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Posts Tagged ‘Walter Hood’

Jan
23
Walter Hood

Walter Hood outlines the Sandbox Project at Jackson’s Center for the Arts. ~ T. Christel

“We’ll talk about its capacity, trees, theaters, animals, water, earth, habitat, the mountains and about the community, all within this setting.”  ~~ Walter Hood

Launching February 14th, 2014: www.sandbox.jhcenterforthearts.org! That’s where the public gets the chance to chime in on how the Center for the Arts’ ambitious back lawn landscape design project might evolve. Nationally noted urban landscape designer Walter Hood, overseeing the project in partnership with Steve Dynia, gave Jacksonites a chance to play in the sand three nights in a row; participants used specially constructed sandboxes and props to define what they envision for the open space.

“We’ll look primarily at the expanded architectural program with Steve Dynia; the sandboxes are about the landscape,” said Hood. “This is a landscape, not a park, or a garden. It’s open. We also understand that the cadence, how you move through Jackson, is a grid. This is a very urban place. We have a lot of houses, a lot of cars, a lot of parking, a lot of these issues. One of the things we hope we can do…is make the space more successful for people moving through the neighborhood. We do think Snow King can come down to us by taking back the streets and the alleys. The alleys are really important. As you move north and south through the alleys, they are beautiful. As you can see here, the alleys have been largely erased. So how can we bring back a lot of this (structural) morphology?”

Hood asked the group to consider a long list of factors as they went about their designs. The first was that this space is NOT Jackson’s Town Square, and duplicating the Square is not on the agenda. But what kind of a landscape can this open space become?

A detail of Walter Hood's landscape design for the deYoung Museum - photo by T. Christel

A detail of Walter Hood’s landscape design for the deYoung Museum – photo by T. Christel

“The Center really needs to think about its building program, its architecture. It would be great to have artists come here 24/7, to have studios where they can make art. Where would you put the building?  If I put it out there in the landscape, it’s going to have a consequence on the landscape. We’ll see how we can use architecture to make something really powerful. Some ideas are a clubhouse where people can meet, an exhibition space, a multipurpose place. We think this will be a hybrid place, with things nested in one another,” said Hood. “Cafes, other permanent and temporal spaces within the building envelope. [In the West and Jackson] there exist successful pieces of architecture that elucidate the landscape. Steve is very talented — just being down one story, look how that mountain comes out and the middle ground disappears, a beautiful thing.  How can we expand upon that?”

Ideally, artists (who aren’t already) would be inspired to make work here. Sculptural landscape is a “yes.” Programmed landscape, a “no.”  Building upon the idea of an outdoor theater, Greek or Roman, embracing or inscribing, are interesting. Multi-purpose uses that might change with the seasons, be temporary or permanent, should be considered; Hood recalled Candra Day’s constructing yurts on the lawn.

photo-2One could look at a land form and see a lot of things, Hood remarked. A child may see a playhouse, an artist a place to bang steel, a dancer a natural stage. Forms can inspire and begin to say something about the landscape—inspiring, even in mud season.

“Can we do things like add trees, and then take them away, like a clear-cut,” Hood  asked. “Think about when the snow is here, when it’s not here. Can you do something in the wintertime? It might be ice skating, it might be mud wrestling! But whatever it is, it should embrace the landscape. We also know there are residential areas on our perimeter, and when events happen some elements may have to be mitigated, like noise. Do we want to make walls, edges?”

Lastly, said Hood, how do we bring our urban grid into this space? Again, the alleys are important, as they allow possible connections to the nearby church, the mountain, and other points immediately around the Center.

In a brief Q&A, it was confirmed that the Town of Jackson owns the land and is providing the Center a long-term lease; the Town, said one representative, is “very open” to this project. When asked about how the Center might draw people from Jackson’s Town Square to the new Center space, Hood responded that the idea is in the hopper, and brainstorming was the point of these workshops.

“We’re not looking for scheme A, B or C; we simply want to draw on ideas, so we can begin to think about the space and the Center,” emphasized Hood. All ideas are great ideas!”  www.jhcenterforthearts.org

(PS: I hope Mark Berry is smiling!)

