Tag Archives: Sculpture

Rural Violence & Baby Ask: Women, Horses, Mountains, Music & More

“A new year is upon us, marking a time for reflection and anticipation. 2016 was a turbulent year, underscoring the important role art plays in encouraging dialogue between people and reflection upon ourselves.” ~  Art Advisor and Producer Camille Obering 

A heads up: Viewer discretion advised. This clip contains images of a live butchering. I want to post this latest in Obering & Friends “Rural Violence”  film-documented performance piece for the reasons Obering gives, and I’ve reached out to Obering with questions. At post time, the Jackson Hole Art Blog hasn’t received a response.

So I’ll put it to you, readers. The filmmakers wish to address many themes, and here’s the list, directly quoted:

– Death and destruction leading to life and enlightenment.

– Creating awareness that the luxuries many thoughtlessly consume often have a backstory (sic) many reproach (food production, electricity, transportation, cheap anything).

– Humanity’s animalistic (sic) instincts such as dominance, submission, struggle, proliferation, and acknowledging the grey area that exists separating humans from beasts.

– Persecution of the innocent.

– Tension created between what one considers natural verses amoral.

– How sanitized and curated our lives are, and how short our attention spans have become.

– Finding beauty in and meditating on what could be considered brutal.

These are themes we examine constantly; we’re a very aware generation or two; in Jackson alone we have two very fine organic food markets. That’s privilege, and we have a multitude of options when it comes to buying our food. We know that even organic meat gets butchered. How animals live their lives before butchering is most important: are they treated humanely or confined to horrific conditions? What were the circumstances for this animal? How did this creature end up as the “Rural Violence” star? Is it the “innocent?”

Camille Obering on set.

I’m not a vegetarian, but I do question my choices and often think about what took place before I pluck the sanitized package of meat I’ve just bought from the rack. Every day tensions between the haves and have-nots become more visible.  We are a community packed with environmentalists, biologists, forestry experts, wildlife biologists, fishermen, ornithologists and  conservation activists. Many hunt to feed their families.

Yet, for the touring public coming to visit Jackson Hole, any reference to how indigenous cultures survived and hunted are pretty smoothed over. Places you might find full-faced references are the J.H. Historical Societythe Yellowstone and Grand Teton Visitor Centers, the Library, the National Museum of Wildlife Art and National Geographic, just to name a few.

So what is new about these messages? I don’t think the themes are surprising; what’s new is how they’ve been treated in this piece of film. Rather than replicating, how about presenting a true indigenous group carrying out a routine life ritual? Would that get the point across? It’s the conversation I’d have. It’s a question, and raising questions is a primary goal here.

There’s beauty, poetry and reverence in this clip. I’m grateful to receive and share it. Thanks to Planet Jackson Hole and Meg Daly for the link!  www.camilleobering.com

Maddy German

A Song Bird’s “Baby Ask” 

A second locally produced video, “Baby Ask,” is in its final week of fundraising on Kickstarter, looking for dollars to offset costs of a ready-to-roll music video starring local songstress Maddy German. The video premiers at Jackson’s Center for the Arts at 6:00 pm, January 27th. 

German and her Band

Inspired by emotional upheaval, personal growth and, as it turns out, upheaval within the film’s production group and the rupture of German’s relationship with a former beau, the flick has two goals: transferring to film the struggles we experience with our “other selves,” and help launch a larger musical career for German and her crew.

You can catch the “Baby Ask” trailer here:  https://www.kickstarter.com/projects/497811323/baby-ask-a-music-video-from-wyoming

Woodard and Schenck Win the West at Altamira Fine Art

Greg Woodard Indian Head Penny, Edition of 17 Bronze 36 x 30 x 16 inches

Greg Woodard
Indian Head Penny, Edition of 17
Bronze
36 x 30 x 16 inches

At Altamira Fine Art, September 1-10th are exhibition days devoted to artists exploring Native American (or “Indian,” as John Byrne Cooke insists we should be writing), culture and themes. Sculptor Greg Woodard has been subtly, and not so subtly creating visions of myths and symbols of a West that flourished before white men destroyed almost every vestige of the Indian nations. His newest show, Breakthrough, gives us more of Woodard’s emotional, heroic sculptures erupting from the earth, and writhing, proud and primal portrayals of Native Americans and Western wildlife.

Woodard, a master falconer, says he allows his sculptures to develop naturally—there are no preconceptions. Each edition reveals its own hue and texture.

“I try to achieve a unique gesture, and use the process that a piece goes through getting cast to my advantage. I’m very involved at the foundry,” says Woodard. “I chase the waxes and do every patina by hand.”

