“Despite being a full-time artist in Manhattan for seven years, I never established a meaningful relationship with an art organization. That changed completely when I moved to Victor, connected with Shari Brownfield, Todd Hanna, Chas Marsh, Mark Nowlin and The Art Association of Jackson Hole. They hosted my first show out West in the Summer of 2016, and since, I’ve witnessed the incredible impact they have made on our community. When the wonderful Jill Callahan mentioned the Whodunnit show, I was happy to contribute. I’m excited to see who ends up with my piece, and, from what I’ve heard, it’s one helluva party!”
A recent article in the Jackson Hole News & Guide reported that four Art Association board members had resigned due to a lack of transparent leadership, a culture marked by economic emphasis and a muddy sense of creative direction. The fallout, now very public, occurred over a plan to relocate a portion of the Art Association’s operations to an empty Powderhorn Mall retail space. Board Chairman Dave Muskat reportedly attempted to push the move through quickly, without fully consulting board and staff. Though the books have balanced out under the current administration, it hasn’t been enough to stifle frustration.
When I read the article and Facebook comments about all this, I admit to reacting strongly. My long-standing respect and affection for the Art Association is real; so is the pain over watching it pass through such troubles. For years the Association has been reformatting its economic model and re-imagining what it wants to be to the community. All non-profits are businesses. They need to make money. But they also need to sustain a viable, dynamic mission. In a community our size, they need to generate authentic good will.
Partnering with another local arts group could make a difference. One prominent organization not only reaches out to Jackson’s community; it reaches out to tourism and a world audience. The University of Wyoming’s museum combines exciting contemporary and historically-themed exhibitions and teaching with programs that energize Laramie’s community.
The worst thing a leader can do to an organization’s image is publicly bad mouth colleagues and essentially tell everyone: “So what?” Once it’s out there, that sentiment can easily boomerang. Artists work mightily to move arts forward, and this latest development makes that effort more difficult. A value is owed to any organization’s supporters, whether those supporters offer hard financial assistance, volunteerism, positive word-of-mouth, or any other form of patronage. The Association has some new, very smart board members. I wish them all the luck in rejuvenating one of Jackson’s most important arts non-profits. With any luck recently department board members will be able to contribute their time and talents to the Association once again.
Submitted with modesty & good will ~~~ TC
Here’s some support: The Art Association’s “JURIED METALS EXHIBITION: SOLDER, RIVET, WELD” issued an open call for entries. Opening May 30th, 2014, the show will highlight new metalworks that utilize myriad metal fabrication techniques: casting, lampworking, metal clay, beading, metalsmithing, blacksmithing and welding.
Submission Deadline: Midnight MST, Monday April 28th, 2014 | Exhibition: May 30th – June 27th, 2014. Submission fee is $35.
“All work must be ready for installation. Work may be very small to large, but must be able to fit through a standard door. Work may be pedestal, wall hanging, or ceiling hung. Small jewelry pieces should have their own display form or case,” write the show’s organizers. This juried show will be judged by John Simms, Katherine Donan & Sam Dowd. Three wonderful choices!
Guidelines and instructions are lengthy, but you can find out everything you need to know by contacting Thomas Macker at email@example.com, with the word “Metal Submission” in the subject field.
A new arts venture is in town. Brush Art Ventures has opened softly over the past several months, but last week founder Alison Brush threw a big party. Brush’s new enterprise is housed in a Dynia “Metro Plateau” unit, perched above Broadway, near the intersection of that throughway and Highway 22.
Brush represents a handful of regional artists, exhibiting their works at 1085 West Broadway, Unit 1123. The concept is similar to that of apartment galleries popular in major arts cities like New York: Set up an exhibition in your own space and open it up to the public. Dynia’s dynamic structures, marked by high ceilings, industrial finishes and big windows are perfect for home/public gallery space.
At Brush’s recent opening for fledgling wildlife and landscape photographer Chuck Schneebeck and sculptor Amy Unfried, the place was packed. And the crowd was new. Schneebeck’s conservation work and Unfried’s connections to Jackson’s art world at large attracted sportsmen, collectors, fishing luminaries, artists, Mr. Dynia and a host of friends. Brush Art Ventures is, in fact, a gallery. Galleries have shows, and here’s hoping Ms. Brush keeps the energy going! Check out her website: www.brushartventures.com, to see a list of represented artists. With the departure of Culture Front salons, a hole needs to be filled. Maybe it can be filled here?
Many thanks to Ms. Brush for supplying images for this post! I took a few shots; hers are better!
Brush happens to represent noted California artist Jeremy Morgan, who opens a show Friday, Feb 28th, alongside 12 local artists, at the Art Association. Morgan will be there! Thomas Macker relays that the opening reception runs 5:30 – 7:30 pm, and will feature Morgan’s work and the work of his dedicated students from years past. This year’s workshop, “Realism to Abstraction,” offers a fresh opportunity to study with a master right here in Jackson, says Macker. www.artassociation.org .
Lots of new work in at Heather James Fine Art’s Jackson gallery. Including this beauty, a classic, our generation’s big art flag: Robert Indiana’s “LOVE.” The gallery is open this month, stop in and warm to the message! www.heatherjames.com.
Behind the eight ball, as they say.
