creation. The lamp on my desk, the paintings on my wall, my books, the clothes I wear (though in my case I have to fall short of calling what I wear “wearable art.” It’s more like “wearable earrings and sweatshirts.”).

Outstanding in her field: Kathy Wipfler.

Recipes are art, the chairs we sit on. Loving one another and sticking by the Golden Rule is an art. That particular rule is, for some reason so difficult to follow. Why is that? It’s so simple to do the right thing. One of the most obvious “right things” is to respond to friends and colleagues when they reach out. When we don’t respond, the thing we remember IS the non-response. That’s not what you want people to remember, professionally or otherwise.

Todd Kosharek at work. Todd’s passion, work ethic and kindness are the best of Jackson Hole’s art heart.

My wish for us this year is to always try to do the right thing. Think it out. Be honest, but balanced. Who are your mentors? Who do you hold up as a hero amongst us? When trying to decide how to act, what choices to make, how to respond, how to walk this earth, I implore you: Do the right thing.

Rocky Mountain Plein Air Painters’ Quick Draw” at the Craig Thomas Discovery and Visitors Center in Grand Teton National Park.

One “compassion researcher” I know of says this: “We are taught that there is a right and wrong way to behave, to act and to think. Stepping outside this construct is a big shift. Non-judgmental acceptance of what it means to embrace all suffering on the planet takes development.”

Plein Air Cowboy Bar!

I’m not religious, but I try to find the good path, make choices that align my soul and help me towards peace and contentment. So often that effort winds up involving huge, ongoing struggles. Breaking things down to day-to-day triumphs is a better choice. Much of the time our thoughts are of the future, one dream after another. I can be guilty of spending more time dreaming than doing, especially during these challenging winter months.

Today my goal is to break that pattern up a little and re-start this blog! I will begin my book in earnest this year. I will work and produce positively to the benefit of arts here as they are related to the Greater Yellowstone Ecosystem’s phenomenal beauty and the wealth of art in our galleries and superb new generation of artists.

Bronwyn Minton, for “View 22.” I purchased my first “Bronwyn” this year!

I will try to present all forms of Jackson’s visual arts to the best of my ability; none of us relates to EVERY SINGLE work of art, but we can appreciate every effort, love that it exists, discuss art and feel lucky our particular creative vortex is so powerful.

Borbay and Friend. Connecting with this guy was a highlight of the year! He’s really a softie.

And so this first post of 2017 contains some of my favorite images and moments from 2016’s Jackson Hole art offerings and events. Just a very few~~there were SO many! To see more images from the past year, visit my Art Blog Facebook Page .  If you enjoy those posts, please “Like” the page and tell your friends! 

Dean Cornwell (1892–1960)
Portrait,1929. The Jackson Hole Art Auction had some exquisite works.

As ever, my deepest gratitude to everyone who appreciates and reads The Jackson Hole Art Blog. I’m thankful and proud.

David Michael Slonim at Altamira Fine Art.

The Jackson Hole Art Blog’s new header image: Detail from David Michael Slonim’s “Bailando,” at Altamira Fine Art.