Tag Archives: Jackson Hole Art Galleries

Erin C. O’Connor Paints for Morocco; Walker at Altamira

Erin C. O'Connor - Untitled

Erin C. O’Connor – Untitled

“The mission of the Atlas Cultural Foundation is to help underserved Moroccans, especially women and children, and improve their quality of life through locally determined development projects.” Cloe Erickson, Founder

“The people are living exactly they way they have for hundreds and hundreds of years. Stone houses, sheep, goats, a very marginal existence. They are agricultural, but it’s extremely sparse terrain. You can’t truly realize how lush and beautiful it is here until you visit places like these.” – Jackson Artist Erin C. O’Connor

Even the briefest of visits to the Morocco-based  Atlas Cultural Foundation will take your breath away. People, music, swirling rainbows of cloth, smiling children, the purity of souls, laughter, donkeys loaded with grains making their way up steep mountainsides on paths as wide as piece of thread, stone houses seemingly impossible to build…African light on high cliffs, solitary townspeople under tents, illuminated by candlelight.

By Erin C. O'Connor

By Erin C. O’Connor

“These villages,” says plein air painter Erin O’Connor, “are in the High Atlas Mountains, in the middle of nowhere, at the end of a dirt road that probably should have ended 60 miles before it does. It’s unimaginable. The area was the last place for the French Foreign Legion to access, it is so remote.”

Recently O’Connor and a colleague landed the chance to go to Morocco, visit the Atlas Mountains and spend time in the ancient city of Medina, as part of an Atlas awareness-raising initiative. A Montana patron with a strong interest in the organization’s mission financed the trip. O’Connor’s paintings and works by other artists will be offered for sale on February 6th, at a private event in Bozeman, Montana.

“I’d always wanted to go to Morocco. EVERYTHING there is art: the wrought iron on the windows, the tile work, the architecture, the doors, I wanted to paint it all,” says O’Connor. “This opportunity came up,  andI had to say ‘yes.’ It was serendipitous. The funny thing is, I have always considered myself a plein air landscape painter, but being in Marrakesh, in the oldest part the Medina, 8,ooo years old, it was all small alley ways, souks (marketplaces), so many people in such a small place. I was forced to paint in really tight corners! I had two jobs every day: one was to go out and prove just how much my French sucks and the other was to get lost! You go through humbly.”

O’Connor began her trek in the Medina, where she spent almost a week on her own, painting. One day she found herself wedged up in a small souk corner, people pushing by her in huge throngs, very intense for a solitary outdoor artist.

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Opening My Art Mail

Casy Vogt - American Gothika. House paint, collage, resin on panel 24" x 24"

Casy Vogt – American Gothika.
House paint, collage, resin on panel
24″ x 24″

So many goodies sailing in via snail and email!  Spoiler alert: there’s likely to be a lot of stream of consciousness in this post…

That word, “email,” today reminds me of that childhood rhyme: What are little boys made of? Snips and snails and puppy dogs’ tails; and what are little girls made of? Sugar and spice and everything nice. Here are a few art snips, laced with sugar n’ spice.

The Diehl Gallery takes pride in presenting the art of Casey Vogt. Vogt is “a kind of photojournalist,” capturing in mixed media works “what the prevalent winds blow.”

My first reactions to the work are very different from what seems to be the artist’s intent. Vogt declares: “I present issues that, if seen from an objective standpoint, seem completely incongruent with that which is preached by those in power. My goal is to neither persuade nor dissuade anyone: rather, I wish to open the gates of discussion surrounding these issues so that meaningful dialogue can replace archaic sound bites.”

I see quilt-like designs rendered using various media, and I sense more is happening in Vogt’s art-soul. Doesn’t matter, it’s all subjective. Like it. www.diehlgallery.com

496“More about film, Tammy!” I hear that a lot. Okay!

Here’s an upcoming film class taking place at the Art Association. “Motion Picture Fundamentals,” with Leigh Regan, Tuesday, February 4 – March 11th, 6-8 pm. Cost:  $150 for A.A. members, $175 for non-members. Description: “The class will start with a hands-on technical run-through of camera operation. Students will view and study film scenes as examples. Whether you want to learn better techniques to shoot a family video, create a YouTube video or have aspirations to make your own film, this course will give the tools and creative inspiration to boost your shooting to the next level.”  Where is she, and what is she filming in this image, I wonder? Can we go there? www.artassociation.org  Phone: (307) 733- 6379.

 

Lee Hall, "Rome Wall Study 11,"  2010. Collage on paper.

Lee Hall, “Rome Wall Study 11,” 2010.
Collage on paper.