In the weeks leading up to my recent getaway I was so busy putting the finishing touches on freelance assignments, writing this blog and preparing for the trip that I failed to notice Meg Daly’s news about resigning her Culture Front website and its related efforts. Her reasons for doing so are there for anyone to read on Culture Front’s blog, still live.
Daly provided fresh ways for our community to look at and think about art. So many of us vigorously participated in Culture Front’s salons at The Rose. When Daly was preparing to launch her site she had the grace to invite me to tea to talk about her vision. Many would have simply and bluntly launched, without bothering to communicate to me that a new local arts blog was on the horizon.
I won’t forget that, and I’ll miss the collaboration we shared.
Thank you, Meg. Where’s my heart emoticon?
So many goodies sailing in via snail and email! Spoiler alert: there’s likely to be a lot of stream of consciousness in this post…
That word, “email,” today reminds me of that childhood rhyme: What are little boys made of? Snips and snails and puppy dogs’ tails; and what are little girls made of? Sugar and spice and everything nice. Here are a few art snips, laced with sugar n’ spice.
My first reactions to the work are very different from what seems to be the artist’s intent. Vogt declares: “I present issues that, if seen from an objective standpoint, seem completely incongruent with that which is preached by those in power. My goal is to neither persuade nor dissuade anyone: rather, I wish to open the gates of discussion surrounding these issues so that meaningful dialogue can replace archaic sound bites.”
I see quilt-like designs rendered using various media, and I sense more is happening in Vogt’s art-soul. Doesn’t matter, it’s all subjective. Like it. www.diehlgallery.com
Here’s an upcoming film class taking place at the Art Association. “Motion Picture Fundamentals,” with Leigh Regan, Tuesday, February 4 – March 11th, 6-8 pm. Cost: $150 for A.A. members, $175 for non-members. Description: “The class will start with a hands-on technical run-through of camera operation. Students will view and study film scenes as examples. Whether you want to learn better techniques to shoot a family video, create a YouTube video or have aspirations to make your own film, this course will give the tools and creative inspiration to boost your shooting to the next level.” Where is she, and what is she filming in this image, I wonder? Can we go there? www.artassociation.org Phone: (307) 733- 6379.
An opening reception takes place at the Tayloe Piggott Gallery on Friday, February 7th, 5-8:00 pm for two new exhibitions: Lee Hall’s “Visual Poetry” and Robert Motherwell, “A Collection of Works, 1970 – 1990.”
You know Motherwell’s work, and my hope was to find a snagable image of Piggott’s mailer depicting Hall’s “Italian Fragment,” an abstract acyrlic on paper recalling gorgeous ancient tile work. Hopes dashed. Instead, get an idea of Hall’s style, fine geometrical arrangements and mixes of color from the image above, a collage on paper. Visit www.tayloepiggottgallery.com.
Drove by ITP after dark the other evening. Lights on, painters painting in there. Nice.
Bushwhacking through dense underbrush and tangled bunches of new and old-growth forest one afternoon with two of the three Trio Fine Art artists, I finally “got” what determination means when it comes to plain air painting. I’ve loved and been close to plain air for decades, but rarely get a chance to go with painters to protected, coveted painting sites. This day was different, and following the footsteps of Jennifer Hoffman and Bill Sawczuk as they marked a painting spot on protected land can be defined, without hesitation, as adventure.
When bellowing bull elk bear down on you, suggesting you’d be better off moving some yards to the south, you pick up your paint box and move it. Hoffman tells the story of that day much better than I; We ventured out on the Ladd property. You think you know what you’re doing, but this valley is always full of surprises…read the story here.
View22: Painting Jackson Hole’s Open Spaces is a collaboration and fundraiser art exhibition featuring the works of artists Kathryn Turner, Hoffman and Sawczuk. The exhibition’s opening reception takes place Friday, December 6th, at Trio Fine Art on North Cache. Time is 5-8 pm, with artists’ remarks beginning at 6pm. The exhibition remains up through December 21st. A portion of exhibition sales benefit the Jackson Hole Land Trust.
Drawing inspiration from Thomas Moran, the painter responsible for capturing Yellowstone’s rugged beauty so magnificently that Congress declared it and Grand Teton as national parks, View 22 celebrates the Jackson Hole Land Trust’s conservation efforts that have so dramatically affected our open spaces, and works to further cement the eternal bond between art and nature.
This past summer and early fall saw Turner, Hoffman and Sawczuk visiting an array of preserved open spaces, often not available to the public, and painting their landscapes, wildlife and historic valley structures. Besides benefitting the Land Trust, this show shines a light on special land tracts many of us don’t get a chance to see. Or, if you have had the luck to visit them, you may view each of these places anew. Eighteen protected properties were captured en plein air for the project; 23,000 acres have been protected by the Land Trust.
“As full-time landscape painters in Jackson Hole, we have a vital interest in the preservation of open space within our valley. It is the natural beauty found in wide open spaces that inspires our creativity. Through sharing our interpretations of the landscape, we hope to shine a spotlight on the importance of conservation efforts made possible by the Jackson Hole Land Trust,” said Turner, Hoffman, and Sawczuk.
A View 22 produced video of the artists, their activities and several locations they visited can be viewed here.
Land Trust Executive Director Laurie Andrews is thrilled with Trio Fine Art’s commitment. “Through Trio’s artists’ deep understanding of how the valley’s protected open spaces affect their daily lives, and [through] their talent and creativity, they’ve shown us all a very special view of [the Land Trust’s] work.”