“Despite being a full-time artist in Manhattan for seven years, I never established a meaningful relationship with an art organization. That changed completely when I moved to Victor, connected with Shari Brownfield, Todd Hanna, Chas Marsh, Mark Nowlin and The Art Association of Jackson Hole. They hosted my first show out West in the Summer of 2016, and since, I’ve witnessed the incredible impact they have made on our community. When the wonderful Jill Callahan mentioned the Whodunnit show, I was happy to contribute. I’m excited to see who ends up with my piece, and, from what I’ve heard, it’s one helluva party!”
What percentage of artists working in Jackson Hole have pierced their immediate circle of collectors and taken their art to a new level? Branding happens when you’ve “arrived,” and nobody is a brand before that leap. Jackson’s art market is one of the strongest in the nation, recognized primarily for its historical and contemporary Western Art.
What if you’re not a native Westerner? What if you’ve moved here looking for answers, searching for a supportive venue? Perhaps you’ve been here forever, respected and recognized. Still, the art world at large doesn’t quite know it, and you’re not a household name. You’re selling, but you want to sell more. No sugar daddies (or mommies) around, no private plane connections, no trust fund….Maybe you’re shy.
Just as an improved diet and better sleep will elevate health… so too can artists empower themselves by embracing necessary entrepreneurial techniques. Competition between artists for collectors is unnecessary. ~ Borbay
Borbay and Friends to the resue!
On Friday, July 29th, 1:30 – 3:00 pm at the Art Association’s Gallery, Borbay, Ben Roth and Claudia Bueno will talk on the topic “How to Get Your Work Beyond Jackson Hole.” The session is free. Heck, I wish I could be there!
Yee haw! The Jackson Hole Center for the Arts and Jackson Hole Historical Society & Museum are putting on “A Western Winter’s Eve,” a night of music, dancing and fun — and Jen Ten filmmaking — at the Center’s lobby and theater this Friday, March 14th. Tix are $15, on sale now at the Center. Here’s the schedule:
6 – 7:30pm | Two-step to The Stagecoach Band Live in the Lobby with dance instruction by Dancers’ Workshop
7:30 – 8:30pm | See The “The Stagecoach Bar: An American Crossroads” on the BIG SCREEN
8:30pm – 10:30pm | Disco on Center Stage after the film, boogie down with The Spartan from WYOBASS
The night’s festivities is, they say, the FINAL opportunity to see “The Stagecoach Bar: An American Crossroads” on the big screen in Jackson. Tennican, the woman behind the film, is also debuting a new short film. “The Stagecoach” is going national, to be distributed by American Public Television.
“Creating this film was a community effort with over 200 individuals, foundations and businesses supporting the JHHSM’s project through tax-deductible donations,” say the evening’s producers. The Stagecoach Band, great food, and dancing (for pro and non-pro two-steppers) is all part of the fun. Costumes encouraged, but not required! Check it out on Facebook: https://www.facebook.com/events/389756964493047
“We’ll talk about its capacity, trees, theaters, animals, water, earth, habitat, the mountains and about the community, all within this setting.” ~~ Walter Hood
Launching February 14th, 2014: www.sandbox.jhcenterforthearts.org! That’s where the public gets the chance to chime in on how the Center for the Arts’ ambitious back lawn landscape design project might evolve. Nationally noted urban landscape designer Walter Hood, overseeing the project in partnership with Steve Dynia, gave Jacksonites a chance to play in the sand three nights in a row; participants used specially constructed sandboxes and props to define what they envision for the open space.
“We’ll look primarily at the expanded architectural program with Steve Dynia; the sandboxes are about the landscape,” said Hood. “This is a landscape, not a park, or a garden. It’s open. We also understand that the cadence, how you move through Jackson, is a grid. This is a very urban place. We have a lot of houses, a lot of cars, a lot of parking, a lot of these issues. One of the things we hope we can do…is make the space more successful for people moving through the neighborhood. We do think Snow King can come down to us by taking back the streets and the alleys. The alleys are really important. As you move north and south through the alleys, they are beautiful. As you can see here, the alleys have been largely erased. So how can we bring back a lot of this (structural) morphology?”
Hood asked the group to consider a long list of factors as they went about their designs. The first was that this space is NOT Jackson’s Town Square, and duplicating the Square is not on the agenda. But what kind of a landscape can this open space become?
“The Center really needs to think about its building program, its architecture. It would be great to have artists come here 24/7, to have studios where they can make art. Where would you put the building? If I put it out there in the landscape, it’s going to have a consequence on the landscape. We’ll see how we can use architecture to make something really powerful. Some ideas are a clubhouse where people can meet, an exhibition space, a multipurpose place. We think this will be a hybrid place, with things nested in one another,” said Hood. “Cafes, other permanent and temporal spaces within the building envelope. [In the West and Jackson] there exist successful pieces of architecture that elucidate the landscape. Steve is very talented — just being down one story, look how that mountain comes out and the middle ground disappears, a beautiful thing. How can we expand upon that?”
Ideally, artists (who aren’t already) would be inspired to make work here. Sculptural landscape is a “yes.” Programmed landscape, a “no.” Building upon the idea of an outdoor theater, Greek or Roman, embracing or inscribing, are interesting. Multi-purpose uses that might change with the seasons, be temporary or permanent, should be considered; Hood recalled Candra Day’s constructing yurts on the lawn.