An opening reception takes place at the Tayloe Piggott Gallery on Friday, February 7th, 5-8:00 pm for two new exhibitions: Lee Hall’s “Visual Poetry” and Robert Motherwell, “A Collection of Works, 1970 – 1990.”

You know Motherwell’s work, and my hope was to find a snagable image of Piggott’s mailer depicting Hall’s “Italian Fragment,” an abstract acyrlic on paper recalling gorgeous ancient tile work. Hopes dashed. Instead, get an idea of Hall’s style, fine geometrical arrangements and mixes of color from the image above, a collage on paper. Visit www.tayloepiggottgallery.com.

Drove by ITP after dark the other evening. Lights on, painters painting in there. Nice.

 

Eye On Jackson Hole Art: What’s Happening?

Eye

Eye, yai yai~~~Happy New Year, Jackson!  It’s nice to see you again. Been visiting family and taking in the views offered up by rosy winter lake sunsets, frozen, wind-whipped pines, friends, the Yale Art Museum (try closing your eyes in there!), tasting good soul food—and now it’s time to catch up around here.

Today’s post is a warm-up, so I’ll list items from my “in box” that many of you may already know about. Or maybe, like me, you’ve been away. Here goes:

Altamira Fine Art is headed to the L.A. Art Show, 2014, January 15-19, 2014 Booth 240. Altamira artists “Billy” Schenck, Ed Mell (they got him!), R. Tom Gilleon, Glenn Dean, Rocky Hawkins and selected paintings from Fritz Scholder (1937-2005). Opening night party: 1/15/14, 8-11:00 pm.  www.altamiraart.com

la_artshowemail

David Swift is artfully photographing high-octane performers swinging through the theater doors at the J.H.Center for the Arts. He is clearly enjoying himself! “Giddy” is the word I’d use. BTW, the New York Times recently ran a travel article on Jackson’s ski scene.  Paper edition photo captions were way off~~the scenes did not depict what the captions described, and the captions were out of order. Still, great coverage for J.H. A source tells me that story was in the NYT hopper last summer, and one special gallery they mentioned was Cayuse Western Americana. Good get. 

The National Museum of Wildlife Art’s next “Mix’d Media – Darwin’s Legacy” takes place at the museum on Thursday, January 9th, 6-9 pm. Additionally, Director of Education Jane Lavino has posted a new NMWA job opening — Part-Time Assistant Curator of Education. Check it out at   http://www.wildlifeart.org/about/employment/

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Jackson artist Todd Kosharek opens a show of new works — the first to be hosted by the Center for the Arts — at the Center Theater Gallery. An Exhibit Opening takes place on Friday, January 17th, 5:30-7:30pm. “Interiors/Exteriors” explores the artist’s two painting styles, both highly developed. The show remains up January 13-29th, 2013. Love the promotional image, it’s like a 60’s record cover –twist and shout! More on Kosharek’s show in our next post.

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Direct from Wyoming Arts (verbatim):  The Visual Arts Fellowship application is now open! Deadline: March 10. Applications will be accepted on CaFE only (www.callforentry.com). Visual artists of all kinds, including film and video, are invited to apply. More information available in the call on CaFE or at http://wyoarts.state.wy.us/wac-grant/fellowship-for-visual-artists/. Juror information in included on the webpage. Additionally, CLICK! is coming together! Save the date for April 4-5 in Fort Washakie/Lander. Information and registration will be available mid-January. Want to know more about Wyoming Visual Arts happenings? Sign up for their list serve:  http://www.openvistas.net/sign_up.html

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Some dude is publicly persistent in his queries about  J.H. Public Art  project press releases on our community list serve. Anyone know this guy? Whatever is going on there, I’ll include that arts non-profit’s new “call for entries” information in my next post, too.

For you at this New Year, Jackson, a tiny excerpt from “All the Hemispheres,” by Sufi Poet Hafiz: Leave the familiar for a while/Let your senses and bodies stretch out/Like a welcomed season/Onto the meadows and shores and hills./Open up the roof.

 

 

 

Powder Girls with Power at Horizon Fine Art

Artwork by Holly Manneck

Holly Manneck – Meet You at the Bottom – Mixed Media

All around town, vintage-style poster art, large scale murals and paintings are gaining presence. Could we be missing the alpine spirit of the 50’s? And really short swing skirts? A few weeks ago as I browsed a local gift shop, a staffer commented that a Philadelphia couple had, upon seeing a replica of a national park poster on the wall, exclaimed to each other “That’s it!”  The couple paid about $35 for the print, and the storekeeper was surprised, as she didn’t think the poster would be a big seller. She wondered out loud why the print would appeal, and I offered that it depicted a nostalgic vision of a wintry Greater Yellowstone region. It was a classic.