Snake River Reverse Project, adjacent to J.H. Center for the Arts Lawn - photo & art courtesy Bland Hoke

Snake River Reverse Project, adjacent to J.H. Center for the Arts Lawn – photo & art courtesy Bland Hoke

ross photo 9

Event: Lindsey Ross’s Traveling Tintype Studio

Place: The Rose/Pink Garter Theatre

Date: Thursday Jan 23, 5-10pm

Bonus: Family portraits: 5-7pm

From Lyndsay McCandless: Lindsey Ross singular, tintype portraits are the real deal: 19th century technology wet plate collodion, a photographic process popular from 1850′s-1880′s, that documented the American Civil War and America’s Western expansion. Ross uses raw materials to create the photographic emulsion on an aluminum plate. While the emulsion is still wet, Ross exposes the plate to the subject using a century old camera and prolonged exposure times. Ross develops the image in a darkroom on site; portraits appear within a minute.

Tintypes are archivally stable, so they create an instant heirloom and art object. Because the exposures are long, subjects are encouraged to relax, be still and be present as their image is made,” says McCandless. “The slow process often brings out subtle, expressive similarities between family members. Come experience this historic and beautiful process!”  For information on print prices, email lyndsayrowan@gmail.com.

ross photo

 

Jan
14

musical_notesAn opening note: Many visual arts events are posted on Facebook; I love seeing those, but if you would like to submit your project or event to the Jackson Hole Art Blog, emailing me directly works MUCH better. I’ll definitely see your announcement, and it won’t get lost in the Facebook shuffle. I’ll remember it. Don’t be shy, email me at: tammy@jacksonholearttours.com. Include all relevant details. I’m a one-person gig, and can’t get every event listed—but I want everyone to have the best chance possible. And don’t forget to send those nice, big images too. Superb.

197If you receive the Community Foundation’s emails via their Listserve, you may have noticed an individual misusing that venue to comment on J.H. Public Art projects. Whatever that person’s goal, he was going at it inappropriately, and that pretty much nulls and voids his input.

There is quite a bit going on in the world of public art here in Jackson. The 5-way project is on, and there are other new projects: the South Cache Street Custom Pavers and Street Painting Project, and another bike-related job.

South Cache first: The project’s total budget is $18,000, to be divided between pavers and painters; $15K for the former, $3,000 for the latter. There are more than a couple of definitions of “paver.” One is a paving vehicle, another is actual concrete used alongside highways and streets. Pavers can also be decorative brick drive and street surfaces. That’s what we’re talkin’ about!

J.H. Public Art writes that “selected artists will fabricate custom pavers designed to integrate into the overall paving pattern. The artist will replicate the theme and key imagery used in the pavers into two, one-color street paintings designed to highlight new crosswalks along the corridor. The budget supports design and fabrication of custom pavers and the street painting.”

Artists will work with Public Works, and Public Works will install what the artist creates. There are several ways it can work, but to make sure you’ve got the drill right, contact J.H. Public Art, or visit their website, where specs are provided.

The “Town Bike Network Education Icons Project” is essentially sign design. Budget: $4,500.

Design an “iconic” sign design series for Jackson’s signposts marking the town’s bike network. Graphics, says J.H. Public Art, “will be designed to print on 12 x 18” standard street signs using 2-4 color process. Final artwork should be submitted as vector files. The artist will design a series of 5-7 bold images that are easy to read from a distance or [while the viewer is] in motion. Graphics should identify safe practices, particular bike routes, unique features of the routes and promote educational messages sponsored by the Pathways department. School children, visitors and residents of all ages use the bike network and imagery should be easy to understand, family-friendly and promote community values.”

In other words, these signs need to be understood immediately by anyone; sign language must be universal.