One could look at a land form and see a lot of things, Hood remarked. A child may see a playhouse, an artist a place to bang steel, a dancer a natural stage. Forms can inspire and begin to say something about the landscape—inspiring, even in mud season.
“Can we do things like add trees, and then take them away, like a clear-cut,” Hood asked. “Think about when the snow is here, when it’s not here. Can you do something in the wintertime? It might be ice skating, it might be mud wrestling! But whatever it is, it should embrace the landscape. We also know there are residential areas on our perimeter, and when events happen some elements may have to be mitigated, like noise. Do we want to make walls, edges?”
Lastly, said Hood, how do we bring our urban grid into this space? Again, the alleys are important, as they allow possible connections to the nearby church, the mountain, and other points immediately around the Center.
In a brief Q&A, it was confirmed that the Town of Jackson owns the land and is providing the Center a long-term lease; the Town, said one representative, is “very open” to this project. When asked about how the Center might draw people from Jackson’s Town Square to the new Center space, Hood responded that the idea is in the hopper, and brainstorming was the point of these workshops.
“We’re not looking for scheme A, B or C; we simply want to draw on ideas, so we can begin to think about the space and the Center,” emphasized Hood. All ideas are great ideas!” www.jhcenterforthearts.org
(PS: I hope Mark Berry is smiling!)
Event: Lindsey Ross’s Traveling Tintype Studio
Place: The Rose/Pink Garter Theatre
Date: Thursday Jan 23, 5-10pm
Bonus: Family portraits: 5-7pm
From Lyndsay McCandless: Lindsey Ross‘ singular, tintype portraits are the real deal: 19th century technology wet plate collodion, a photographic process popular from 1850’s-1880’s, that documented the American Civil War and America’s Western expansion. Ross uses raw materials to create the photographic emulsion on an aluminum plate. While the emulsion is still wet, Ross exposes the plate to the subject using a century old camera and prolonged exposure times. Ross develops the image in a darkroom on site; portraits appear within a minute.
“Tintypes are archivally stable, so they create an instant heirloom and art object. Because the exposures are long, subjects are encouraged to relax, be still and be present as their image is made,” says McCandless. “The slow process often brings out subtle, expressive similarities between family members. Come experience this historic and beautiful process!” For information on print prices, email email@example.com.
“What I love in painting, as an artist and as a viewer, is the feeling I get from seeing something…meticulously created by pigment and brush. I want to see time – time taken by the painter to think, feel and create – but also the element of time, as if the painting … will grow and change with me … as I grow and change.” ~ Todd Kosharek
Jackson artist Todd Kosharek opens a show of new works, “Interiors/Exteriors,” at the Jackson Hole Center for the Arts Theater Lobby with a reception on Friday, January 17th, 5:30-7:30pm. The exhibition will be on display January 13th – 29th, 2014.
Images of Kosharek’s new works blow me away. In a short time — although Kosharek may not share my conception of what comprises a “short time” — his landscape painting style has blossomed and matured, gaining a notably new level of sophistication. Kosharek’s painting “Late July, 2013,” shown above, is so rhythmic and complete; it’s like a fine jigsaw puzzle with all the pieces fit perfectly together. He’s thought of everything: a peach sky is reflected perfectly in a body of water. The water, rather than being just a pond or just a river, is both. Space and atmosphere Kosharek builds between land and the sky’s ceiling—those clouds—provides “air” that breathes into the scene and opens it up. He has broadened his color palette without going overboard, limiting his colors and also simultaneously creating the number of subtle shadings required. Kosharek’s brushstrokes are more coherent, more secure, drawing together his composition’s elements.
The growing and changing is happening. Most definitely.
A remarkable hallmark of Kosharek’s work is that he paints in two blazingly different styles. There are his landscapes, influenced by the Scandinavian Symbolists, and his interior paintings, rooted in the Magic Realist tradition. These fastidiously detailed and mystical works, his Origami Crane Series, consist of 12 large paintings exploring the concepts of repetition and life, religion and art. Kosharek takes many months to complete any given crane painting and is thrilled to be exhibiting three works of the series in this show. At this writing, Kosharek was putting the finishing touches on a crane painting that’s been coming to life on his easel for a full year.
“I throw everything possible into the scene during the sketching and researching process, and then slowly eliminate aspects until the scene clicks and is suddenly correct. This process of elimination will often continue all the way until the painting is finished,” says Kosharek. “Great examples of this process are the three large paintings that are a part of the Crane Series.”
A great painting, adds Kosharek, should encourage and allow viewers to react to space, letting them follow any direction the painting may beckon. His paintings are part of private and public collections throughout America and in Paris.
“Art should not be in a box nor should it be “right or wrong,” nor should it hold the viewer’s hand,” says the artist. “The greatest respect an artist can give an audience is to trust that they will get what they need from the work.” www.toddkosharek.com
Thursday, January 9th, 7-10 pm, artist Tom Woodhouse’s “creative passion” will be on exhibit and celebrated at the Pink Garter Theater/The Rose, downtown Jackson. The evening is the first in a series of art events happening this month; Tom’s show will change and evolve each week. Paintings, prints, drawings, sculptures, abstracts, bar scenes and landscapes will all be featured. And yes, you can buy them!
Contact: Not sure! Posters list the Pink Garter, so give that venue a jingle. Go, Tom!
Last notice: Community Supported Art (CSA) inaugural year applications are due on Monday, January 13th! Read more about the project here, and contact Alissa Davies at firstname.lastname@example.org, for more information.
My bad…Public Art announcements were going to appear here, but I promise—next post you will see them!