Woodard's Bison Coin sculpture at NMWA. Photo by Tammy Christel

Woodard’s Bison Coin sculpture at NMWA. Photo by Tammy Christel

Woodard was on hand this summer at the National Museum of Wildlife Art’s Annual Plein Air Festival. The event highlights true plein air artists, but sculptors and non-traditional artists also take part. Woodard’s open, friendly ways stand in contrast to the intensity of his work. That day, Woodard was shaping a piece for a bronze sculpture depicting a buffalo’s profile turned on its axis within a weathered coin’s diameter. Below Woodard and his sculpture, pacing the sage-covered incline, was sculptor Richard Loffler’s buffalo installation. Two “presents” looking back, foretelling America’s future.

An artist’s reception will be held at Altamira on Friday, September 11, 5-8:00 pm, during the Fall Arts Festival’s “Palettes and Palates”ArtWalk. www.altamiraart.com.

Billy Schenck: Three Minutes from Eternity. Enquire!

Billy Schenck: Three Minutes from Eternity. Enquire!

Congratulations to Billy Schenck and Altamira Fine Art for Schenck’s encore performance as 2015’s Jackson Hole Fall Arts Festival Poster Artist. This is his second trip down the Featured Poster Artist aisle, and he’s having a blast. Altamira’s website does not post a price for the original~~that’s because it will be auctioned off at the Fall Arts Annual Quick Draw on the Town Square. Bring the big bucks! The Quick Draw is truly Jackson’s favorite Festival happening~~~I believe it’s outpaced Palates and Palettes. Two completely different events, but there’s purity in the Quick Draw. Family Fun. Sparkling fall mornings. Artists on hand in one place, quick on the painting and sculpting draw.

This Schenck is on Altamira’s site. I have to post it. If this doesn’t leave you smiling….I give up!

Billy Schenck - Columbus Discovered the Tetons. Oil on Canvas 35 x 45 inches.

Billy Schenck. Columbus Discovered the Tetons. Oil on Canvas. 35 x 45″

 

 

Whodunnit?; More Morlock; Frozen Martini Glasses; Gov’s Award

On the evening of March 9, at 5:30 pm, the Art Association presents its popular fundraising sale, Whodunnit?, at the Jackson Hole Center for the Arts Theater Lobby.

An annual favorite, Whodunnit? is a one-night event, exhibiting and selling many dozens (that’s my best estimate) of small works (6 x 6 inches) that sell for $99 each at the close of the evening. The twist is two-fold: 1) Artist identities are unknown 2) Works are sold by lottery to one of the list of bidders listing their name as wanting to purchase the art. Artists’ identities are revealed at the end of the evening, once works are purchased. Bidders might go home with works by well-known local artists, or participating artists from around the country. Some of the finest works are created by folks not necessarily familiar to Jackson’s arts community.

Are you able to recognize many local artists’ styles? Well, you may guess correctly about who created what some of the time…but usually, there are many surprises. Artist names known, artists names not-so-known; it doesn’t matter, the talent and diversity of works speak for themselves. Check it out! www.artassociation.org

 

 

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Six Stories; J.H. Art Auction Open for Business; Bits, Spurs at Cayuse

Six Stories, a show curated by artist and educator Bronwyn Minton, is on exhibition at the Art Association February 17-March 30, 2012. An opening reception takes place at the Art Association’s Glenwood Lobby Gallery on February 17, 5:30 – 7:30 pm. Works in the show are inspired by favorite books read in childhood. Invited artists include Alissa Davies, Calla Grimes, Jenny Dowd, Rachel Kunkle Hartz and Suzanne Morlock. 

“I kept coming back to Miss Rumphius by Barbara Cooney, a wonderful book about a young girl who is told by her father that the one thing she must do in life is make the world more beautiful,” says Davies. “Combining the book’s essence with another favorite, Charlotte’s Web, was my inspiration. I hope to invoke beauty with my pod-piece, as well as a “web” that snakes up the gallery’s wall.”

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Arts Aloha; Beaches Yield Arts Riches; Rocky Mountain Art Books

My sister went to Maui, and I got these cool pictures!

Sarah & Jeff had their belated wedding honeymoon in the Hawaiian Islands. A few cloudy days sent them exploring. These massive willow sculptures are installed on the grounds of Hui No‘eau Visual Arts Center, in Maui’s Upcountry. If you’ve visited Maui, you know the island’s landscape changes dramatically, depending on where you are on the island. Upcountry reminds me of Scotland’s Highlands, with its rolling mists, farms, livestock and stone walls. Hard to believe you’re on the slopes of Haleakala volcano.

Hui No’eau’s art studios are the only public art studios on Maui. The facility offers year-round classes to island residents and visitors. It occupies an expansive historic estate, Kaluanui, designed in 1917, “by the distinguished architect C.W. Dickey for Harry Baldwin and his wife, Ethel, who founded Hui No‘eau in 1934. The late Colin Cameron, grandson of the Baldwins and former president of Maui Land & Pineapple Co., generously granted Hui No‘eau use of Kaluanui as a visual arts center in 1976.” The center’s website says classrooms, studios, exhibiton space and offices are in the main house, while an “in-house dairy serves as Maui’s only public photography darkroom space.”  Kaluanui’s former den is a gift shop and gallery.  www.huinoeau.com

 

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