“In my art I try to capture the universal human spirit from a female’s point of view. Everyone should be able to achieve their hopes and dreams no matter their gender, race or religious background,” says artist Holly Manneck, whose work can now be found at Horizon Fine Art, on King Street.

People, says Manneck, all want and deserve the same things: a sense of belonging, security, the ability to make choices and realize dreams, to grow and act with compassion. Judging from her work, I believe there’s another spiritual element Manneck values: Joy.

Our dreams often merge what we wish for and what is with pure imagination. Manneck illustrates the elation of “ordinary” experiences—-bike riding, skiing, swimming, a walk, celebrity crushes—-by overlapping them with specific physical place, layering texture, her own photography, color and humor into each piece.

Holly Manneck - Wildcats

Holly Manneck – Wildcats – Mixed Media

The world moves like greased lightning, technology has changed us as a society, and it’s a constant effort to keep up. Manneck hopes her art reflects simpler times, allows a moment to slow down, allows the luxury of reflection and sense of pure fun. No checking your messages, no texting from the car. Pas de “tweet.”

“Holly’s works are so perfect for our area and are such a different take on vintage images,” says Horizon Fine Art’s Mary Rossington. “They captured my interest immediately, and we are thrilled to welcome Holly as one of our artists.”

Manneck recreates these women in part to give them a greater voice than they may have had during their lifetimes…outside of sports, I’d say! Plenty of exceptional athletes here!  She wishes  to convey the strengths women openly enjoy and employ today…and will tomorrow. Go see them.  www.horizonfineartgallery.co

Holly Mannek

Holly Mannek- The Mermaids of Yellowstone – Mixed Media

 

 

 

 

 

Community Supported Art Info at Brew Pub; Wild Wednesdays; Yellow Tulips

rocket-launchA Community Supported Arts informational meeting takes place at the Snake River Brewery (Brew Pub!) on Tuesday, December 17th, 5:30 – 6:30 pm.

“Having launched the Community Supported Art program a couple of weeks ago with a call for artists, CSA Jackson Hole is hosting an informational meeting for artists to learn more about the project,” says CSA founder Alissa Davies.

Currently, says Davies, CSA Jackson Hole is looking for local artists of all disciplines to apply to the new and innovative program. Nine artists will be featured during the summer of 2014, with names being announced in January. The deadline for artists to apply is January 13, 2014.

CSA Jackson Hole is modeled on Community Supported Agriculture programs, programs that are gaining popularity everywhere, every year.

Courtesy Philadelphia Generosity

Courtesy Philadelphia Generosity

Selected artists will receive a commission to create 40 “shares,” and potential collectors may purchase a share. In return they receive crates of locally produced artwork at three “pick-up parties” next summer. Each shareholder receives one piece from each of the nine CSA artists over the course of the summer. Pick-up parties take place at various local venues and will be festive occasions— enjoy music, food, and the chance to meet that evening’s featured artists and their work. For more information, contact Alissa Davies at 307.690.4757 or csajacksonhole@gmail.com.

Sculpture by Kent Ullberg

Sculpture by Kent Ullberg

Remember Tapas Tuesdays?

Now there’s “Wild Wednesdays,” a day of the week to visit the National Museum of Wildlife Art, enjoy the museum’s fine art collection, sit down to delicious food served up by Rising Sage Café and hear a little music. Piano music, to be precise, performed by Francis Koerber. Shop the gift store, open until 7:00 pm. Doors are open 5:30 – 8:00 pm. Reservations are strongly suggested; call (307) 732-5434, and view the winter dinner schedule online at www.WildlifeArt.org

Alex Katz - Yellow Tulips

Alex Katz – Yellow Tulips

On Friday, December 13th, the Tayloe Piggott Gallery opens its new show, an exhibition of works by Alex Katz. An opening reception takes place that evening, 5-8:00 pm, and the exhibition remains up through January 31, 2014.

Associated with the Pop Artists, Katz’s work blossomed once the artist began studying at Manhattan’s Cooper Union Art School. The rest is a long, successful, high-profile history: read Katz’s full bio here. Piggott is noted for her ability to corral internationally renowned artists and draw selections of their work to Jackson Hole.

I do love this bit, pulled from Katz’s bio:

“During his years at Cooper Union, Katz had been exposed primarily to modern art and was taught to paint from drawings. Skowhegan exposed him to painting from life, which would prove pivotal in his development as a painter and remains a staple of his practices today. Katz explains that Skowhegan’s plein air painting gave him ‘a reason to devote my life to painting.’ ”  www.tayloepiggottgallery.com