Applications are due by February 3, 2014.  The web sign-in spot is www.callforentry.org.  Learn more here: http://www.jhpublicart.org/opportunities-2/

 

ELEPHANT WITH EXPLODING DUST © Nick Brandt, 2012, Courtesy of Hasted Kraeutler Gallery, New York

ELEPHANT WITH EXPLODING DUST © Nick Brandt, 2012, Courtesy of Hasted Kraeutler Gallery, New York

“Nick’s exquisite photographs arouse deep emotions. They inspire a sense of awe at the beauty of creation and the sacredness of life. It is almost impossible to look through his work without sensing the personalities of the beings whom he has photographed.” ~ Jane Goodall

Just when you think wildlife photography can’t get any more powerful, along comes an exhibition like “Elegy: The African Photography of Nick Brandt, 2001-2008.” Opening at the National Museum of Wildlife Art January 18th, it remains on display through August 10, 2014.

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Aug
12

Unless you live under a sculpture trail rock, you know the National Museum of Wildlife Art (NMWA) is celebrating its 25th Anniversary this year. A quarter century of bringing the best of the wildlife art genre to the public is excellent reason to celebrate, and this year NMWA is extending its annual Western Visions celebrations. Traditionally beginning WV events in September, this year everyone is envited to take part in activities scheduled to launch August 18th, 2012. From that date through September, visitors may attend lectures, take hands-on workshops, view and purchase fine Western contemporary art, and attend some dandy artsy parties. Oh, and you’ll meet some of the genre’s most renowned artists.

Western Visions’ featured artists— sculptor Richard Loffler and painter Tucker Smith—will lead special events. On September 13th, ride horseback with Smith for a special arts workshop. A passionate wildlife observer, Smith will join guests for lunch and provide a chance to see the world through his painter’s eyes on a horseback ride at Spring Creek Ranch; the adventure begins at the museum in front of Tucker’s special painting donation for this year’s auction, “Through the Aspens.”

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May
07

Robert Kuhn, Flat Out, 1985. Acrylic on Board. 14 x 18 inches. JKM Collection®, National Museum of Wildlife Art.

Talk about a party! Here in Jackson, we’re proud to know our cultural treasure, the National Museum of Wildlife Art (NMWA), is celebrating its 25th anniversary this year.

“From a private collector’s dream and a rented Jackson Hole storefront to a landmark building, national museum designation, and more than 5,000 artworks boasting familiar names from Audubon to Warhol, the National Museum of Wildlife Art has come a long way in 25 years,” says the museum. “In addition to its quarter-century anniversary, 2012 also marks the fall completion of the museum’s new Walter Hood-designed Sculpture Trail and the spearheading of a national exhibition providing a visual record of the American West as seen through the eyes of National Geographic’s legendary photographers opening in October.”

The museum’s collection began inauspiciously in 1962 with a small painting titled “Favorite Panfish” by Les Kouba given to Bill Kerr by his wife, Joffa. Two years later the couple bought a Carl Rungius piece, “Wanderers Above Timberline” on layaway, and by 1987 they had amassed one of the finest collections of wildlife and sporting art in the country. Together with several others, on May 17, 1987, they opened the then “Wildlife of the American West Art Museum” in a 5,000-square-foot space on Jackson’s Town Square.

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Apr
29

Do you sense a plein air trend? It’s good.

This June, a time when our wildflowers should be popping, the National Museum of Wildlife Art (NMWA) will hold Plein Air Fest 2012 on museum grounds. A one-day event, the festival will feature approximately 40 artists painting from 10:00 am  - 4:00 pm. Picture that!

It’s all part of NMWA’s opening week festivities that will celebrate the official opening of its new sculpture trail, designed by Oakland, California landscape architect Walter Hood. “Participating artists agree to arrive at the festival with an artwork no more than 25 percent completed, and the pressure is on as they must finish by 2 p.m.,” says the museum. “The Plein Air Festival’s fresh artworks will be sold by “intent to purchase” with potential buyers putting their name in a box next to the artist whose piece they’d like to own for a set price. The lucky purchaser for each piece will then be drawn at random.”

The public is invited to watch the artists work, and a BBQ cook-off, live music and kids creative activities are all scheduled. Artists will compete for a “Best in Show Award,” to be chosen by visitors. Tickets for the BBQ cook-off tasting/voting will be $10 for 10 tastes, $25 for unlimited tastes. The museum’s Rising Sage Café will also offer hamburgers, hot dogs and drinks for sale. www.wildlifeart.org

 

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