These are reasons artists chafe against sketching, as cited by plein air painter Bill Sawczuk. In this post, I’m letting Bill do the talking. A consummate professional, he’s always thinking of composition, technique and hard work. In his mind, the definition of sketching–and its importance in the artistic process–is largely misunderstood.
Sawczuk says that the resistance to pencil work stems from the fact that many artists tend to take a pencil sketch too far.
“They labor at technique and finish. The feeling of spontaneity and freshness is gone, and an overworked sketch is the result,” explains Sawczuk. “Look at the sketches that Sorolla did of people sitting in restaurants in New York and Chicago. They were very quickly done, but they capture the attitude and character of those people.”
As Sawczuk is predominantly a plein air oil painter, he often uses oil as a sketching medium to do a quick study on 8-weight museum quality paper board.
“The big advantage of this material is its ability to soak in the oil paint, which allows you to keep painting on a relatively dry surface. I completed this oil sketch (above) in one hour, and it could have been quicker if I hadn’t dipped my brush in my coffee,” says the artist.
Many world-renowned artists executed highly descriptive yet simple renderings of buildings around the globe using a pencil, Sawczuk tells us. A pencil, he says, is a handy tool, easily obtained, easily carried, and quick to use with plenty of practice.
“Carry a nice soft pencil and sketch pad with you…no eraser! Using an eraser might cause you to over-correct, negating the time-saving benefits of a quick sketch. Your subject might be anything, but your purpose is learning. If you are drawing from a live model, take advantage of your chance to quick sketch, and see how quickly you improve.”
Sawczuk’s ability to capture the heart of Jackson Hole’s Western culture and wildlife is unmatched. His dynamic portrait of a bull moose sold like lightning at the Art Association’s recent “Whodunnit” fundraiser sale. The painting’s power and surety, its “moose essence,” made it jump off the wall. Sawczuk was also recently featured in the prestigious Fine Art Connoisseur Magazine in that publication’s article on figure drawing, “Go Figure.”
A member of the Rocky Mountain Plein Air Painters group, Bill Sawczuk is also represented at Trio Fine Art in Jackson Hole. You know he’ll be out and painting up a storm this summer! www.triofineart.com
I’m old. And that’s why, when the coolest of the cool snowboarding – art crowd talk to me, it’s HUGE! The other evening I ran into Rob Kingwill at a friend’s birthday party, and I have to say about this young man: he ALWAYS smiles and says hello, he’s always positive, he’s “clear,” and he’s good to his parents.
We talked for a while. Really, Rob talked and I listened, because I’m not close to his arts group here. He creates for the joy of it; he’s not weighted with angst, but he’s also, I think, hungry and ready for more exposure in the Jackson Hole art scene. For his genre to be taken “seriously.”
To be considered….fine art? Take a look!
It’s certainly sought after. It’s as disciplined as any other form of art. Understand the snowboard culture and you understand the art. I think a few more pop-up shows for Kingwill and his colleagues are in order, don’t you? There are some pretty sweet sponsors we could hit up! Check out his company on Facebook: AVALON7.
Thanks for the talk, Rob. I learned a lot. https://www.linkedin.com/in/rob-kingwill-ab8487b/